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The American Cinema: Directors And Directions 1929-1968 by Sarris, Andrew
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Artikelmerkmale
- Artikelzustand
- ISBN
- 9780306807282
Über dieses Produkt
Product Identifiers
Publisher
Grand Central Publishing
ISBN-10
0306807289
ISBN-13
9780306807282
eBay Product ID (ePID)
688605
Product Key Features
Book Title
American Cinema : Directors and Directions 1929-1968
Number of Pages
392 Pages
Language
English
Topic
Film / General, Film / Reference, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production, Film / History & Criticism
Publication Year
1996
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1.5 in
Item Weight
11.1 Oz
Item Length
8 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
96-019944
TitleLeading
The
Reviews
The Week , Kenneth Turan's "The Book List," 7/4/14 "There is no overestimating the impact critic Andrew Sarris had on serious filmgoers...This book is an essential work of film criticism.", The Week , Kenneth Turan's The Book List," 7/4/14 There is no overestimating the impact critic Andrew Sarris had on serious filmgoers…This book is an essential work of film criticism."
Synopsis
" The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American directors from craftsmen to artists, launched the careers of numerous film critics, and shaped the aesthetics of a whole generation of viewers by providing new ways of looking at movies."--Emanuel Levy, author of George Cukor, Master of Elegance The auteur theory, of which film critic Andrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema , the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject., The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema , the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject.
LC Classification Number
PN1998.2.S266 1996
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