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Theoretische Angst- und Designstrategi en: Im Werk von acht zeitgenössisch en...
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eBay-Artikelnr.:281922321796
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780262134439
Über dieses Produkt
Product Identifiers
Publisher
MIT Press
ISBN-10
0262134438
ISBN-13
9780262134439
eBay Product ID (ePID)
30210692
Product Key Features
Book Title
Theoretical Anxiety and Design Strategies in the Work of Eight Contemporary Architects
Number of Pages
416 Pages
Language
English
Publication Year
2004
Topic
General, Criticism, History / General
Illustrator
Yes
Genre
Architecture
Format
Hardcover
Dimensions
Item Height
1.7 in
Item Weight
43.6 Oz
Item Length
8.5 in
Item Width
7.3 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-101376
Reviews
"Moneo's insights and analyses are often brilliant, and hisperspective as a Spaniardand as a former chair of the GSD (HarvardGraduate School of Design) is a unique one. He conveys hisideas inlively prose, peppered with anecdotes." Architectural Record, "Moneo's insights and analyses are often brilliant, and his perspective as a Spaniard and as a former chair of the GSD (Harvard Graduate School of Design) is a unique one. He conveys his ideas in lively prose, peppered with anecdotes." - Architectural Record, & " Theoretical Anxiety and Architectural Strategies in the Work of Eight Contemporary Architects ... keeps the & " live& " feel of a master performance. The result is an exacting but easy read that unfolds like a novel by Italo Calvino. ... Moneo moves beyond the common denominator of form to touch on the rich complexity of what architecture is. In the sense that architecture is between the lines, you have to read between the lines of this book.& " -- Bernard Tschumi, The Architect& rs" s Newspaper, Theoretical Anxiety and Architectural Strategies in the Work of Eight Contemporary Architects ...keeps the "live" feel of a master performance. The result is an exacting but easy read that unfolds like a novel by Italo Calvino....Moneo moves beyond the common denominator of form to touch on the rich complexity of what architecture is. In the sense that architecture is between the lines, you have to read between the lines of this book., Theoretical Anxiety and Architectural Strategies in the Work of Eight Contemporary Architects ...keeps the 'live' feel of a master performance. The result is an exacting but easy read that unfolds like a novel by Italo Calvino....Moneo moves beyond the common denominator of form to touch on the rich complexity of what architecture is. In the sense that architecture is between the lines, you have to read between the lines of this book.-- Bernard Tschumi , The Architect's Newspaper -- Moneo's insights and analyses are often brilliant, and hisperspective as a Spaniard and as a former chair of the GSD (Harvard Graduate School of Design) is a unique one. He conveys his ideas inlively prose, peppered with anecdotes. -- Architectural Record --, Moneo's insights and analyses are often brilliant, and hisperspective as a Spaniard and as a former chair of the GSD (Harvard Graduate School of Design) is a unique one. He conveys his ideas inlively prose, peppered with anecdotes., " "Theoretical Anxiety and Architectural Strategies in the Work of Eight Contemporary Architects,.". keeps the " live" feel of a master performance. The result is an exacting but easy read that unfolds like a novel by Italo Calvino. ... Moneo moves beyond the common denominator of form to touch on the rich complexity of what architecture is. In the sense that architecture is between the lines, you have to read between the lines of this book." -- Bernard Tschumi, The Architectrs" s Newspaper, "Moneo's insights and analyses are often brilliant, and hisperspective as a Spaniard and as a former chair of the GSD (HarvardGraduate School of Design) is a unique one. He conveys his ideas inlively prose, peppered with anecdotes." Architectural Record, Theoretical Anxiety and Architectural Strategies in the Work of Eight Contemporary Architects ...keeps the 'live' feel of a master performance. The result is an exacting but easy read that unfolds like a novel by Italo Calvino....Moneo moves beyond the common denominator of form to touch on the rich complexity of what architecture is. In the sense that architecture is between the lines, you have to read between the lines of this book., " Theoretical Anxiety and Architectural Strategies in the Work of Eight Contemporary Architects ... keeps the "live" feel of a master performance. The result is an exacting but easy read that unfolds like a novel by Italo Calvino.... Moneo moves beyond the common denominator of form to touch on the rich complexity of what architecture is. In the sense that architecture is between the lines, you have to read between the lines of this book." Bernard Tschumi The Architect's Newspaper, " Theoretical Anxiety and Architectural Strategies in the Work of EightContemporary Architects ... keeps the "live" feel of a master performance. The result is anexacting but easy read that unfolds like a novel by Italo Calvino.... Moneo moves beyond the commondenominator of form to touch on the rich complexity of what architecture is. In the sense thatarchitecture is between the lines, you have to read between the lines of this book." Bernard TschumiThe Architect's Newspaper
Dewey Edition
22
Grade From
College Graduate Student
Dewey Decimal
720.9/22
Synopsis
A prominent architect considers his contemporaries-James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and Herzog & De Meuron-in a lavishly illustrated series of profiles., A prominent architect considers his contemporaries--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and Herzog & De Meuron--in a lavishly illustrated series of profiles. The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries--all architects of international stature--and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron--has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text. Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the tacit treatises that can be found on the shelves of a university library, but lively encounters of architectural equals., A prominent architect considers his contemporaries-James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and Herzog & De Meuron-in a lavishly illustrated series of profiles. The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries-all architects of international stature-and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects-James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron-has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text. Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals., A prominent architect considers his contemporaries--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and Herzog & De Meuron--in a lavishly illustrated series of profiles. The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries--all architects of international stature--and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron--has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text. Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals.
LC Classification Number
NA687
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