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Märtyrer machen: Die Sprache des Opfers in der russischen Kultur von Stalin bis Pu...

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ISBN
9781580469142

Über dieses Produkt

Product Identifiers

Publisher
University of Rochester Medical Press
ISBN-10
1580469140
ISBN-13
9781580469142
eBay Product ID (ePID)
240102108

Product Key Features

Number of Pages
246 Pages
Language
English
Publication Name
Making Martyrs : the Language of Sacrifice in Russian Culture from Stalin to Putin
Publication Year
2018
Subject
Russia & the Former Soviet Union, Media Studies, Movements / Idealism, Popular Culture, General, Customs & Traditions
Type
Textbook
Author
Yuliya Minkova
Subject Area
Philosophy, Political Science, Social Science, Psychology, History
Series
Rochester Studies in East and Central Europe Ser.
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
18 Oz
Item Length
9.3 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2017-053904
Reviews
[ Making Martyrs ] illuminates the enduring role of the martyr in Russian culture, and enriches our understanding of cultural mythology by drawing connections between wartime martyrs and later heroes into the present day. . . . Minkova offers nuanced, timely analysis of recent conflicts and contributes to our understanding of the deteriorating relations between the West and Russia., [ Making Martyrs ] illuminates the enduring role of the martyr in Russian culture, and enriches our understanding of cultural mythology by drawing connections between wartime martyrs and later heroes into the present day. . . . Minkova offers nuanced, timely analysis of recent conflicts and contributes to our understanding of the deteriorating relations between the West and Russia. RUSSIAN REVIEW Throughout this unique contribution to cultural history, Minkova's language, wide range of examples, and breadth of analysis suggest that she writes not only for a dedicated reader but an audience of specialists in search of a new way of addressing the continuity of political imagery from Stalin to Putin. SLAVIC REVIEW I would recommend this book to anyone who were interested in the discourse analysis of the Soviet and post-Soviet era in media, official literature and popular culture. INTERNATIONAL JOURNAL OF RUSSIAN STUDIES
Dewey Edition
23
Series Volume Number
20
Volume Number
Vol. 20
Dewey Decimal
947.084
Table Of Content
IntroductionWerewolves, Vampires, and the "Sacred Wo/men" of Soviet Discourse in Pravda and beyond in the 1930s and 1940sDrawing Borders in the Sky: Pirates and Damsels in Distress of Aerial Hijackings in Soviet Press, Literature, and FilmOur Man in Chile, or Victor Jara's Posthumous Life in Soviet Media and Popular CultureFathers, Sons, and the Imperial Spirit: The Wartime Homo Sacer's Competitive VictimhoodRobber Baron or Dissident Intellectual: The Businessman Hero at the Crossroads of HistoryConclusionNotesBibliographyIndex
Synopsis
Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of "heroes" primarily because of their victimhood. In Making Martyrs: The Language of Sacrifice in Russian Culture from Stalin to Putin, Yuliya Minkova examines the language of canonization and vilification in Soviet and post-Soviet media, official literature, and popular culture. She argues that early Soviet narratives constructed stories of national heroes and villains alike as examples of uncovering a person's "true self." The official culture used such stories to encourage heroic self-fashioningamong Soviet youth and as a means of self-policing and censure. Later Soviet narratives maintained this sacrificial imagery in order to assert the continued hold of Soviet ideology on society, while post-Soviet discourses of victimhood appeal to nationalist nostalgia. Sacrificial mythology continues to maintain a persistent hold in contemporary culture, as evidenced most recently by the Russian intelligentsia's fascination with the former oligarch Mikhail Khodorkovsky, the Russian media coverage of the war in Ukraine, laws against US adoption of Russian children and against the alleged propaganda of homosexuality aimed at minors, renewed national pride in wartime heroes, and the current usage of the words "sacred victim" in public discourse. In examining these various cases, the book traces the trajectory of sacrificial language from individual identity construction to its later function of lending personality and authority to the Soviet and post-Soviet state. Yuliya Minkova is Assistant Professor of Russian at Virginia Polytechnic Institute and State University., In Making Martyrs: The Language of Sacrifice in Russian Culture from Stalin to Putin, Yuliya Minkova examines the language of canonization and vilification in Soviet and post-Soviet media, official literature, and popular culture. She argues that early Soviet narratives constructed stories of national heroes and villains alike as examples of uncovering a person's "true self." The official culture used such stories to encourage heroic self-fashioning among Soviet youth and as a means of self-policing and censure. Later Soviet narratives maintained this sacrificial imagery in order to assert the continued hold of Soviet ideology on society, while post-Soviet discourses of victimhood appeal to nationalist nostalgia.Sacrificial mythology continues to maintain a persistent hold in contemporary culture, as evidenced most recently by the Russian intelligentsia's fascination with the former oligarch Mikhail Khodorkovsky, the Russian media coverage of the war in Ukraine, laws against US adoption of Russian children and against the alleged propaganda of homosexuality aimed at minors, renewed national pride in wartime heroes, and the current usage of the words "sacred victim" in public discourse. In examining these various cases, the book traces the trajectory of sacrificial language from individual identity construction to its later function of lending personality and authority to the Soviet and post-Soviet state.Yuliya Minkova is Assistant Professor of Russian at Virginia Polytechnic Institute and State University., Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of "heroes" primarily because of their victimhood. In Making Martyrs: The Language of Sacrifice in Russian Culture from Stalin to Putin , Yuliya Minkova examines the language of canonization and vilification in Soviet and post-Soviet media, official literature, and popular culture. She argues that early Soviet narratives constructed stories of national heroes and villains alike as examples of uncovering a person's "true self." The official culture used such stories to encourage heroic self-fashioningamong Soviet youth and as a means of self-policing and censure. Later Soviet narratives maintained this sacrificial imagery in order to assert the continued hold of Soviet ideology on society, while post-Soviet discourses of victimhood appeal to nationalist nostalgia. Sacrificial mythology continues to maintain a persistent hold in contemporary culture, as evidenced most recently by the Russian intelligentsia's fascination with the former oligarch Mikhail Khodorkovsky, the Russian media coverage of the war in Ukraine, laws against US adoption of Russian children and against the alleged propaganda of homosexuality aimed at minors, renewed national pride in wartime heroes, and the current usage of the words "sacred victim" in public discourse. In examining these various cases, the book traces the trajectory of sacrificial language from individual identity construction to its later function of lending personality and authority to the Soviet and post-Soviet state. Yuliya Minkova is Assistant Professor of Russian at Virginia Polytechnic Institute and State University., Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of "heroes" primarily because of their victimhood.
LC Classification Number
DK266.4.M563 2018

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