Die Ablehnungssammlung: Cartoons, die Sie nie gesehen haben und nie sehen werden, in der...

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Minor wear to the dust jacket (book itself is in mint condition).
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Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
Hinweise des Verkäufers
“Minor wear to the dust jacket (book itself is in mint condition).”
Country of Origin
United States
Modified Item
No
Era
2000s
Features
1st Edition
ISBN
9781416933397
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Gallery Books
ISBN-10
1416933395
ISBN-13
9781416933397
eBay Product ID (ePID)
53564305

Product Key Features

Number of Pages
272 Pages
Language
English
Publication Name
Rejection Collection : Cartoons You Never Saw, and Never Will See, in the New Yorker
Subject
Techniques / Cartooning, Form / Pictorial, Journalism, General
Publication Year
2006
Type
Textbook
Subject Area
Art, Language Arts & Disciplines, Humor
Author
Matthew Diffee
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
22.6 Oz
Item Length
10 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
LCCN
2006-019877
Reviews
The submissions were not set aside because they were not funny but (for the most part) because they were too funny. --New York Times, The submissions were not set aside because they were not funny but (for the most part) because they were too funny.--New York Times, The submissions were not set aside because they were not funny but (for the most part) because they were too funny."--New York Times"
Dewey Edition
22
TitleLeading
The
Illustrated
Yes
Dewey Decimal
741.5/6973
Synopsis
Thirty of the "New Yorker's" cartoonists share their best cartoons that have never been published because they were rejected as too sexy, too odd, or too many., Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection , a place where good ideas go when they die. Too risqu , silly, or weird for The New Yorker , the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker ...and to anyone with a slightly sick sense of humor., Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection , a place where good ideas go when they die. Too risqué, silly, or weird for The New Yorker , the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker ...and to anyone with a slightly sick sense of humor., Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection , a place where good ideas go when they die. Too risqu, silly, or weird for The New Yorker , the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker ...and to anyone with a slightly sick sense of humor., Each week about fifty "New Yorker" cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to "The New Yorker" since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created "The Rejection Collection," a place where good ideas go when they die. Too risque, silly, or weird for "The New Yorker," the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by "New Yorker" cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, "The Rejection Collection" will appeal to fans of "The New Yorker, .."and to anyone with a slightly sick sense of humor.
LC Classification Number
2006019877

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