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SIR LORD BALTIMORE - KINGDOM COME NEW VINYL

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Standort: Prospect, SA, Australien
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Zuletzt aktualisiert am 11. Jun. 2024 05:53:42 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Neu: Neuer, unbenutzter und unbeschädigter Artikel in der ungeöffneten Verpackung (soweit eine ...
Title
KINGDOM COME
eBay Category
Vinyl > POP/ROCK
UPC
Does not apply
Artist
Sir Lord Baltimore
Type
LP
Format
Vinyl
Release Year
1970
Record Label
Trading Places
Release Title
Kingdom Come
Genre
Metal
Run Time
37 Mins 43 Seconds

Über dieses Produkt

Product Identifiers

Record Label
Trading Places
UPC
5060672880336
eBay Product ID (ePID)
24050164957

Product Key Features

Release Year
1970
Format
Vinyl
Genre
Metal
Run Time
37 Mins 43 Seconds
Type
LP
Artist
Sir Lord Baltimore
Release Title
Kingdom Come

Additional Product Features

Distribution
Forced Exposure
Additional information
When Sir Lord Baltimore released Kingdom Come in 1970, heavy metal was just a twinkle in Black Sabbath's eyes (the Birmingham legends' first album had only just hit record stores), and the term itself was years away from widespread acceptance as the definition of an entire category of rock music. So much so, that present-day listeners might find this album's songs as comparable to those of so-called "early punks" The Stooges or MC5, as they are to other proto-metal outfits like Blue Cheer, Led Zeppelin, and certainly Sabbath themselves. As was the case with every one of these acts, Sir Lord Baltimore's music was fundamentally rooted in unbridled aggression, deafening distortion, and raw power: like Nuggets, the next generation. In other words, there was little finesse to be found in savage album cuts like "Helium Head," "Hard Rain Fallin'," and "Pumped Up" -- just bludgeoning hard rock seemingly ever on the verge of spontaneous self-combustion under the command of vocalist John Garner's wild-eyed, howling, vocal acrobatics. Clues of the group's influence by the classic '60s power trios (Cream, the Jimi Hendrix Experience, etc.) were evident on bluesier, but still reliably tee-total numbers like "I Got a Woman" "Hell Hound," and "Lady of Fire"; while "Master Heartache" was jump-started by a monstrous bassline foreshadowing of Motörhead, and the leaden title track somehow managed to echo both the dying psychedelic movement and emerging doom. Finally, there was album wildcard "Lake Isle of Innersfree": a shockingly sedate and civilized, Baroque combination of harpsichord and 12-string guitars topped by suitably psychedelic lyrics which, not surprisingly, was crafted with the help of the band's managers (namely future Bruce Springsteen Svengali Mike Appel, trivia fans). As well as a true anomaly, the latter hinted at Sir Lord Baltimore's growing stylistic broadening which would both diversify and dilute their second and final album, leaving Kingdom Come to stand the test of time as the band's authoritative work. And, even though it was generally dismissed by critics and misunderstood by listeners of the day (as were Sabbath and the Stooges, of course), the album gradually grew in stature to become one of early heavy metal's best-loved documents, and most consistently sought-out cult items. ~ Eduardo Rivadavia
Number of discs
1

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