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Cry of the Renegade : Politics and Poetry .. by Raymond B. Craib (2016, HC)
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Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190241357
ISBN-13
9780190241353
eBay Product ID (ePID)
219212035
Product Key Features
Number of Pages
288 Pages
Language
English
Publication Name
Cry of the Renegade : Politics and Poetry in Interwar Chile
Publication Year
2016
Subject
Political Ideologies / Anarchism, History & Theory, Social History, World / Caribbean & Latin American, Violence in Society, Latin America / Central America, Latin America / South America
Type
Textbook
Subject Area
Political Science, Social Science, History
Format
Hardcover
Dimensions
Item Height
3 in
Item Weight
19.2 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-042158
TitleLeading
The
Dewey Edition
23
Reviews
"Craib's narrative is both simple and elegant, at the same time Reading this book is nothing short of a joy. His style is engaging and it is indeed very difficult to put the book down while you start reading it. He brings together with great skill cultural commentary, with history, sociological insights, and anthropological concerns, blending it all into a narrative that flows steadily. Although this is a book about a particular time and place populated by people who make sense in this very specific context, it has much to teach radicals today facing similar challenges. As such, this is more than a history book and becomes a companion to people who are trying to change the world."--Jos Antonio Gutirrez D., Anarkismo "Through a deep, moving, historically embedded homage to Chilean student, poet, and rebel Gmez Rojas, Craib illuminates an entire epoch of emancipatory fervor, circulating internationally but solidly rooted in the lived experience of Santiago. Very, very rarely is history so vivid, closely documented, passionate, and, above all, alive."-James C. Scott, Yale University "Craib uses the life and death of an anarchist poet, his friends and comrades, as a window on an era, a city, a country, and a movement. This is a luminous book, hard-hitting and incisive, but also eloquent and nuanced, at once an evocative account of everyday anarchism and a portrait of the 'capacious left' of the post-World War I years, when students and workers joined together to protest social injustice." -Peter Winn, author of Weavers of Revolution "Approaching anarchism not so much as an ideology or a movement, but rather as a personal and collective disposition to what he terms 'insolence,' Raymond Craib explains brilliantly what drew people to anarchist ideas and forms of activism. A rich and compelling narrative history that marshals, effortlessly, economic, social, and political history and an impressive range of sources, The Cry of the Renegade sheds new light on a pivotal moment in Chile's modern history while making a major and highly original contribution to the comparative study of anarchism."-Paulo Drinot, author of The Allure of Labor: Workers, Race and the Making of the Peruvian State "Raymond Craib's wise and informative book narrates the violence-and the context of the violence-of the third week of July 1920 in Santiago, Chile, which was marked by the imprisonment of a great many young anarchists, guilty of thinking ideas about a more just society. Among them was Jos Domingo Gmez Rojas, a 24-year-old poet who was tortured and died after weeks in prison. Gmez Rojas's spirit and the spirit of his poetry live on in Craib's The Cry of the Renegade. This book is a service to the history of Chile, to the history of Latin America, and to the history of the world."-Thomas E. Kennedy, author of The Copenhagen Quartet, "The link Craib makes with the transnational aspect takes the book from the details of what was happening in Santiago in a particular moments in time and puts it in context, giving a sense and perspective to the decision making of the authorities and the discourses and speeches of those considered subversive."--Camila Gatica, Reviews in History "Craib's narrative is both simple and elegant, at the same time Reading this book is nothing short of a joy. His style is engaging and it is indeed very difficult to put the book down while you start reading it. He brings together with great skill cultural commentary, with history, sociological insights, and anthropological concerns, blending it all into a narrative that flows steadily. Although this is a book about a particular time and place populated by people who make sense in this very specific context, it has much to teach radicals today facing similar challenges. As such, this is more than a history book and becomes a companion to people who are trying to change the world."--Jos Antonio Gutirrez D., Anarkismo "Through a deep, moving, historically embedded homage to Chilean student, poet, and rebel Gmez Rojas, Craib illuminates an entire epoch of emancipatory fervor, circulating internationally but solidly rooted in the lived experience of Santiago. Very, very rarely is history so vivid, closely documented, passionate, and, above all, alive."--James C. Scott, Yale University "Craib uses the life and death of an anarchist poet, his friends and comrades, as a window on an era, a city, a country, and a movement. This is a luminous book, hard-hitting and incisive, but also eloquent and nuanced, at once an evocative account of everyday anarchism and a portrait of the 'capacious left' of the post-World War I years, when students and workers joined together to protest social injustice."