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Firestorm: American Film in the Age of Terrorism by Prince, Stephen
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Book is in very good condition. See pictures. Thanks for looking.”
- Binding
- Paperback
- Book Title
- Firestorm
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780231148719
Über dieses Produkt
Product Identifiers
Publisher
Columbia University Press
ISBN-10
0231148712
ISBN-13
9780231148719
eBay Product ID (ePID)
71757837
Product Key Features
Number of Pages
400 Pages
Language
English
Publication Name
Firestorm : American Film in the Age of Terrorism
Publication Year
2009
Subject
Terrorism, Popular Culture, United States / 21st Century, Film / History & Criticism
Type
Textbook
Subject Area
Political Science, Performing Arts, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
20 Oz
Item Length
9 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2009-013483
Reviews
"[A] thoughtful and thorough investigation of the celluloid response to that chilling September day." -- Luke Davies, The Australian, offers a detailed and insightful critical analysis while avoiding jargon...Firestorm isa remarkable achievement as a first look at the impact of 11 September on filmmaking, and lays the groundwork for any number of new approaches., "Prince's impressively thorough and intelligently written book will serve as a guide for some years to this visually indelible episode in American history... Essential." -- Choice, March 2010, Prince's impressively thorough and intelligently written book will serve as a guide for some years to this visually indelible episode in American history... Essential., "Prince's impressively thorough and intelligently written book will serve as a guide for some years to this visually indelible episode in American history... Essential." -- Choice , March 2010, ""[Prince] not only brings forward some lesser-known conspiracy films (which aregue that the US government itself destroyed the World Trade Center) but also does an excellent job of showing how less-obviously linked films& -e.g. V for Vedetta(2005) and the Sawfilms (2004-2008)& -are products of 9/11 culture.... By providing clear historical and political context for each group of films, Prince's impressively thorough and intelligently written book will serve as a guide for some years to this visually indelible episode in American history. Essential." -- Choice, March 2010, "[ Firestorm ] will be a popular resource for film students." -- James Clarke, Times Higher Education Supplement, "offers a detailed and insightful critical analysis while avoiding jargon...Firestorm is a remarkable achievement as a first look at the impact of 11 September on filmmaking, and lays the groundwork for any number of new approaches." -- Jeffrey Mazo, Survival, "A rich record and accounting of the first decade of responses by both mainstream and marginal American filmmakers." -- Corey K. Creekmur, Cineaste, A rich record and accounting of the first decade of responses by both mainstream and marginal American filmmakers.
Dewey Edition
22
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
791.43/6552
Table Of Content
Acknowledgments Introduction 1. Theater of Mass Destruction 2. Shadows Once Removed 3. Ground Zero in Focus 4. Battleground Iraq 5. Terrorism on the Small Screen 6. No End in Sight Appendix 1: Historical Timeline Appendix 2: Filmography Notes Bibliography Index
Synopsis
It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24 ) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.
LC Classification Number
PN1993.5.U6P745 2009
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99,2% positive Bewertungen•15 Tsd. Artikel verkauft
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Beliebte Kategorien in diesem Shop
Verkäuferbewertungen (4'361)
- a***l (3057)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufXlnt seller, Fast shipping & xlnt packing, great price, As described, 5-Star seller!WEmake Soldering Station with LED Illuminated Magnifying Lens and 3rd Helping... (Nr. 297040120311)
- o***b (45)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufProduct description was accurate, communication good and arrived as noted. Seller is on my list.
- c***k (249)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufFor being described as a used library book it’s in great condition. Seller was very quick to get it in the mail - it arrived sooner than expected. Thank you for an excellent eBay experience!