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Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Book Title
Boys Don't Cry?: Rethinking Narratives of Masculinity and Emot...
ISBN
0231120354
EAN
9780231120357
Release Title
Boys Don't Cry?: Rethinking Narratives of Masculinity and Emot...
Artist
Shamir, Milette
Brand
N/A
Colour
N/A

Über dieses Produkt

Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231120354
ISBN-13
9780231120357
eBay Product ID (ePID)
2210930

Product Key Features

Number of Pages
320 Pages
Publication Name
Boys Don't Cry? : Rethinking Narratives of Masculinity and Emotion in the U. S.
Language
English
Publication Year
2002
Subject
Men's Studies, General, American / General, Rhetoric, Semiotics & Theory
Type
Textbook
Author
Jennifer Travis
Subject Area
Literary Criticism, Language Arts & Disciplines, Social Science
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
15.4 Oz
Item Length
0.9 in
Item Width
0.6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2001-047444
Dewey Edition
21
Reviews
This book questions the persistence of the emotionally alienated male in narratives of white, middle-class masculinity and addresses the political and social implications of male emotional expression., This collection of eleven scholarly essays successfully combines a cultural history of male emotion with detailed readings of male-authored texts... Shamir and Travis's collection discovers male emotionality to be far more intricate than many facile equations of masculine subjectivity... are inclined to allow for., "This collection of eleven scholarly essays successfully combines a cultural history of male emotion with detailed readings of male-authored texts... Shamir and Travis's collection discovers male emotionality to be far more intricate than many facile equations of masculine subjectivity... are inclined to allow for." -- Berthold Schoene, Modernism/Modernity
Grade From
College Graduate Student
Dewey Decimal
810.9/352041
Table Of Content
Introduction What Feels an American? Evident Selves and Alienable Emotions in the New Man's World, by Evan Carton Loving with a Vengeance: Wieland , Familicide and the Crisis of Masculinity in the Early Nation, by Elizabeth Barnes "The Manliest Relations to Men": Thoreau on Privacy, Intimacy, and Writing, by Milette Shamir Manly Tears: Men's Elegies for Children in Nineteenth-Century America, by Eric Haralson How to be a (Sentimental) Race Man: Mourning and Passing in W.E.B. Du Bois's The Souls of Black Folk , by Ryan Schneider The Law of the Heart: Emotional Injury and its Fictions, by Jennifer Travis "The Sort of Thing You Should Not Admit": Hemingway's Aesthetics of Emotional Restraint, by Thomas Strychacz Road Work: Rereading Kerouac's Midcentury Melodrama of Beset Sonhood, by Stephen Davenport Men's Tears and the Roles of Melodrama, by Tom Lutz Men's Liberation, Men's Wounds: Emotion, Sexuality, and the Reconstruction of Masculinity in the 1970s, by Sally Robinson The Politics of Feeling: Men, Masculinity, and Mourning on the Capital Mall, by Judith Newton
Synopsis
We take for granted the idea that white, middle-class, straight masculinity connotes total control of emotions, emotional inexpressivity, and emotional isolation. That men repress their feelings as they seek their fortunes in the competitive worlds of business and politics. This collection of essays by prominent literary and cultural critics rethinks such commonly held views by addressing the history and politics of emotion in prevailing narratives about masculinity. How did the story of the emotionally stifled U.S. male come into being? What are its political stakes? Will the "release" of straight, white, middle-class masculine emotion remake existing forms of power or reinforce them? This collection forcefully challenges our most entrenched ideas about male emotion., We take for granted the idea that white, middle-class, straight masculinity connotes total control of emotions, emotional inexpressivity, and emotional isolation. That men repress their feelings as they seek their fortunes in the competitive worlds of business and politics seems to be a given. This collection of essays by prominent literary and cultural critics rethinks such commonly held views by addressing the history and politics of emotion in prevailing narratives about masculinity. How did the story of the emotionally stifled U.S. male come into being? What are its political stakes? Will the "release" of straight, white, middle-class masculine emotion remake existing forms of power or reinforce them? This collection forcefully challenges our most entrenched ideas about male emotion. Through readings of works by Thoreau, Lowell, and W. E. B. Du Bois, and of twentieth century authors such as Hemingway and Kerouac, this book questions the persistence of the emotionally alienated male in narratives of white middle-class masculinity and addresses the political and social implications of male emotional release.
LC Classification Number
PS173.M36B69 2002

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