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Räder von Olivier Mosset: Neu
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eBay-Artikelnr.:283520860819
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2018-05-14
- ISBN
- 9783906803548
- Book Title
- Olivier Mosset: Wheels
- Publisher
- Frey Edition Im Verlag Der ALL-TAG, Patrick
- Item Length
- 10.8 in
- Publication Year
- 2018
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.9 in
- Genre
- Art
- Topic
- Individual Artists / General, General
- Item Weight
- 39.3 Oz
- Item Width
- 8 in
- Number of Pages
- 224 Pages
Über dieses Produkt
Product Identifiers
Publisher
Frey Edition Im Verlag Der ALL-TAG, Patrick
ISBN-10
3906803546
ISBN-13
9783906803548
eBay Product ID (ePID)
22038608130
Product Key Features
Book Title
Olivier Mosset: Wheels
Number of Pages
224 Pages
Language
English
Publication Year
2018
Topic
Individual Artists / General, General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
39.3 Oz
Item Length
10.8 in
Item Width
8 in
Additional Product Features
Intended Audience
Trade
Synopsis
An in-depth survey of the artist who introduced to Europe the subculture of motorcycle clubs When Olivier Mosset bought his first motorcycle -- a US Army surplus Harley Davidson -- in Paris back in the late 1960s, he helped start up a subculture still wholly unknown in Europe at the time: the motorcycle club. The young painter's studio on the Rue de Lappe doubled as a hub of radical painting -- conceptually reduced black circles on a white canvas -- and a garage cum hangout for the first Marxist-influenced motorcycle club, whose members sympathized with the May '68 student revolts. Cars and motorcycles have been a driving force in the life and work of Olivier Mosset: as an attitude and lifestyle, as a means of transportation and later, from the mid-1990s, as readymades. Wheels retraces his artistic career through the interplay between motor vehicles and painting, including brief descriptions of each vehicle he used and how it ties into his biography. Art critic Elisabeth Wetterwald's interview with Olivier Mosset and US artist Vincent Szarek, who learned his trade working on car bodies and repeatedly collaborated with Mosset, likewise explores the interface between art and motorcycles: Mosset's vehicles were exhibited from various perspectives in museums and at motorcycle shows. And in his essay, art historian Philip Ursprung analyzes the importance of technology, culture and nature to Mosset, who was always heading west, from the foothills of the Jura to Paris, then New York and eventually, in 1996, cross-country by motorcycle to Tucson, Arizona., When the young minimalist painter Olivier Mosset (b. 1944) bought his first motorcycle, a USArmy issued Harley-Davidson, in Paris in the late 1960s, he helped start up a subculture still wholly unknown in europe: the motorcycle club. The young painters Paris studio doubled as a hub of radical paintingconceptually reduced black circles on a white canvasand a hangout for the first Marxist-influenced motorcycle club. WHEELS is an in-depth survey that retraces Mossets career from his involvement with the minimalist art group BMPT to his interplay between motor vehicles and painting. In the mid 1970s, Mosset worked and lived in new York, where he became the founding member of the nY Radical Painting Group before eventually moving to Arizona. Art critic elisabeth Wetterwald interviews Mosset and American artist vincent Szarek, who often collaborates with Mosset, discussing the interface between art and motorcycles. Art historian Philip Ursprung analyzes the importance of technology, culture, and nature. Mosset is represented by Gagosian Gallery, and his work appears in the collections of MoMA, new York, and Centre Georges Pompidou, Paris, among others.
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