--Peter Winn, author of Weavers of Revolution "Approaching anarchism not so much as an ideology or a movement, but rather as a personal and collective disposition to what he terms 'insolence,' Raymond Craib explains brilliantly what drew people to anarchist ideas and forms of activism. A rich and compelling narrative history that marshals, effortlessly, economic, social, and political history and an impressive range of sources, he Cry of the Renegade sheds new light on a pivotal moment in Chile's modern history while making a major and highly original contribution to the comparative study of anarchism."--Paulo Drinot, author of The Allure of Labor: Workers, Race and the Making of the Peruvian State "Raymond Craib's wise and informative book narrates the violence--and the context of the violence--of the third week of July 1920 in Santiago, Chile, which was marked by the imprisonment of a great many young anarchists, guilty of thinking ideas about a more just society. Among them was Jos Domingo Gmez Rojas, a 24-year-old poet who was tortured and died after weeks in prison. Gmez Rojas's spirit and the spirit of his poetry live on in Craib's The Cry of the Renegade. This book is a service to the history of Chile, to the history of Latin America, and to the history of the world."--Thomas E. Kennedy, author of The Copenhagen Quartet, "The link Craib makes with the transnational aspect takes the book from the details of what was happening in Santiago in a particular moments in time and puts it in context, giving a sense and perspective to the decision making of the authorities and the discourses and speeches of those considered subversive."--Camila Gatica, Reviews in History "Craib's narrative is both simple and elegant, at the same time Reading this book is nothing short of a joy. His style is engaging and it is indeed very difficult to put the book down while you start reading it. He brings together with great skill cultural commentary, with history, sociological insights, and anthropological concerns, blending it all into a narrative that flows steadily. Although this is a book about a particular time and place populated by people who make sense in this very specific context, it has much to teach radicals today facing similar challenges. As such, this is more than a history book and becomes a companion to people who are trying to change the world."--Jos Antonio Gutirrez D., Anarkismo "Through a deep, moving, historically embedded homage to Chilean student, poet, and rebel Gmez Rojas, Craib illuminates an entire epoch of emancipatory fervor, circulating internationally but solidly rooted in the lived experience of Santiago. Very, very rarely is history so vivid, closely documented, passionate, and, above all, alive."-James C. Scott, Yale University "Craib uses the life and death of an anarchist poet, his friends and comrades, as a window on an era, a city, a country, and a movement. This is a luminous book, hard-hitting and incisive, but also eloquent and nuanced, at once an evocative account of everyday anarchism and a portrait of the 'capacious left' of the post-World War I years, when students and workers joined together to protest social injustice." -Peter Winn, author of Weavers of Revolution "Approaching anarchism not so much as an ideology or a movement, but rather as a personal and collective disposition to what he terms 'insolence,' Raymond Craib explains brilliantly what drew people to anarchist ideas and forms of activism. A rich and compelling narrative history that marshals, effortlessly, economic, social, and political history and an impressive range of sources, The Cry of the Renegade sheds new light on a pivotal moment in Chile's modern history while making a major and highly original contribution to the comparative study of anarchism."-Paulo Drinot, author of The Allure of Labor: Workers, Race and the Making of the Peruvian State "Raymond Craib's wise and informative book narrates the violence-and the context of the violence-of the third week of July 1920 in Santiago, Chile, which was marked by the imprisonment of a great many young anarchists, guilty of thinking ideas about a more just society. Among them was Jos Domingo Gmez Rojas, a 24-year-old poet who was tortured and died after weeks in prison. Gmez Rojas's spirit and the spirit of his poetry live on in Craib's The Cry of the Renegade. This book is a service to the history of Chile, to the history of Latin America, and to the history of the world."-Thomas E. Kennedy, author of The Copenhagen Quartet, "Through a deep, moving, historically embedded homage to Chilean student, poet, and rebel Gómez Rojas, Craib illuminates an entire epoch of emancipatory fervor, circulating internationally but solidly rooted in the lived experience of Santiago. Very, very rarely is history so vivid, closely documented, passionate, and, above all, alive."-James C. Scott, Yale University "Craib uses the life and death of an anarchist poet, his friends and comrades, as a window on an era, a city, a country, and a movement. This is a luminous book, hard-hitting and incisive, but also eloquent and nuanced, at once an evocative account of everyday anarchism and a portrait of the 'capacious left' of the post-World War I years, when students and workers joined together to protest social injustice." -Peter Winn, author of Weavers of Revolution "Approaching anarchism not so much as an ideology or a movement, but rather as a personal and collective disposition to what he terms 'insolence,' Raymond Craib explains brilliantly what drew people to anarchist ideas and forms of activism. A rich and compelling narrative history that marshals, effortlessly, economic, social, and political history and an impressive range of sources, The Cry of the Renegade sheds new light on a pivotal moment in Chile's modern history while making a major and highly original contribution to the comparative study of anarchism."