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Guy Bourdin von Alison M. Gingeras (2011, Hardcover) Phaidon - gebraucht
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Standort: Katy, Texas, USA
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eBay-Artikelnr.:297539736263
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780714862583
Über dieses Produkt
Product Identifiers
Publisher
Phaidon Press, Incorporated
ISBN-10
0714862584
ISBN-13
9780714862583
eBay Product ID (ePID)
109000364
Product Key Features
Book Title
Guy Bourdin
Number of Pages
128 Pages
Language
English
Topic
Individual Photographers / General, Subjects & Themes / Fashion
Publication Year
2011
Illustrator
Yes
Genre
Photography
Book Series
55s Ser.
Format
Hardcover
Dimensions
Item Height
0.5 in
Item Weight
10 oz
Item Length
6.5 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2012-538737
Reviews
'fascinating ... inspiring. ... a great way to view and learn about the works of one of the great photographers of the 20th Century' Digital Photographer
Dewey Edition
22
Grade From
Eighth Grade
Dewey Decimal
770.92
Grade To
College Graduate Student
Synopsis
Guy Bourdin was born in Paris in 1928 and received his first photographic training whilst performing military service in Senegal in 1948?9. His photographs were first shown in Paris in 1952, the catalogue for which exhibition included an introduction by Man Ray, and he began working for French Vogue in 1954. Inspired by Man Ray's brand of Surrealism, Bourdin rejected the descriptive roles of photography in favour of an exploration of the medium's capacity for the divergent. Along with certain American photographers, notably Edward Weston, Bourdin recognized a concern with formal perfection and extremely high finish that became his own objective, one perfectly adapted to the deceptive sophistication of fashion imagery, the landscape in which he developed his ideas for over thirty years. At French Vogue , Bourdin demanded and was allowed unique editorial control and amazingly he extended this to his principal client in advertising, the shoe company Charles Jourdan, who first commissioned him in the 1960s. Bourdin's approach to campaigns reflected a distinct change for advertising in this period. Bourdin rejected the 'product shot' in favour of atmospheric, often surreal tableaux and suggestions of narrative. Bourdin was not alone in demystifying the object, but he was the most radical in his approach. The impact of the imagery of Guy Bourdin on both commercial and fine art photography continues to resonate today, Bourdin made radical changes both in the style and the meaning of commercial imagery. His fashion shoots are mysterious, hypnotic, surreal, exposing the true and unnerving nature of desire. He shows that, within the context of fashion, it is rarely the product that compels us. It is the image ? carefully staged narrative of sexual fantasy, the quest for the unattainable, the suggestion of danger ? that stimulates consumer desire., Guy Bourdin (19281991) created some of the most challenging and seductive fashion photography of the last century. He worked for French Vogue for over 30 years, from 19551987, and his images filled the pages of international fashion magazines during the 1970s and 1980s in groundbreaking campaigns for Charles Jourdan, Bloomingdales and Dior. His high-glamour, yet often surreal work revolutionized the genre of fashion photography, presenting fashion as the luxurious embellishment rather than the subject of his photographs, which foreground dark fantasies of lust, consumption and desire. Bourdin's legacy can still be seen in the work of photographers such as Stephen Meisel and Helmut Newton. This accessible monograph is the perfect introduction to his work., Guy Bourdin (1928-1991) created some of the most challenging and seductive fashion photography of the last century. He worked for French Vogue for over 30 years, from 1955-1987, and his images filled the pages of international fashion magazines during the 1970s and 1980s in groundbreaking campaigns for Charles Jourdan, Bloomingdales and Dior. His high-glamour, yet often surreal work revolutionized the genre of fashion photography, presenting fashion as the luxurious embellishment rather than the subject of his photographs, which foreground dark fantasies of lust, consumption and desire. Bourdin's legacy can still be seen in the work of photographers such as Stephen Meisel and Helmut Newton. This accessible monograph is the perfect introduction to his work.
LC Classification Number
TR642
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