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Digging the Africanist Presence in ..., Brenda D. Gotts

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Book Title
Digging the Africanist Presence in American Performance: Dance...
ISBN
027596373X
EAN
9780275963736
Release Title
Digging the Africanist Presence in American Performance: Dance...
Artist
Brenda D. Gottschild
Brand
N/A
Colour
N/A
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Bloomsbury Publishing USA
ISBN-10
027596373X
ISBN-13
9780275963736
eBay Product ID (ePID)
11038296253

Product Key Features

Number of Pages
224 Pages
Language
English
Publication Name
Digging the Africanist Presence in American Performance : Dance and Other Contexts
Publication Year
1998
Subject
Dance / Regional & Ethnic, Popular Culture, Dance / General
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Brenda D. Gottschild
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
12 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
95-020558
Dewey Edition
21
Reviews
"[This book] takes on the interesting subject of how the African American culture has made a difference to art in America--what this difference is and how it is manifest. Gottschild's subject is the saturation of America with the African....Gottschild focuses on dance but includes the minstrel stage, jazz, vaudeville, Gangsta Rap, the 19th-century 'Hottentot Venus' (the pejoratively named African woman who was brought to England and displayed as a freak), performance criticism, and Native American powwow. A freewheeling writer, Gottschild often segues into a general discussion of racism and its impact on the performing arts in pointing out the locations of African influence in American performance....[a] welcome addition to a burgeoning literature on African American performance. Recommended for all academic collections." Choice
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
791/.08996/073
Table Of Content
Acknowledgments Introduction Up from Under: The Africanist Presence First Premises of an Africanist Aesthetic Don't Take Away My Picasso: Cultural Borrowing and the Afro-Euro-American Triangle Barefoot and Hot, Sneakered and Cool: Africanist Subtexts in Modern and Postmodern Dance Stripping the Emperor: George Balanchine and the Americanization of Ballet Past Imperfect: Performance, Power, and Politics on the Minstrel Stage Dance and Theater in a Multicultural Context: Who Stole the Soul, Who Takes the "Rap," or Free To Be You and Me? Illustrations References Index
Synopsis
This ground-breaking work brings dance into current discussions of the African presence in American culture., This ground-breaking work brings dance into current discussions of the African presence in American culture. Dixon Gottschild argues that the Africanist aesthetic has been invisibilized by the pervasive force of racism. This book provides evidence to correct and balance the record, investigating the Africanist presence as a conditioning factor in shaping American performance, onstage and in everyday life. She examines the Africanist presence in American dance forms particularly in George Balanchine's Americanized style of ballet, (post)modern dance, and blackface minstrelsy. Hip hop culture and rap are related to contemporary performance, showing how a disenfranchised culture affects the culture in power.
LC Classification Number
PN1590

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