-Paulo Drinot, author of The Allure of Labor: Workers, Race and the Making of the Peruvian State "Raymond Craib's wise and informative book narrates the violence-and the context of the violence-of the third week of July 1920 in Santiago, Chile, which was marked by the imprisonment of a great many young anarchists, guilty of thinking ideas about a more just society. Among them was José Domingo Gómez Rojas, a 24-year-old poet who was tortured and died after weeks in prison. Gómez Rojas's spirit and the spirit of his poetry live on in Craib's The Cry of the Renegade. This book is a service to the history of Chile, to the history of Latin America, and to the history of the world."-Thomas E. Kennedy, author of The Copenhagen Quartet
Illustrated
Yes
Dewey Decimal
983.06/4
Table Of Content
Acknowledgments Abbreviations Introduction 1 A Constant Sentinel 2 The Brothers Gandulfo 3 Subversive Santiago 4 A Savage State Epilogue Notes Bibliography Index
Synopsis
On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of José Domingo Gómez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade" Gómez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of the social order, subversives who had the temerity to question national policy making, and insolent youths who did not know their place. Arrested for alleged sedition as part of a five-month-long "prosecution of subversives," Gómez Rojas joined other students and workers in Santiago's prison system. He never left. After two months in police custody, he died in Santiago's asylum, quickly to be reborn as a political martyr for students and workers alike. This microhistory recovers the context within which Gómez Rojas's arrest, imprisonment, and death unfolded and the experiences of men he counted as friends, comrades, colleagues, mentors, and pupils. Fifty years before the much-heralded student movements of 1968, Raymond Craib shows, university students and workers were active political collaborators and radicalized political subjects. In interwar Chile, members of Chile's sizeable working class marched side-by-side with students from the FECh. At the same time, increasingly radicalized university students, as well as former students, workers, and worker-intellectuals, gathered together to talk, read, and find common cause. Members of what Craib calls a "capacious Left" they shared a wide-ranging interest in works of sociology and political theory, a penchant for poetry, and an eclectic embrace of anarchist, socialist, and communist principles and practices. They also shared the experience of repression, an experience that ultimately cost Gómez Rojas his life and marked an entire generation of political organizers and agitators, including future president Salvador Allende and poet Pablo Neruda., On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of José Domingo Gómez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade" Gómez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of the social order, subversives who had the temerity to question national policy making, and insolent youths who did not know their place. Arrested for alleged sedition as part of a five-month-long "prosecution of subversives," Gómez Rojas joined other students and workers in Santiago's prison system. He never left. After two months in police custody, he died in Santiago's asylum, quickly to be reborn as a political martyr for students and workers alike.This microhistory recovers the context within which Gómez Rojas's arrest, imprisonment, and death unfolded and the experiences of men he counted as friends, comrades, colleagues, mentors, and pupils. Fifty years before the much-heralded student movements of 1968, Raymond Craib shows, university students and workers were active political collaborators and radicalized political subjects. In interwar Chile, members of Chile's sizeable working class marched side-by-side with students from the FECh. At the same time, increasingly radicalized university students, as well as former students, workers, and worker-intellectuals, gathered together to talk, read, and find common cause. Members of what Craib calls a "capacious Left" they shared a wide-ranging interest in works of sociology and political theory, a penchant for poetry, and an eclectic embrace of anarchist, socialist, and communist principles and practices. They also shared the experience of repression, an experience that ultimately cost Gómez Rojas his life and marked an entire generation of political organizers and agitators, including future president Salvador Allende and poet Pablo Neruda., Twenty four year old José Domingo Gómez Rojas died on September 29, 1920, after two months in police custody. Why and how did Gómez Rojas--the "young hope of Chilean poetry," as Pablo Neruda would call him--end up dead in police custody? This book narrates the remarkable lives and political work undertaken by Gómez Rojas and his fellow workers and students in Chile to shed light on the collaboration among students and workers in politics, particularly anarchism, socialism, and Left politics, in