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Modernism's History: A Study in Twentieth-Cent
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- Sofort-KaufenModernism's History: A Study in Twentieth-Century Art and Ideas by Bernard Smith
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- Neuwertig
- Hinweise des Verkäufers
- “No tears. . .No creases. . .No folds. . .Looks brand new!”
- ISBN
- 9780300073928
Über dieses Produkt
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300073925
ISBN-13
9780300073928
eBay Product ID (ePID)
1010988
Product Key Features
Number of Pages
384 Pages
Publication Name
Modernism's History : a Study in Twentieth-Century Art and Ideas
Language
English
Subject
General, History & Surveys / Modern, History / General
Publication Year
1998
Type
Textbook
Subject Area
Art, Philosophy
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
32.4 Oz
Item Length
1 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
98-005856
Dewey Edition
21
Dewey Decimal
709/.04
Synopsis
The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism--the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s--deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does. In a wide-ranging reformulation of art history in the twentieth century, the author defines the nature and development of Formalesque--an avant-garde style that arose between 1890 and the First World War, was institutionalized between the world wars, and flourished anew between 1945 and 1960. Identifying the Formalesque period, says Smith, makes it possible also to identify dialectical adversaries, such true oppositional avant-garde styles of the twentieth century as Dada, Surrealism, and the Neue Sachlichkeit. These constitute the formative elements of the modernism--now called postmodernism--that became increasingly dominant after 1960. The author locates twentieth-century artistic movements and developments in a broad cultural context and concludes with a thought-provoking examination of the relation between the Formalesque and European and American cultural imperialism., The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism -- the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s -- deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does.
LC Classification Number
N6494.M64S65 1998
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