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eBay-Artikelnr.:285318276616
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2016-03-01
- Pages
- 304
- ISBN
- 9781250083258
Über dieses Produkt
Product Identifiers
Publisher
Picador
ISBN-10
1250083257
ISBN-13
9781250083258
eBay Product ID (ePID)
216971941
Product Key Features
Book Title
Sellout : a Novel
Number of Pages
304 Pages
Language
English
Publication Year
2016
Topic
African American / General, Family Life, Satire, Literary
Genre
Fiction
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
9.8 Oz
Item Length
8.3 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
23
Reviews
"The first 100 pages of [Paul Beatty's] new novel, The Sellout , are the most caustic and the most badass first 100 pages of an American novel I've read in at least a decade. I gave up underlining the killer bits because my arm began to hurt . . . [They] read like the most concussive monologues and interviews of Chris Rock, Richard Pryor and Dave Chappelle wrapped in a satirical yet surprisingly delicate literary and historical sensibility . . . The jokes come up through your spleen . . . The riffs don't stop coming in this landmark and deeply aware comic novel . . . [It] puts you down in a place that's miles from where it picked you up." --Dwight Garner, The New York Times "[ The Sellout ] is among the most important and difficult American novels written in the 21st century . . . It is a bruising novel that readers will likely never forget." --Kiese Laymon, Los Angeles Times "Swiftian satire of the highest order . . . Giddy, scathing and dazzling." --Sam Sacks, The Wall Street Journal " The Sellout isn't just one of the most hilarious American novels in years, it also might be the first truly great satirical novel of the century . . . [It] is a comic masterpiece, but it's much more than just that-it's one of the smartest and most honest reflections on race and identity in America in a very long time." --Michael Schaub, NPR.org "Beatty, author of the deservedly highly praised The White Boy Shuffle (1996), here outdoes himself and possibly everybody else in a send-up of race, popular culture, and politics in today's America . . . Beatty hits on all cylinders in a darkly funny, dead-on-target, elegantly written satire . . . [ The Sellout ] is frequently laugh-out-loud funny and, in the way of the great ones, profoundly thought provoking. A major contribution." -- Mark Levin, Booklist (starred review) " The Sellout is brilliant. Amazing. Like demented angels wrote it." -- Sarah Silverman "I am glad that I read this insane book alone, with no one watching, because I fell apart with envy, hysterics, and flat-out awe. Is there a more fiercely brilliant and scathingly hilarious American novelist than Paul Beatty?" -- Ben Marcus "Paul Beatty has always been one of smartest, funniest, gutsiest writers in America, but The Sellout sets a new standard. It's a spectacular explosion of comic daring, cultural provocation, brilliant, hilarious prose, and genuine heart." -- Sam Lipsyte, "The first 100 pages of [Paul Beatty's] new novel, The Sellout , are the most caustic and the most badass first 100 pages of an American novel I've read in at least a decade." --Dwight Garner, The New York Times "[ The Sellout ] is among the most important and difficult American novels written in the 21st century . . . It is a bruising novel that readers will likely never forget." --Kiese Laymon, Los Angeles Times "Swiftian satire of the highest order . . . Giddy, scathing and dazzling." --Sam Sacks, The Wall Street Journal " The Sellout isn't just one of the most hilarious American novels in years, it also might be the first truly great satirical novel of the century . . . [It] is a comic masterpiece, but it's much more than just that-it's one of the smartest and most honest reflections on race and identity in America in a very long time." --Michael Schaub, NPR.org "Beatty, author of the deservedly highly praised The White Boy Shuffle (1996), here outdoes himself and possibly everybody else in a send-up of race, popular culture, and politics in today's America . . . Beatty hits on all cylinders in a darkly funny, dead-on-target, elegantly written satire . . . [ The Sellout ] is frequently laugh-out-loud funny and, in the way of the great ones, profoundly thought provoking. A major contribution." -- Mark Levin, Booklist (starred review) " The Sellout is brilliant. Amazing. Like demented angels wrote it." -- Sarah Silverman "I am glad that I read this insane book alone, with no one watching, because I fell apart with envy, hysterics, and flat-out awe. Is there a more fiercely brilliant and scathingly hilarious American novelist than Paul Beatty?" -- Ben Marcus "Paul Beatty has always been one of smartest, funniest, gutsiest writers in America, but The Sellout sets a new standard. It's a spectacular explosion of comic daring, cultural provocation, brilliant, hilarious prose, and genuine heart." -- Sam Lipsyte, The first 100 pages of [Paul Beatty's] new novel, The Sellout , are the most caustic and the most badass first 100 pages of an American novel I've read in at least a decade. . . [They] read like the most concussive monologues and interviews of Chris Rock, Richard Pryor and Dave Chappelle wrapped in a satirical yet surprisingly delicate literary and historical sensibility . . . [ The Sellout ] puts you down in a place that's miles from where it picked you up.