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Was bleibt: Die gesammelten Gedichte von Hannah Arendt von Hannah Arendt: Neu
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eBay-Artikelnr.:286214016393
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2025-01-24
- ISBN
- 9781324090526
Über dieses Produkt
Product Identifiers
Publisher
Liveright Publishing Corporation
ISBN-10
1324090529
ISBN-13
9781324090526
eBay Product ID (ePID)
7057271980
Product Key Features
Book Title
What Remains : the Collected Poems of Hannah Arendt
Number of Pages
208 Pages
Language
English
Publication Year
2024
Topic
Subjects & Themes / Death, Grief, Loss, Women Authors, European / German
Genre
Poetry, Literary Collections
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
12.2 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Trade
Reviews
Hannah Arendt's poems bear out her belief that poetry itself is a kind of thinking. Aphoristic, intuitive, and often surprising in their immediacy, they will interest every reader of her major work. 'Poetic language,' she wrote, 'is a place, not a refuge.' These poems--finely translated and with conscientious notes by Samantha Rose Hill--allow us to enter a place that resembles no other., In What Remains: The Collected Poems of Hannah Arendt, translator and editor Samantha Rose Hill, with Genese Grill, has given us that rare thing--a testament to what poetic thinking might be, available to all readers, and keenly attuned to our political moment. In their hands, this is less an academic volume than a story well told. . . . This work should deepen our attachment to Arendt not simply as a philosopher but also as a thinker whose value stands above disciplines, a human person who left a record of a life lived awake and alive. Arendt turned to poetry both for release and for reflection. This book reminds us of what poetic thinking is and why we need it now., Readers well versed in Arendt's influential political philosophy may not know that she also wrote poetry as a private affair. As quoted in editor/translator Hill's introduction, Arendt saw poetry as the art whose 'end product remains closest to the thought that inspired it.' . . . Accessible distillations of heart and mind; readers don't have to know Arendt's philosophy (or philosophy generally) to read this work profitably and with pleasure., The strongest contribution of What Remains is its bright illumination of Arendt's overall body of work--her intellectual dissection of authoritarian rule, her sorrow in the face of the fracturing of the society she knew, and her deep love for the world., ...a new volume of [Arendt's] poetry reveals that the author of sobering works like The Origins of Totalitarianism and The Human Condition was writing ardent and intimate verse in her off-hours., These poems construct a most personal, subtle, and affecting autobiography. They are intense, emotional and yet do not yield to our voyeuristic nature. Together these poems offer what the best impressionistic painters offered, a concentration on the underlying constituent parts of reality and a retention of intimacy., What Remains reveals, or confirms, Arendt's status as a poetic thinker . . . although she can come across as sentimental, Arendt is also thinking about desire, death, melancholy, and the consolations of nature--and how to fashion a metaphor-laden language to do it all justice., A new volume of [Arendt's] poetry reveals that the author of sobering works like The Origins of Totalitarianism and The Human Condition was writing ardent and intimate verse in her off-hours., Hannah Arendt never stopped thinking deep and hard whatever new realities she faced: exile, totalitarianism, grief, love. These poems show her wresting her innermost thoughts into form. They are a revelation. Beautifully translated and 'thought' by Samantha Rose Hill and Genese Grill, What Remains is an essential addition to our understanding of this complex, fearless, and ever more relevant writer., Arendt's work on totalitarianism and her direct experience of escaping Europe are reflected in her poems, which are also in direct, at times allusive conversation with the German poets she treasured, including Goethe, Hölderlin, and Rilke. Their strength lies in their tenderness and self-exposure . . . These unsparing, literate, and surprisingly candid poems offer a fascinating new angle on one of the 20th century's great minds., In truth, Arendt the poet exhibits a real though not illimitable talent, a mind whose natural tilt is toward prose but which has a second-natural command, acquired through years of faithful recitation, of the volkslied and the ode., These delightful poems provide a window into Arendt's vibrant engagements with the world.... This volume is a treasure for fans of Arendt and poetry.
