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Sonic Sovereignty: Hip Hop, Indigenität und sich verändernde populäre Musik-Mainstre
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Artikelmerkmale
- Artikelzustand
- Book Title
- Sonic Sovereignty: Hip Hop, Indigeneity, and Shifting Popular Mus
- Publication Date
- 2023-07-25
- Pages
- 328
- ISBN
- 9781479816927
Über dieses Produkt
Product Identifiers
Publisher
New York University Press
ISBN-10
1479816922
ISBN-13
9781479816927
eBay Product ID (ePID)
28058377339
Product Key Features
Number of Pages
328 Pages
Publication Name
Sonic Sovereignty : Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams
Language
English
Subject
Genres & Styles / Rap & Hip Hop, Media Studies, Indigenous Studies
Publication Year
2023
Type
Textbook
Subject Area
Music, Social Science
Series
Postmillennial Pop Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
18.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2022-045734
Dewey Edition
23
Reviews
Extends our understanding of music across landscapes where belonging and self-determination are enacted daily. Through hybrid ethnographic and participatory research, Liz Przybylski examines the infrastructure of settler media terrains and, more importantly, Indigenous artists' ruptures of it. Her examination of the online-offline divide, practices of distribution, and regulatory environments of broadcast systems are coupled with the power of Indigenous artists who encourage us to go beyond hearing. Through deft close readings of artists' practices, she introduces us to the possibilities of relational listening., The rich ethnography details the rise of sonic self-determination in contemporary culture through radio broadcasting and live concert events. Writing in smooth, poetic prose, Przybylski asserts that understanding music requires an understanding of its cultural space., Liz Przybylski's Sonic Sovereignty is a remarkably exciting text that employs a multipronged interdisciplinary methodology that emphasizes how musical expression can act as a powerful decolonial force and is one that I wholly recommend., Excavates Indigenous rap's role in moving us in decolonial directions. Liz Przybylski teases out the confluence of mainstream forces that (re)produce silences while spotlighting artists' refusals, prompting new expressions of audibility. Sonic Sovereignty gifts us with insight into the intimacies of listening and the political possibility of learning to listen differently.
Series Volume Number
31
Illustrated
Yes
Dewey Decimal
782.4216490971
Synopsis
What does sovereignty sound like? Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks. Przybylski documents and reflects on shifts in both the music industry and political landscape in the last fifteen years: just as the ways in which people listen to, consume, and interact with popular music have radically changed, large public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures. Sonic Sovereignty encourages us to experiment with the temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of time. Przybylski maintains that hip hop and many North American Indigenous practices, all drawn from storytelling, welcome nonlinear listening. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities., Winner, 2024 International Association for the Study of Popular Music Canada Book Prize Honorable Mention, 2024 Alan Merriam Prize, given by the Society for Ethnomusicology What does sovereignty sound like? Sonic Sovereignty considers how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Liz Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks. Przybylski documents and reflects on shifts in both the music industry and political landscape over the course of a decade: as the ways in which people listen to, consume, and interact with popular music have radically changed, extensive public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures. Sonic Sovereignty encourages us to experiment with temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of normative time. Nonlinear storytelling practices from hip hop music and other North American Indigenous sonic practices inform these generative listenings. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities., What does sovereignty sound like? Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting ......, Honorable Mention, 2024 Alan Merriam Prize, given by the Society for Ethnomusicology What does sovereignty sound like? Sonic Sovereignty considers how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Liz Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks. Przybylski documents and reflects on shifts in both the music industry and political landscape over the course of a decade: as the ways in which people listen to, consume, and interact with popular music have radically changed, extensive public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures. Sonic Sovereignty encourages us to experiment with temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of normative time. Nonlinear storytelling practices from hip hop music and other North American Indigenous sonic practices inform these generative listenings. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities.
LC Classification Number
ML3563.P78 2023
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AlibrisBooks
98,6% positive Bewertungen•1.9 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (511'930)
- l***0 (112)- Bewertung vom Käufer.Letzter MonatBestätigter KaufEXTREMELY entertaining, in and about any and ALL good ways to throw a party and have the biggest blast with it! Yes ma'am! Ah wow! FOR THE BEST OF GOOD TIMES. Really! In every scene, they were all, especially Liza Minnelli, so much fun and laughs, having everything to do with just anything and everything you can imagine a good time should EVER be. And even when anyone might have some misgivings about how they should go about doing that better, IT REALLY DIDN'T MATTER, 'cause still ANYTHING GOES!
- c***u (341)- Bewertung vom Käufer.Letzter MonatBestätigter Kaufexcellent seller - would buy from again
- 1***e (2127)- Bewertung vom Käufer.Letzter MonatBestätigter KaufItem as described fast shipping Thank You!