-Dwight Garner, The New York Times "Swiftian satire of the highest order . . . Giddy, scathing and dazzling."-Sam Sacks, The Wall Street Journal "[ The Sellout ] is among the most important and difficult American novels written in the 21st century . . . It is a bruising novel that readers will likely never forget."-Kiese Laymon, Los Angeles Times, "The first 100 pages of [Paul Beatty's] new novel, The Sellout , are the most caustic and the most badass first 100 pages of an American novel I've read in at least a decade. I gave up underlining the killer bits because my arm began to hurt . . . [They] read like the most concussive monologues and interviews of Chris Rock, Richard Pryor and Dave Chappelle wrapped in a satirical yet surprisingly delicate literary and historical sensibility . . . The jokes come up through your spleen . . . The riffs don't stop coming in this landmark and deeply aware comic novel . . . [It] puts you down in a place that's miles from where it picked you up." --Dwight Garner, The New York Times "Powered by a wicked wit, with characters who speak a pop-philosopher patois, this is a funny and daring novel that subverts harmful cultural assumptions...It's this deliberate subversion of harmful cultural assumptions that makes this daring and abrasive novel a joy to read--the furthest thing imaginable from a selling out of anyone." -- The Guardian "[ The Sellout ] is among the most important and difficult American novels written in the 21st century . . . It is a bruising novel that readers will likely never forget." --Kiese Laymon, Los Angeles Times "The Sellout is a hilarious, pop-culture-packed satire about race in America. Beatty writes energetically, providing insight as often as he elicits laughs." -- The Huffington Post "Swiftian satire of the highest order . . . Giddy, scathing and dazzling." --Sam Sacks, The Wall Street Journal " The Sellout isn't just one of the most hilarious American novels in years, it also might be the first truly great satirical novel of the century . . . [It] is a comic masterpiece, but it's much more than just that-it's one of the smartest and most honest reflections on race and identity in America in a very long time." --Michael Schaub, NPR.org "In . . . one short passage you see more and better comedy, cultural insight, political commentary, anger, grief, truth than you would ever hope to find in any number of entire carefully-plotted contemporary novels. And there are many just-as-inspired moments throughout The Sellout ." -- The Boston Globe "Beatty, author of the deservedly highly praised The White Boy Shuffle (1996), here outdoes himself and possibly everybody else in a send-up of race, popular culture, and politics in today's America . . . Beatty hits on all cylinders in a darkly funny, dead-on-target, elegantly written satire . . . [ The Sellout ] is frequently laugh-out-loud funny and, in the way of the great ones, profoundly thought provoking. A major contribution." -- Mark Levin, Booklist (starred review) " The Sellout is brilliant. Amazing. Like demented angels wrote it." --Sarah Silverman "I am glad that I read this insane book alone, with no one watching, because I fell apart with envy, hysterics, and flat-out awe. Is there a more fiercely brilliant and scathingly hilarious American novelist than Paul Beatty?" -- Ben Marcus "Paul Beatty has always been one of smartest, funniest, gutsiest writers in America, but The Sellout sets a new standard. It's a spectacular explosion of comic daring, cultural provocation, brilliant, hilarious prose, and genuine heart." -- Sam Lipsyte "His prose, studded with pop-culture references, has the bandwidth and energy of the best MC in the house, while the books themselves (especially his hilarious fiction debut, The White Boy Shuffle ) contain enough caustic, laugh-out-loud jokes to make Richard Pryor proud." -- Rolling Stone on Paul Beatty
Dewey Decimal
813/.54
Synopsis
Winner of the 2016 Man Booker Prize Winner of the 2015 National Book Critics Circle Award in Fiction Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality--the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens--on the southern outskirts of Los Angeles--the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident--the last surviving Little Rascal, Hominy Jenkins--he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court., Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek , The Denver Post , BuzzFeed , Kirkus Reviews , and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality--the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens--on the southern outskirts of Los Angeles--the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident--the last surviving Little Rascal, Hominy Jenkins--he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
LC Classification Number
PS3552.E19S45 2016
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98,6% positive Bewertungen•1.9 Mio. Artikel verkauft
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Verkäuferbewertungen (512'685)
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- c***m (1660)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent book, exactly as described and promptly shipped.
- m***r (31)- Bewertung vom Käufer.Letzter MonatBestätigter KaufBook arrived on time and packaged well
- i***h (800)- Bewertung vom Käufer.Letzter MonatBestätigter KaufItem was as described.
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