Chile and beyond., On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of JosDomingo Gmez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade" Gmez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of the social order, subversives who had the temerity to question national policy making, and insolent youths who did not know their place. Arrested for alleged sedition as part of a five-month-long "prosecution of subversives," Gmez Rojas joined other students and workers in Santiago's prison system. He never left. After two months in police custody, he died in Santiago's asylum, quickly to be reborn as a political martyr for students and workers alike. This microhistory recovers the context within which Gmez Rojas's arrest, imprisonment, and death unfolded and the experiences of men he counted as friends, comrades, colleagues, mentors, and pupils. Fifty years before the much-heralded student movements of 1968, Raymond Craib shows, university students and workers were active political collaborators and radicalized political subjects. In interwar Chile, members of Chile's sizeable working class marched side-by-side with students from the FECh. At the same time, increasingly radicalized university students, as well as former students, workers, and worker-intellectuals, gathered together to talk, read, and find common cause. Members of what Craib calls a "capacious Left" they shared a wide-ranging interest in works of sociology and political theory, a penchant for poetry, and an eclectic embrace of anarchist, socialist, and communist principles and practices. They also shared the experience of repression, an experience that ultimately cost Gmez Rojas his life and marked an entire generation of political organizers and agitators, including future president Salvador Allende and poet Pablo Neruda., On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of Jos Domingo G mez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade" G mez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of the social order, subversives who had the temerity to question national policy making, and insolent youths who did not know their place. Arrested for alleged sedition as part of a five-month-long "prosecution of subversives," G mez Rojas joined other students and workers in Santiago's prison system. He never left. After two months in police custody, he died in Santiago's asylum, quickly to be reborn as a political martyr for students and workers alike. This microhistory recovers the context within which G mez Rojas's arrest, imprisonment, and death unfolded and the experiences of men he counted as friends, comrades, colleagues, mentors, and pupils. Fifty years before the much-heralded student movements of 1968, Raymond Craib shows, university students and workers were active political collaborators and radicalized political subjects. In interwar Chile, members of Chile's sizeable working class marched side-by-side with students from the FECh. At the same time, increasingly radicalized university students, as well as former students, workers, and worker-intellectuals, gathered together to talk, read, and find common cause. Members of what Craib calls a "capacious Left" they shared a wide-ranging interest in works of sociology and political theory, a penchant for poetry, and an eclectic embrace of anarchist, socialist, and communist principles and practices. They also shared the experience of repression, an experience that ultimately cost G mez Rojas his life and marked an entire generation of political organizers and agitators, including future president Salvador Allende and poet Pablo Neruda., On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of José Domingo Gómez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade", Gómez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of the social order, subversives who had the temerity to question national policy making, and insolent youths who did not know their place. Arrested for alleged sedition as part of a five-month-long "prosecution of subversives", Gómez Rojas joined other students and workers in Santiago's prison system. He never left. After two months in police custody, he died in Santiago's asylum, quickly to be reborn as a political martyr for students and workers alike.This microhistory recovers the context within which Gómez Rojas's arrest, imprisonment, and death unfolded and the experiences of men he counted as friends, comrades, colleagues, mentors, and pupils. Fifty years before the much-heralded student movements of 1968, Raymond Craib shows, university students and workers were active political collaborators and radicalized political subjects. In interwar Chile, members of Chile's sizeable working class marched side-by-side with students from the FECh. At the same time, increasingly radicalized university students, as well as former students, workers, and worker-intellectuals, gathered together to talk, read, and find common cause. Members of what Craib calls a "capacious Left", they shared a wide-ranging interest in works of sociology and political theory, a penchant for poetry, and an eclectic embrace of anarchist, socialist, and communist principles and practices. They also shared the experience of repression, an experience that ultimately cost Gómez Rojas his life and marked an entire generation of political organizers and agitators, including future president Salvador Allende and poet Pablo Neruda.
LC Classification Number
F3099.C76 2016
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