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AZYMUTH - AZIMUTH NEW VINYL
MovieMars
(3035639)
Gewerblich
US $69,22
Ca.CHF 55,65
Artikelzustand:
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Kostenlos Economy Shipping.
Standort: North Carolina, USA
Lieferung:
Lieferung zwischen Mo, 22. Dez und Sa, 3. Jan nach 94104 bei heutigem Zahlungseingang
Rücknahme:
30 Tage Rückgabe. Käufer zahlt Rückversand. Wenn Sie ein eBay-Versandetikett verwenden, werden die Kosten dafür von Ihrer Rückerstattung abgezogen.
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eBay-Artikelnr.:296541646752
Artikelmerkmale
- Artikelzustand
- UPC
- 5060211502767
Über dieses Produkt
Product Identifiers
Record Label
Far Out Recordings, Faou
UPC
5060211502767
eBay Product ID (ePID)
16046051922
Product Key Features
Format
Record
Release Year
2017
Genre
International
Artist
Azymuth
Release Title
Azimuth
Dimensions
Item Height
0.34 in
Item Weight
0.64 lb
Item Length
12.36 in
Item Width
12.29 in
Additional Product Features
Number of Tracks
10
Country/Region of Manufacture
United States
Tracks
1.1 Linha Do Horizonte 1.2 Melô Dos Dois Bicudos 1.3 Brazil 1.4 Seems Like This 1.5 Caça a Raposa 1.6 Estrada Dos Deuses 1.7 Wait for My Turn 1.8 Montreal City 1.9 Morning 1.10 Periscópio
Number of Discs
1
Notes
Far Out Recordings re-release the seminal debut album from Azymuth. Having never seen a vinyl release outside of Brazil, Far Out have given 'Azimuth' the LP gatefold heavyweight vinyl treatment. The album contains some of the band's most incendiary tracks and is quite simply a milestone album in Brazilian music. Azymuth - Jose Roberto Bertrami, Ivan Conti, and Alex Malheiros & Ariovaldo -formed in the late 60s just as Os Mutantes released their debut record. Whilst Mutantes were honing a psychedelic 'Amazonian' version of western pop music, Azymuth were creating a futuristic, electric interpretation of US Jazz - also driven by the same rootsy Brazilian 'swing' that Mutantes had harnessed. The original line up of Azymuth consisted of José Roberto Bertrami on keyboards and synths, Alex Malheiros on bass, Ivan Conti (aka Mamão) on drums and timbalas, plus Ariovaldo Contesini on percussion. Bertrami was the drive behindAzymuth's sound - a control freak and musical genius obsessed with the latest technology who wanted to use it to push the boundaries of music in a way that no one else in Brazil had done. His use of keyboards has drawn comparisons between Azymuth's work and Herbie Hancock's early 70s output, yet with it's Brazilian swing Azymuth's electric jazz sound is unmistakably their own. Conti is an impulsive and an incredibly energetic drummer, and the real hardcore Carioca of the trio. Alex Malheiros, who learned his trade playing with the master of Brazilian swing, Ed Lincoln. Alex is respected in Brazil as one of the original groove masters. Bertrami rose to fame as an arranger in the mid-60s and by the late 60s he was arranging for the queen of Brazilian music, Elis Regina. This pushed him into the major league and by the early 1970s he was arranging for the burgeoning TV novella scene. When he was not working, Bertrami made trips to New York to buy the latest keyboards and synths, ensuring he had the most up to date range of keyboards in Brazil. His work in TV Novellas meant Bertrami knew most of the A&R people in the Brazilian music industry, yet when he shipped the demos that became the core of this album round to them in 1973, they didn't share his vision - one label even going as far as to say that the music was 'wrong'. Released in summer 1975, the album was a minor commercial success selling 200,000 copies. Opening track 'Linha do Horizonte' - a sublime piece of melancholic electronic saudade where deep cinematic synths melt into gently strummed acoustic jazz guitar - was chosen for a TV Novella and went on to sellhalf a million, propelling Azymuth onto the Brazilian music scene. The rest of the album doesn't disappoint - track 2, 'Melô dos dois bicudos', sees Azymuth plugging them into the Brazilian national grid for a slice of electrified psyched out samba funk with crashing military drums, shrieking sirens and psych synths. Track 3 'Brazil' is a lolloping bass led groover with Bertrami's melody giving the track a charming, innocent naivety, and track 5 'Caça a Raposa' is a boogie jazz funk groover with Bertrami adding a Flora Purim style vocal melody. Azymuth went on to become one of the best-selling jazz artists of the 80s with their future albums for Milestones, unquestionably the biggest jazz label of that decade. 'Azimuth' is the album that kick started it all for them, the record that was the blue print and definition of their 'samba doido / crazy samba' sound.
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- e***p (9812)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufCD just described. As for shipping, you have to be patient as it can take up to two weeks for the company to ship the item; full disclosure, on the communication after the purchase, they let you know this fact. Have used them before and always forget about this. But buy with confidence as the company is legitimate and item was well packaged. Overall an A+ transaction.
- n***n (730)- Bewertung vom Käufer.Letzte 6 MonateBestätigter Kaufitem CD as described new in seal, jewel case great condition, CD good condition, quality good, appearance good, value great, price very reasonable, shipping a little slow but within reason, but was shipped and delivered on time, seller packaged item well, recommend this seller, have purchased before will probably again, good seller communication and response to questions, overall positive experience
- _***n (169)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe CD "NASHVILLE GUITARS - 16 SUPER HITS" is brand new, sealed in its original packaging, as advertised. The disc itself is of good quality. It was packaged in a bubble wrap and suffered no damage during shipping. The seller always responds to messages and is attentive to the buyer. I'm very pleased with my purchase. Thank you very much! I wish the seller all the best!