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Männer mit Einsätzen: Männlichkeit und die Gotik in den USA Fernsehen von Julia Wright

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Zuletzt aktualisiert am 09. Jun. 2024 16:18:17 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Publication Date
2016-01-01
ISBN
9780719097706
Book Title
Men with Stakes : Masculinity and the Gothic in Us Television
Item Length
8.5 in
Publisher
Manchester University Press
Publication Year
2016
Format
Hardcover
Language
English
Item Height
0.6 in
Author
Julia Wright
Genre
Literary Criticism, Performing Arts
Topic
Television / History & Criticism, Television / General, Gothic & Romance
Item Width
5.4 in
Item Weight
12.9 Oz
Number of Pages
200 Pages

Über dieses Produkt

Product Information

Moves beyond a focus on gothic machinery and adaptations of literary gothic to consider television gothic in light of recent scholarship on the mode itself.

Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719097703
ISBN-13
9780719097706
eBay Product ID (ePID)
219142314

Product Key Features

Book Title
Men with Stakes : Masculinity and the Gothic in Us Television
Author
Julia Wright
Format
Hardcover
Language
English
Topic
Television / History & Criticism, Television / General, Gothic & Romance
Publication Year
2016
Genre
Literary Criticism, Performing Arts
Number of Pages
200 Pages

Dimensions

Item Length
8.5 in
Item Height
0.6 in
Item Width
5.4 in
Item Weight
12.9 Oz

Additional Product Features

Intended Audience
Trade
Lc Classification Number
Pn1992.8.H67
Reviews
'For fans and scholars of the series like Supernatural... the book is a delightful exploration into one aspect of what makes these series so resonant.'Bridget Kies, University of Wisconsin-Milwaukee, Historical Journal of Film, Radio and Television, January 2018'Men with Stakes is not always about masculinity per se. Chapter four deals with American Gothic television's subversion of Enlightenment concepts such as science and progress and its postmodern blurring of the line between the 'world of signs'--including the televisual medium--and the 'world of the "real"' (p. 124). However, as Wright indicates, many of these dynamics can be understood in gendered terms; she makes an especially fascinating contention that the first season of American Horror Story (2011- present) represents the film and television industry 'as a conventional [patriarchal] gothic villain' (p. 150). Hence, even when Men with Stakes apparently strays from its theme, Wright is in fact adding weight to her central argument that Gothic TV's 'interrogation of masculinity is intertwined with larger examinations of social institutions, cultural assumptions, and established forms of knowledge' (p. 5).'Eve Bennett, Universite´ Sorbonne Nouvelle, France, Critical Studies in Television: The International Journal of Television Studies, 'For fans and scholars of the series like Supernatural... the book is a delightful exploration into one aspect of what makes these series so resonant.' Bridget Kies, University of Wisconsin-Milwaukee, Historical Journal of Film, Radio and Television, January 2018 'Men with Stakes is not always about masculinity per se. Chapter four deals with American Gothic television's subversion of Enlightenment concepts such as science and progress and its postmodern blurring of the line between the 'world of signs'--including the televisual medium--and the 'world of the "real"' (p. 124). However, as Wright indicates, many of these dynamics can be understood in gendered terms; she makes an especially fascinating contention that the first season of American Horror Story (2011- present) represents the film and television industry 'as a conventional [patriarchal] gothic villain' (p. 150). Hence, even when Men with Stakes apparently strays from its theme, Wright is in fact adding weight to her central argument that Gothic TV's 'interrogation of masculinity is intertwined with larger examinations of social institutions, cultural assumptions, and established forms of knowledge' (p. 5).' Eve Bennett, Universite´ Sorbonne Nouvelle, France, Critical Studies in Television: The International Journal of Television Studies, "For fans and scholars of the series like Supernatural...the book is a delightful exploration into one aspect of what makes these series so resonant." - Bridget Kies, University of Wisconsin-Milwaukee, Historical Journal of Film, Radio and Television, January 2018
Table of Content
Introduction 1. Bedevilling paternal discipline: fathers from American Gothic to Point Pleasant 2. Looking for daddy: Carnivàle, Supernatural and Millennium 3. Latchkey hero: the horrors of class in Eric Kripke's Supernatural 4. Gothic foundations: "The Pest House," "Hell House," and "The Murder House" Conclusion: gothic conspiracy and the eyes of Lara Means Episodes discussed in detail Bibliography Index
Copyright Date
2016
Lccn
2015-298187

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