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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
Publication Date
2002-03-27
Pages
262
ISBN
9780819565006

Über dieses Produkt

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819565008
ISBN-13
9780819565006
eBay Product ID (ePID)
1924953

Product Key Features

Book Title
Recollecting from the Past : Musical Practice and Spirit Possession on the East Coast of Madagascar
Number of Pages
262 Pages
Language
English
Topic
Genres & Styles / Folk & Traditional, Ethnomusicology, Africa / General, Africa / South / General, General, Anthropology / Cultural & Social
Publication Year
2002
Illustrator
Yes
Genre
Music, Social Science, History
Author
Ron Emoff
Book Series
Music / Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
14.4 Oz
Item Length
9 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2001-005368
Reviews
"Ron Emoff's work joins critical and cultural theory to a deep knowledge of Malagasy musical practice. Recollecting from the Past reveals the formidable complexities of a musical history, indeed, reveals quite distinctly how music powerfully embodies that history."--Steve Feld, Professor of Anthropology, New York University ""Ron Emoff's work joins critical and cultural theory to a deep knowledge of Malagasy musical practice. Recollecting from the Past reveals the formidable complexities of a musical history, indeed, reveals quite distinctly how music powerfully embodies that history.""--Steve Feld, Professor of Anthropology, New York University ""Ron Emoff has written a lively and provocative account of music and spirit possession on the east coast of Madagascar. It is also the first serious ethnomusicological study of Malagasy music. By focusing on music, he brings a new and unique perspective to bear on familiar Malagasy topics.""--Jennifer Cole, Assistant Professor of Anthropology, Harvard University, "Ron Emoff's work joins critical and cultural theory to a deep knowledge of Malagasy musical practice. Recollecting from the Past reveals the formidable complexities of a musical history, indeed, reveals quite distinctly how music powerfully embodies that history."--Steve Feld, Professor of Anthropology, New York University
Dewey Edition
21
Dewey Decimal
306/.09691
Table Of Content
List of illustrations Acknowledgements Some preliminary Notes on Language and Pronunciation Introduction Some Background on Tamatave Spirit Practices on the East Coast Maresaka Material Media of Maresaka: The Value in Things Recollecting Power, Resistance? Valses Clinton, Bush, and Hussein in Tamatave Style as Iconicity of Aesthetics Discourse on Illness, Healing, and Abnormality Imagining Antandroy in Tamatave-ville Retour Notes Glossary of Malagasy Terms References Index
Synopsis
Studies interconnections between sound production, spirit possession, colonialism and ceremonial remembering in Madagascar., Studies interconnections between sound production, spirit possession, colonialism and ceremonial remembering in Madagascar. The first serious ethnomusicological study of Malagasy music, Recollecting from the Past evokes the complex sound and performative aesthetic in Madagascar called maresaka. Maresaka pertains not only to musical expression but extends into ways of remembering the past, aesthetics of everyday life, and Malagasy concepts of self and community. Ron Emoff focuses on tromba spirit possession ceremonies in which Malagasy use devotional practice as an occasion to expressively re-figure worlds often impeded by colonialism and postcolonial phenomena, extreme material poverty, and widespread illness. Malagasy not only preserve the past, but they interpret, revalue and transform it to their own ends. Music is crucial to these performances since powerful ancestral spirits will not enter into the present if not enticed by masterful musical performances, and so music itself provides a complex symbolic system with which Malagasy can recall and reconstruct the past. This groundbreaking study will be of interest to readers in the fields of anthropology, ethnomusicology, cultural studies, African studies, postcolonial and performance studies., The first serious ethnomusicological study of Malagasy music, Recollecting from the Past evokes the complex sound and performative aesthetic in Madagascar called maresaka. Maresaka pertains not only to musical expression but extends into ways of remembering the past, aesthetics of everyday life, and Malagasy concepts of self and community. Ron Emoff focuses on tromba spirit possession ceremonies in which Malagasy use devotional practice as an occasion to expressively re-figure worlds often impeded by colonialism and postcolonial phenomena, extreme material poverty, and widespread illness. Malagasy not only preserve the past, but they interpret, revalue and transform it to their own ends. Music is crucial to these performances since powerful ancestral spirits will not enter into the present if not enticed by masterful musical performances, and so music itself provides a complex symbolic system with which Malagasy can recall and reconstruct the past. This groundbreaking study will be of interest to readers in the fields of anthropology, ethnomusicology, cultural studies, African studies, postcolonial and performance studies.
LC Classification Number
ML3760.E47 2001

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