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Der Steinmetz von Cormac McCarthy (1994, Hardcover) Erstausgabe! Sehr guter Zustand! HCDJ
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Der Steinmetz von Cormac McCarthy (1994, Hardcover) Erstausgabe! Sehr guter Zustand! HCDJ
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Der Steinmetz von Cormac McCarthy (1994, Hardcover) Erstausgabe! Sehr guter Zustand! HCDJ

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    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    Type
    Play
    Signed
    No
    Book Series
    N/A
    Narrative Type
    Fiction
    Features
    Dust Jacket
    Original Language
    English
    Country/Region of Manufacture
    United States
    Intended Audience
    Adults
    Edition
    First Edition
    ISBN
    9780880013598

    Über dieses Produkt

    Product Identifiers

    Publisher
    HarperCollins
    ISBN-10
    0880013591
    ISBN-13
    9780880013598
    eBay Product ID (ePID)
    189573

    Product Key Features

    Book Title
    Stonemason : a Play in Five Acts
    Number of Pages
    146 Pages
    Language
    English
    Topic
    General, American / General
    Publication Year
    1994
    Genre
    Drama, Fiction
    Author
    Cormac McCarthy
    Format
    Hardcover

    Dimensions

    Item Height
    1.1 in
    Item Weight
    12.8 Oz
    Item Length
    11.1 in
    Item Width
    6.1 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    93-041252
    TitleLeading
    The
    Dewey Edition
    20
    Dewey Decimal
    812/.54
    Synopsis
    The Stonemason is a profoundly moving drama set in Louisville, Kentucky in the 1970s, concerning several generations of a black family. McCarthy's narrator, Ben, reveals a painful episode in his family's history, grounding us at the same time in the beautiful dynamic between him and his grandfather, Papaw. Ben, Ben's father, and Papaw are all stonemasons, but in descriptions of "the trade" we learn as much about this family's capacity for love as we do about constructing sound foundations for houses, barns and bridges. Papaw's knowledge about stonemasonry is analogous to his deep spiritual wisdom, and Ben recognizes both as he looks back on his apprenticeship in the "trade at which I thoughtmyself a master and of which I stood in darkest ignorance. And as I came to know him ... As I came to know him ... Oh I could hardly believe my good fortune. I swore then I'dcleave to that old man like a bride. I swore he'd take nothing to his grave." Papaw's son Big Ben and great-grandson Soldier do not respond as whole-heartedly to the old man's wealth of knowledge and patient guidance and the tragedy of the story is largely rooted in this fact. Both of these characters have lost connection with the work of their hands and by association with the earth, their family, and themselves. They are profoundly dissatisfied. Of his father, Ben later wonders, "Why could he not see the worth of that which he had laid aside and the poverty of all he hungered for? Why could he not see that he too was blest?" The Stonemason reveals afresh the mastery of character, plot, pathos, and the poetic facility for language that distinguishes Cormac McCarthy's fiction, and which recently earned him the National Book Award for his bestselling novel, All The Pretty Horses., The Stonemason is a profoundly moving drama set in Louisville, Kentucky in the 1970s, concerning several generations of a black family. McCarthy's narrator, Ben, reveals a painful episode in his family's history, grounding us at the same time in the beautiful dynamic between him and his grandfather, Papaw. Ben, Ben's father, and Papaw are all stonemasons, but in descriptions of "the trade" we learn as much about this family's capacity for love as we do about constructing sound foundations for houses, barns and bridges. Papaw's knowledge about stonemasonry is analogous to his deep spiritual wisdom, and Ben recognizes both as he looks back on his apprenticeship in the "trade at which I thoughtmyself a master and of which I stood in darkest ignorance. And as I came to know him ... As I came to know him ... Oh I could hardly believe my good fortune. I swore then I'dcleave to that old man like a bride. I swore he'd take nothing to his grave." Papaw's son Big Ben and great-grandson Soldier do not respond as whole-heartedly to the old man's wealth of knowledge and patient guidance and the tragedy of the story is largely rooted in this fact. Both of these characters have lost connection with the work of their hands and by association with the earth, their family, and themselves. They are profoundly dissatisfied. Of his father, Ben later wonders, "Why could he not see the worth of that which he had laid aside and the poverty of all he hungered for? Why could he not see that he too was blest?" The Stonemason reveals afresh the mastery of character, plot, pathos, and the poetic facility for language that distinguishes Cormac McCarthy's fiction, and which recently earned him the National Book Award for his bestselling novel, All The Pretty Horses .
    LC Classification Number
    PS3563.C337S76 1994

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