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The Undiscovered Country: Poetry in the Age of Tin by William Logan: Used
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eBay-Artikelnr.:285032280587
Artikelmerkmale
- Artikelzustand
- Book Title
- The Undiscovered Country: Poetry in the Age of Tin
- Publication Date
- 2005-10-12
- Pages
- 400
- ISBN
- 9780231136389
Über dieses Produkt
Product Identifiers
Publisher
Columbia University Press
ISBN-10
0231136382
ISBN-13
9780231136389
eBay Product ID (ePID)
45960282
Product Key Features
Number of Pages
400 Pages
Publication Name
Undiscovered Country : Poetry in the Age of Tin
Language
English
Publication Year
2005
Subject
Poetry, American / General
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
24.4 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2005-041413
Dewey Edition
22
Reviews
"The most complete analysis of contemporary English-language poets that we are likely to have." -- Contemporary Poetry Review, Sharp writing about poetry can be as delightful as verse itself, a fact William Logan has been proving for years., "Logan has firmly established himself as the pit bull of mainstream poetry reviewers." -- Maureen N. McLane, Chicago Tribune, "Exception to the happy talk. His bracing new collection... is filled with hard-hitting reviews that hail quality and drub mediocrity." -- Bil Marx, WBUR.ORG, "Sharp writing about poetry can be as delightful as verse itself, a fact William Logan has been proving for years." -- John Freeman, Journal Sentinel, "Sharp writing about poetry can be as delightful as verse itself, a factWilliam Logan has been proving for years." -- John Freeman, MilwaukeeJournal Sentinel, "Sharp writing about poetry can be as delightful as verse itself, a fact William Logan has been proving for years." -- John Freeman, Milwaukee Journal Sentinel, Exception to the happy talk. His bracing new collection... is filled with hard-hitting reviews that hail quality and drub mediocrity., "Our wittiest critic of contemporary verse lets loose one lethal shaft after another." -- James Marcus, Newsday
TitleLeading
The
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
811.009
Table Of Content
Acknowledgments Introduction: Poetry in the Age of Tin Prisoner, Fancy-Man, Rowdy, Lawyer, Physician, Priest: Whitman's Brags Verse Chronicle: Sins and Sensibility Verse Chronicle: Vanity Fair "You Must Not Take it So Hard, Madame" The Mystery of Marianne Moore Verse Chronicle: No Mercy Verse Chronicle: The Way of All Flesh The Extremity of the Flesh Later Auden The Triumph of Geoffrey Hill Verse Chronicle: Author! Author! Verse Chronicle: Folk Tales Houseman's Ghosts Milton in the Modern: The Invention of Personality Verse Chronicle: All Over the Map Verse Chronicle: Falls the Shadow Poetry and the Age: An Introduction The World Out-Herods Herod Lowell's Bubble: A Postscript Verse Chronicle: The Real Language of Men Verse Chronicle: Satanic Mills Auden's Shakespeare Berryman's Shakespeare The Sins of the Sonnets Permissions Books Under Review Index of Authors Reviewed
Synopsis
For more than a quarter century, William Logan's witty, bare-knuckled reviews have rocked the pages of the New York Times Book Review , the Times Literary Supplement , the New Criterion , and numerous other journals. Vanity Fair 's James Wolcott has called Logan the "best poetry critic in America," a reviewer who vividly assays the most memorable and damning features of a poet's work. The Undiscovered Country measures the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, and the mystery of Marianne Moore. The collection includes a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father. Logan's unsparing "verse chronicles" survey the successes and failures of contemporary verse. While railing against the blandness of much of today's poetry (and the critics who champion mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, and Czeslaw Milosz's indictment of Polish poetry., William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review , the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold. The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father. Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more. Praise for Logan's previous works: Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff.... The criticism we remember is neither savage nor mandarin.... There is no one in his generation more likely to write it than William Logan."--Adam Kirsch, Oxford American Reputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. A poet-critic engages closely with his masters, with his peers, with those whom he regards as falling short. This collection is an adventure of sensibility."--George Steiner "William Logan's critical bedevilments-as well as his celebrations-are indispensable."--Bill Marx, Boston Globe All the Rage (1998)"William Logan's reviews are malpractice suits."--Dennis O'Driscoll, Verse "William Logan is the best practical critic around."--Christian Wiman, Poetry
LC Classification Number
PS305.L64 2005
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