Synopsis
Internationally renowned as one of the twentieth century's foremost public intellectuals, Hannah Arendt was also intensely private. Though she often acknowledged that the language of poetry-especially that of Dickinson, Goethe, and Lowell-informed her work, only a few people knew that Arendt herself wrote poems. In fact, between 1923 and 1961, Arendt wrote seventy-four poems, many of them signposts in an otherwise unwritten autobiography. For nearly forty years after her death, these poems remained hidden among the archives of the Library of Congress, until 2011, when they were rediscovered by scholar and translator Samantha Rose Hill. Now, for the first time in English, Hill and Genese Grill present Arendt's poems in chronological order, taking us from the zenith of the Weimar Republic to the Cold War, and from Marburg, Germany, to New York's Upper West Side. Throughout, Arendt uses poetry to mark moments of joy, love, loss, and reflection. In "W. B.," written in 1942, she remembers Walter Benjamin, who died near the French-Spanish border while attempting to flee the Nazis: "Gentle whispering melodies / Sound from the darkness. / We listen so we can let go." So, too, she reflects on mutability and transience in 1946: "I know that the houses have fallen. / We entered the world in them, wonderfully sure, that they / were more durable than ourselves." She tries to understand her place in the world: "Ironically foolish, / I've forgotten nothing, / I know the emptiness, / I know the burden, / I dance, I dance / In ironic splendor." A gift to all readers of Arendt, this stunning, dual-language edition provides an unparalleled view into the inner sanctum of one of our most original thinkers., A landmark literary event, What Remains collects Arendt's complete poetic oeuvre--never before published in English., Internationally renowned as one of the twentieth century's foremost public intellectuals, Hannah Arendt was also intensely private. Though she often acknowledged that the language of poetry--especially that of Dickinson, Goethe, and Lowell--informed her work, only a few people knew that Arendt herself wrote poems. In fact, between 1923 and 1961, Arendt wrote seventy-four poems, many of them signposts in an otherwise unwritten autobiography. For nearly forty years after her death, these poems remained hidden among the archives of the Library of Congress, until 2011, when they were rediscovered by scholar and translator Samantha Rose Hill. Now, for the first time in English, Hill and Genese Grill present Arendt's poems in chronological order, taking us from the zenith of the Weimar Republic to the Cold War, and from Marburg, Germany, to New York's Upper West Side. Throughout, Arendt uses poetry to mark moments of joy, love, loss, and reflection. In "W. B.," written in 1942, she remembers Walter Benjamin, who died near the French-Spanish border while attempting to flee the Nazis: "Gentle whispering melodies / Sound from the darkness. / We listen so we can let go." So, too, she reflects on mutability and transience in 1946: "I know that the houses have fallen. / We entered the world in them, wonderfully sure, that they / were more durable than ourselves." She tries to understand her place in the world: "Ironically foolish, / I've forgotten nothing, / I know the emptiness, / I know the burden, / I dance, I dance / In ironic splendor." A gift to all readers of Arendt, this stunning, dual-language edition provides an unparalleled view into the inner sanctum of one of our most original thinkers., The German-Jewish political philosopher Hannah Arendt (1906-1975) is world-renowned for her work on totalitarianism, the human condition, and the banality of evil. Not many people know that she also wrote poems--yet the language of poetry, especially that of Goethe and Schiller, was a banister for Arendt's thinking throughout much of her adult life. Between 1923 and 1961, Arendt wrote seventy-four poems, many of them acting as signposts in her biography, marking moments of great joy, love, loss, melancholia, and remembrance. Now, for the first time in English, Samantha Rose Hill and Genese Grill present these intensely personal poems in chronological order, taking us from the zenith of the Weimar Republic to the Cold War, and from Marburg, Germany, to New York, New York. A gift to all readers of Arendt, this stunning en face edition provides an unparalleled view into the private life of one of the most definitive thinkers of the twentieth century., A landmark literary event, What Remains collects Arendt's complete poetic oeuvre--never before published in English--into a single edition.
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