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NEW ROY DECARAVA: THE SOUND I SAW By Sherry Turner Decarava & Radiclani Clytus

US $68,00
Ca.CHF 57,28
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    Standort: Huntington Beach, California, USA
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    Lieferung zwischen Mo, 19. Mai und Fr, 23. Mai nach 43230 bei heutigem Zahlungseingang
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    eBay-Artikelnr.:296919910692
    Zuletzt aktualisiert am 27. Feb. 2025 04:01:26 MEZAlle Änderungen ansehenAlle Änderungen ansehen

    Artikelmerkmale

    Artikelzustand
    Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
    Type
    Hardcover
    Publication Name
    David Zwirner Books
    ISBN-10
    1644230100
    ISBN
    9781644230107

    Über dieses Produkt

    Product Identifiers

    Publisher
    Zwirner Books, David
    ISBN-10
    1644230100
    ISBN-13
    9781644230107
    eBay Product ID (ePID)
    17038437673

    Product Key Features

    Book Title
    Roy Decarava: the Sound I Saw
    Number of Pages
    208 Pages
    Language
    English
    Publication Year
    2019
    Topic
    Individual Photographers / General, Individual Artists / Monographs, Subjects & Themes / Places, United States / Northeast / Middle Atlantic (NJ, NY, Pa), Genres & Styles / Jazz
    Illustrator
    Yes
    Genre
    Music, Art, Travel, Poetry, Photography
    Author
    Radiclani Clytus
    Format
    Hardcover

    Dimensions

    Item Height
    1.2 in
    Item Weight
    81 Oz
    Item Length
    13.9 in
    Item Width
    10.7 in

    Additional Product Features

    Intended Audience
    Trade
    Reviews
    The book the sound i saw is the pictorial equivalent of jazz. Here, the visionary photographer turns his gaze on legendary jazz icons, Ornette Coleman, John Coltrane, Duke Ellington, and Billie Holiday, among many others., These portraits of musicians juxtaposed against scenes from New York, primarily Harlem, offer a look at how the two will always be inextricable from one another., DeCarava's pictures of the scuffed modernist geometries of Manhattan streets and the faces of an American demimonde of singers, musicians and painters, anonymous passers-by, freedom marchers, men and women at diners or in banks or at the park, form an irresistible, mesmerizing portrait of a city and a country of mad contradiction and beauty., Illuminated by exquisitely spare uses of light or contrasting blocks of relative brightness, his photographs are at once alluring, mysterious and challenging. At close range, they reveal layered meanings that are variously psychological, social, cultural, even structural.
    Dewey Edition
    23
    Dewey Decimal
    779.978165092
    Synopsis
    Roy DeCarava's the sound i saw is the pictorial equivalent of jazz. Here, the visionary photographer turns his gaze on legendary jazz icons Ornette Coleman, John Coltrane, Duke Ellington, and Billie Holiday, among many others. "This is a book about people, about jazz, and about things. The work between its covers tries to present images for the head and for the heart and, like its subject matter, is particular, subjective, and individual," writes DeCarava. A master of poetic contemplation and of sensual tonalities in black and white, DeCarava is, above all, a photographer of people. A member of the post-World War II generation that sought a new modernist vocabulary, he was first recognized for his innovative images of life in Harlem (the subject of The Sweet Flypaper of Life , his 1955 collaboration with poet Langston Hughes) and extraordinary portraits of jazz musicians. It is these two themes--New York and jazz--interwoven and inseparable, that are the ostensible subject of the sound i saw . However, the seemingly casual yet deeply felt compositions and the rich, gradient tones of DeCarava's photographs stir emotions that resonate far beyond one neighborhood and one era. Conceived, designed, written, and made as an artist maquette by DeCarava in the early 1960s, the sound i saw went unpublished for almost half a century until it was printed by Phaidon in 2001. At its core is a visual and philosophical journey to plumb the meaning of a creative life. The artist's intention in proposing a complex relationship between vision and music moves his comprehensive, decade-long reflection to the status of a magnum opus. This new edition, copublished by First Print Press and David Zwirner Books, includes new scholarship by Radiclani Clytus and reflections by Sherry Turner DeCarava., Conceived, designed, written, and made as an artist maquette by Roy DeCarava in the early 1960s, The Sound I Saw went unpublished for almost half a century until it was printed in 2001. At its core is a visual and philosophical journey to plumb the meaning of a creative life., Roy DeCarava: the sound i saw is the pictorial equivalent of jazz. Here the visionary photographer turns his gaze on legendary jazz icons John Coltrane, Billie Holiday, Duke Ellington and Ornette Coleman, among many others. "This is a book about people, about jazz, and about things. The work between its covers tries to present images for the head and for the heart and, like its subject matter, is particular, subjective, and individual," writes DeCarava. A master of poetic contemplation and of sensual tonalities in black and white, DeCarava is, above all, a photographer of people. A member of the post-World War II generation that sought a new modernist vocabulary, he was first recognized for his innovative images of life in Harlem (the subject of The Sweet Flypaper of Life, his 1955 collaboration with poet Langston Hughes) and extraordinary portraits of jazz musicians like John Coltrane, Duke Ellington, and Billie Holiday. It is these two themes-New York and jazz-interwoven and inseparable, that are the ostensible subject of the sound i saw. However, the seemingly casual yet deeply felt compositions and the rich, gradient tones of DeCarava's photographs stir emotions that resonate far beyond one neighborhood and one era.Conceived, designed, written, and made as an artist maquette by DeCarava in the early 1960s, the sound i saw went unpublished for almost half a century until it was printed by Phaidon in 2001. At its core is a visual and philosophical journey to plumb the meaning of a creative life. The artist's intention in proposing a complex relationship between vision and music moves his comprehensive, decade-long reflection to the status of a magnum opus. This new edition, co-published by First Print Press and David Zwirner Books, includes new scholarship by Radiclani Clytus, and reflections by Sherry Turner DeCarava.
    LC Classification Number
    TR647

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    daveattell

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