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Inventing Abstraction, 1910-1925 von Leah Dickerman: gebraucht

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Zuletzt aktualisiert am 24. Mai. 2025 20:23:44 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Publication Date
2013-01-31
Pages
376
ISBN
9780870708282

Über dieses Produkt

Product Identifiers

Publisher
Museum of Modern Art
ISBN-10
0870708287
ISBN-13
9780870708282
eBay Product ID (ePID)
117193610

Product Key Features

Book Title
Inventing Abstraction, 1910-1925
Number of Pages
376 Pages
Language
English
Topic
Collections, Catalogs, Exhibitions / Group Shows, History / Modern (Late 19th Century to 1945), History / Contemporary (1945-)
Publication Year
2013
Illustrator
Yes
Genre
Art
Author
Leah Dickerman
Format
Hardcover

Dimensions

Item Height
1.3 in
Item Weight
87.5 Oz
Item Length
12.3 in
Item Width
9.8 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
Featuring twenty-four contributors, this MoMA catalogue explores the evolution of early modernist abstraction across various mediums, countries and movements., Three quarters of a century after Alfred Barr, founding director of New York's Museum of Modern Art, mounted the landmark 1936 exhibition Cubism and Abtract Art, MoMA curator Dickerman returns to the realm with a vast exhibition and comprehensive catalogue depicting the incipient stages of abtraction in the plastic arts. Situating the movement from a representation toward abstraction as a synchronic historical moment, as well as one of modernism's principal activities, this Eurocentric organizational feat elaborates a network based on cross talk, spontaneity, and simultaneous development. The front endpapers of the catalogue offer a graphic spread that plays off Barr's legendary chart - the cover to his exhibition's catalogue - acanonical lineage of begotten isms. Dickerman's updated diagram turns reader's view to a distributed web of networks and memes in an endeavor that highlights connectivity over paternity. Even with his intended catholic aopproach, painting and the two - dimensional flattened spatial constructs of pictorial space overwhelmingly predominate. Music is accorded a seminal role; sculpture and film are underrepresented; typographic space and artists' books are thankfully recognized. A terrific collection of diverse short essays by nearly 30 scholars complement this intelligently edited, well- illustrated, and indispensable resource., Dickerman urges against defning abstraction in terms of forward progress... less interested in the invention of abstraction than abstraction as invention. The main impact of this horizontalist approach is geographic, bringing peripheral sites into focus without denying the importance of major hubs.
Dewey Decimal
709.04052
Synopsis
In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction , published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum s Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction s early history by renowned scholars from a variety of fields., In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction , published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields.
LC Classification Number
N6490.I5 2012
Text by
Bois, Yve-Alain, Affron, Matthew, Foster, Hal, Chlenova, Masha

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