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Ein Kaninchen aus einem Hut ziehen: Die Entstehung von Roger Rabbit von Ross Anderson 2019

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Subtitle
The Making of Roger Rabbit
EAN
9781496822338
ISBN
9781496822338
Release Year
2019
Book Title
Pulling a Rabbit Out of a Hat
Title
Pulling a Rabbit Out of a Hat
Genre
Films & TV
Country/Region of Manufacture
US
Topic
Society & Culture
Release Date
05/31/2019

Über dieses Produkt

Product Identifiers

Publisher
University Press of Mississippi
ISBN-10
1496822331
ISBN-13
9781496822338
eBay Product ID (ePID)
22038409625

Product Key Features

Number of Pages
352 Pages
Language
English
Publication Name
Pulling a Rabbit Out of a Hat : the Making of Roger Rabbit
Subject
Film / Genres / Animated, Popular Culture, Animation (See Also Film / Genres / Animated), Film / History & Criticism
Publication Year
2019
Type
Textbook
Author
Ross Anderson
Subject Area
Performing Arts, Social Science
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
18.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2018-058221
Reviews
Pulling a Rabbit Out of a Hat makes a significant contribution to the fields of animation history, Disney history, and film history. The research that Anderson conducts is in-depth, original, and all-encompassing. His whole book covers ground that has mostly never been covered before., Pulling a Rabbit Out of a Hat is very impressive in its scope and thorough coverage of the making of the Roger Rabbit film, its evolution, and its aftermath in terms of sequels, theme park adaptations and merchandise. For anyone interested in this story, everything he/she could possibly want to know is in this book!
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43340973
Synopsis
Who Framed Roger Rabbit emerged at a nexus of people, technology, and circumstances that is historically, culturally, and aesthetically momentous. By the 1980s, animation seemed a dying art. Not even the Walt Disney Company, which had already won over thirty Academy Awards, could stop what appeared to be the end of an animation era. To revitalize popular interest in animation, Disney needed to reach outside its own studio and create the distinctive film that helped usher in a Disney Renaissance. That film, Who Framed Roger Rabbit , though expensive and controversial, debuted in theaters to huge success at the box office in 1988. Unique in its conceit of cartoons living in the real world, Who Framed Roger Rabbit magically blended live action and animation, carrying with it a humor that still resonates with audiences. Upon the film?s release, Disney?s marketing program led the audience to believe that Who Framed Roger Rabbit was made solely by director Bob Zemeckis, director of animation Dick Williams, and the visual effects company Industrial Light & Magic, though many Disney animators contributed to the project. Author Ross Anderson interviewed over 140 artists to tell the story of how they created something truly magical. Anderson describes the ways in which the Roger Rabbit characters have been used in film shorts, commercials, and merchandising, and how they have remained a cultural touchstone today., Ross Anderson interviewed over 140 artists to tell the story of how, with Who Framed Roger Rabbit, they created something truly magical. Anderson describes the ways in which the Roger Rabbit characters have been used in film shorts, commercials, and merchandising, and how they have remained a cultural touchstone today., Who Framed Roger Rabbit emerged at a nexus of people, technology, and circumstances that is historically, culturally, and aesthetically momentous. By the 1980s, animation seemed a dying art. Not even the Walt Disney Company, which had already won over thirty Academy Awards, could stop what appeared to be the end of an animation era. To revitalize popular interest in animation, Disney needed to reach outside its own studio and create the distinctive film that helped usher in a Disney Renaissance. That film, Who Framed Roger Rabbit, though expensive and controversial, debuted in theaters to huge success at the box office in 1988. Unique in its conceit of cartoons living in the real world, Who Framed Roger Rabbit magically blended live action and animation, carrying with it a humor that still resonates with audiences. Upon the film's release, Disney's marketing program led the audience to believe that Who Framed Roger Rabbit was made solely by director Bob Zemeckis, director of animation Dick Williams, and the visual effects company Industrial Light & Magic, though many Disney animators contributed to the project. Author Ross Anderson interviewed over 140 artists to tell the story of how they created something truly magical. Anderson describes the ways in which the Roger Rabbit characters have been used in film shorts, commercials, and merchandising, and how they have remained a cultural touchstone today., Who Framed Roger Rabbit emerged at a nexus of people, technology, and circumstances that is historically, culturally, and aesthetically momentous. By the 1980s, animation seemed a dying art. Not even the Walt Disney Company, which had already won over thirty Academy Awards, could stop what appeared to be the end of an animation era. To revitalize popular interest in animation, Disney needed to reach outside its own studio and create the distinctive film that helped usher in a Disney Renaissance. That film, Who Framed Roger Rabbit , though expensive and controversial, debuted in theaters to huge success at the box office in 1988. Unique in its conceit of cartoons living in the real world, Who Framed Roger Rabbit magically blended live action and animation, carrying with it a humor that still resonates with audiences. Upon the film's release, Disney's marketing program led the audience to believe that Who Framed Roger Rabbit was made solely by director Bob Zemeckis, director of animation Dick Williams, and the visual effects company Industrial Light & Magic, though many Disney animators contributed to the project. Author Ross Anderson interviewed over 140 artists to tell the story of how they created something truly magical. Anderson describes the ways in which the Roger Rabbit characters have been used in film shorts, commercials, and merchandising, and how they have remained a cultural touchstone today.
LC Classification Number
NC1766.U5A475 2019

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