Delacroix Kunst & Erbe im postrevolutionären Frankreich von Elisabeth Fraser 2004

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
ISBN
9780521828291
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Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521828295
ISBN-13
9780521828291
eBay Product ID (ePID)
6012440

Product Key Features

Number of Pages
286 Pages
Language
English
Publication Name
Delacroix, Art and Patrimony in Post-Revolutionary France
Publication Year
2004
Subject
Individual Artists / General, Europe / France, Art & Politics, General, History / General
Type
Textbook
Subject Area
Art, History
Author
Elisabeth A. Fraser
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
28.7 Oz
Item Length
10 in
Item Width
7.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2003-053290
Reviews
'The cultural-historical approach to these highly aestheticised paintings, particularly in the context of the Restoration, is welcome and there is some fine visual analysis of the individual works. ... Fraser's book has much of value to say about the reception of Delacroix in the 1820s and the historical circumstances of producing, viewing, purchasing and interpreting contemporary art during the Restoration.' The Burlington Magazine, 'Fraser's book has much of value to say about the reception of Delacroix in the 1820s and the historical circumstances of producing, viewing, purchasing and interpreting contemporary art during the Restoration.' The Burlington Magazine, "Elisabeth Fraser's beautifully illustrated study of the early work of Eugene Delacroix--notably the three great paintings Dante and Virgil, Scenes from the Massacre of Chios and Death of Sardanapalus--is firmly situated in the historical context of Restoration France (1814-30)." Journal of Modern History Alan B. Spitzer, University of Iowa, 'The cultural-historical approach to these highly aestheticised paintings, particularly in the context of the Restoration, is welcome and there is some fine visual analysis of the individual works. … Fraser's book has much of value to say about the reception of Delacroix in the 1820s and the historical circumstances of producing, viewing, purchasing and interpreting contemporary art during the Restoration.' The Burlington Magazine, "An impeccably researched and cogently argued book that provides rich material for scholars in many fields." H-FRANCE, " Invigorating and original [...] Fraser's clear prose, lucid argument, and original interpretation will make her book required reading not only for scholars and students of nineteenth-century French art and its institutions, but also for those in all disciplines interested in post-revolutionary France or interdisciplinary approaches to visual and political culture." --CAA Reviews
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
759.4
Table Of Content
Introduction: Delacroix, the Bourbons, and the problem of inheritance; 1. Choosing fathers: Dante and Virgil; 2. Family as nation in the Massacres of Chios; 3. Contesting paternal authority: Delacroix, the private collector, and the public; 4. Sardanapalus: the life and death of the royal body; Epilogue: Gender and the family politics of the Restoration.
Synopsis
This book focuses on Delacroix's paintings produced during the Bourbon Restoration. Fraser shows how the family served as an important subtext in Delacroix's art and as a political emblem in the Restoration., Focusing on Eugene Delacroix's paintings from the Bourbon Restoration, Elisabeth Fraser shows how they responded to the charged cultural inheritance of the French Revolution. In her analysis of post-revolutionary French society, Fraser reveals that theefamily served as an important subtext in Delacroix's art as well as a political emblem in the Restoration. reconcile the current political scene with the traumatic past of the French Revolution. In her analysis of post-Revolutionary French society, Fraser reveals how the family served as an important subtext in Delacroix's art as well as a political emblem in the Restoration., This book focuses on Eugène Delacroix's paintings produced during the Bourbon Restoration. Elizabeth Fraser demonstrates how these works, which include many of his best known paintings, such as The Death of Sardanapalus and Scenes from the Massacre at Chios, commented on contemporary efforts to reconcile the current political situation with the traumatic past of the French Revolution. Analyzing aspects of post-Revolutionary French society, such as social, legal and artistic constructions of inheritance and lineage, Fraser shows how the family served as an important subtext in Delacroix's art and as a political emblem in the Restoration. She also shows how private art collecting and art criticism served as forms of activist citizenship. Collectively these and other topics demonstrate that Delacroix's art was as much formed by a monarchical rule, as it was part of the resistance to it.
LC Classification Number
ND553.D33 F73 2004

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