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The Mourning Voice by Nicole Loraux: New
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eBay-Artikelnr.:282877164006
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2002-05-15
- Pages
- 144
- ISBN
- 9780801438301
Über dieses Produkt
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801438306
ISBN-13
9780801438301
eBay Product ID (ePID)
2155258
Product Key Features
Book Title
Mourning Voice : an Essay on Greek Tragedy
Number of Pages
144 Pages
Language
English
Topic
Drama, Ancient / Greece, Ancient & Classical
Publication Year
2002
Genre
Literary Criticism, History
Book Series
Cornell Studies in Classical Philology Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-006629
Dewey Edition
21
TitleLeading
The
Reviews
"In her many publications, the author has never ceased to provide new and exciting perspectives on Greek culture. Although one many not agree with every detail of her findings in the present book, the work is nonetheless a stimulating contribution to our understanding of Greek tragedy."--Jennifer Clarke Kosak, Bowdoin College, The Classical Bulletin, 2003, "In her many publications, the author has never ceased to provide new and exciting perspectives on Greek culture. Although one many not agree with every detail of her findings in the present book, the work is nonetheless a stimulating contribution to our understanding of Greek tragedy."-Jennifer Clarke Kosak, Bowdoin College, The Classical Bulletin, 2003, In her many publications, the author has never ceased to provide new and exciting perspectives on Greek culture. Although one many not agree with every detail of her findings in the present book, the work is nonetheless a stimulating contribution to our understanding of Greek tragedy., "Nicole Loraux's work throughout her career has been bold, original, and provocative. The subtlety of her thought and depth of knowledge established new standards for the interpretation of political and social institutions in fifth-century Athens that have since become indispensable for our understanding of ancient Greece. In this new book, she turns away from the body politic to focus on the central role of lamentation in tragedy. Once again, with characteristic energy, Loraux challenges deeply cherished notions and compels us to read Aeschylus, Sophocles, and Euripides in fresh ways."--Froma Zeitlin, Princeton University, "Nicole Loraux's work throughout her career has been bold, original, and provocative. The subtlety of her thought and depth of knowledge established new standards for the interpretation of political and social institutions in fifth-century Athens that have since become indispensable for our understanding of ancient Greece. In this new book, she turns away from the body politic to focus on the central role of lamentation in tragedy. Once again, with characteristic energy, Loraux challenges deeply cherished notions and compels us to read Aeschylus, Sophocles, and Euripides in fresh ways."-Froma Zeitlin, Princeton University
Grade From
College Graduate Student
Series Volume Number
58
Dewey Decimal
882/.0109
Synopsis
In The Mourning Voice, Nicole Loraux presents a radical challenge to what has become the dominant view of tragedy in recent years: that tragedy is primarily a civic phenomenon, infused with Athenian political ideology, which envisions its spectators first and foremost as citizens, members of the political collective. Instead, Loraux maintains, the spectator addressed by tragedy is the individual defined primarily in terms of his or her humanity, rather than in terms of affiliation with a political group. The plays, she says, involve the spectators in the emotional expressiveness of tragic suffering, thereby creating a theatrical identity. Aroused by the experience of suffering, the audience is reminded that it is witnessing a theatrical representation of the instability of the human condition--a state that Loraux asserts tragedy is uniquely suited to convey., Loraux presents a radical challenge to what has become the dominant view of tragedy in recent years: that tragedy is primarily a civic phenomenon., In The Mourning Voice , Nicole Loraux presents a radical challenge to what has become the dominant view of tragedy in recent years: that tragedy is primarily a civic phenomenon, infused with Athenian political ideology, which envisions its spectators first and foremost as citizens, members of the political collective. Instead, Loraux maintains, the spectator addressed by tragedy is the individual defined primarily in terms of his or her humanity, rather than in terms of affiliation with a political group. The plays, she says, involve the spectators in the emotional expressiveness of tragic suffering, thereby creating a theatrical identity. Aroused by the experience of suffering, the audience is reminded that it is witnessing a theatrical representation of the instability of the human condition--a state that Loraux asserts tragedy is uniquely suited to convey., In The Mourning Voice, Nicole Loraux presents a radical challenge to what has become the dominant view of tragedy in recent years: that tragedy is primarily a civic phenomenon, infused with Athenian political ideology, which envisions its spectators first and foremost as citizens, members of the political collective. Instead, Loraux maintains, the spectator addressed by tragedy is the individual defined primarily in terms of his or her humanity, rather than in terms of affiliation with a political group. The plays, she says, involve the spectators in the emotional expressiveness of tragic suffering, thereby creating a theatrical identity. Aroused by the experience of suffering, the audience is reminded that it is witnessing a theatrical representation of the instability of the human condition?a state that Loraux asserts tragedy is uniquely suited to convey.
LC Classification Number
PA3131.L6713 2002
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