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Stephen Shore: Uncommon Places: The Complete Works - Hardcover - GUT
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Standort: Clearfield, Utah, USA
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eBay-Artikelnr.:286848326195
Artikelmerkmale
- Artikelzustand
- Brand
- Unbranded
- MPN
- Does not apply
- ISBN
- 9781597113038
Über dieses Produkt
Product Identifiers
Publisher
Aperture Foundation, Incorporated
ISBN-10
1597113034
ISBN-13
9781597113038
eBay Product ID (ePID)
221438116
Product Key Features
Book Title
Stephen Shore: Uncommon Places : the Complete Works
Number of Pages
208 Pages
Language
English
Topic
Individual Photographers / Monographs, Collections, Catalogs, Exhibitions / General, General
Publication Year
2015
Illustrator
Yes
Genre
Photography
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
73.8 Oz
Item Length
10.3 in
Item Width
12.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2003-116950
Reviews
On any list of must-own photo books, Stephen Shore's 1982 classic, Uncommon Places, deserves pride of place. Shore, now 67, helped spearhead the use of color (once the exclusive province of advertising and fashion) in fine-art photography while documenting the American landscape, transforming the banal (diners, back alleys, ticky-tacky suburbs) into extraordinary tableau. Now the book is being reissued with 20 previously unseen images, as Uncommon Places: The Complete Works, giving you a eason to search for a collectible first edition on Amazon.
Photographed by
Shore, Stephen
Synopsis
Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape inaugurated a vital photographic tradition. Uncommon Places: The Complete Works , published by Aperture in 2005, presented a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic. Now, for this lushly produced reissue, the artist has added nearly 20 rediscovered images and a statement explaining what it means to expand a classic series. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore retains precise systems of gestures in composition and light through which a hotel bedroom or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. An essay by critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by writer Lynne Tillman examine his methodology and elucidate his roots in Pop and Conceptual art. The texts are illustrated with reproductions from Shore's earlier series American Surfaces and Amarillo: Tall in Texas . At age 14 Stephen Shore (born 1947) had his work purchased by Edward Steichen for The Museum of Modern Art, New York. At 17 Shore was a regular at Andy Warhol's Factory, producing an important photographic document of the scene, and in 1971 at the age of 23 he became the first living photographer since Alfred Stieglitz 40 years earlier to have a one-man show at the Met. He has had numerous one-man shows, among others at The Museum of Modern Art, New York; George Eastman House, Rochester; Hammer Museum, Los Angeles; and The Art Institute of Chicago. Since 1982 he has been Director of the Photography Program at Bard College, Annandale-on-Hudson, New York., Originally published in 1982, Stephen Shore's legendary "Uncommon Places" has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape inaugurated a vital photographic tradition. "Uncommon Places: The Complete Works," published by Aperture in 2005, presented a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic. Now, for this lushly produced reissue, the artist has added nearly 20 rediscovered images and a statement explaining what it means to expand a classic series. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore retains precise systems of gestures in composition and light through which a hotel bedroom or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. An essay by critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by writer Lynne Tillman examine his methodology and elucidate his roots in Pop and Conceptual art. The texts are illustrated with reproductions from Shore's earlier series "American Surfaces" and "Amarillo: Tall in Texas."
LC Classification Number
TR654.S52227 2015
Text by
Tillman, Lynne, Schmidt-Wulffen, Stephan
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