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Black Sabbath Volume Four (Vinyl) 12" Album

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Zuletzt aktualisiert am 11. Jun. 2024 15:58:40 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Title
Volume Four
Edition
12" Album
No Of Discs
1
Run Time
43.10
MPN
5414939920813
Release Date
06/07/2015
EAN
5414939920813
UPC
5414939920813
Artist
Black Sabbath
Type
LP
Format
Vinyl
Release Year
1972
Record Label
Sanctuary (USA)
Release Title
Vol. 4
Style
Hard Rock
Genre
Rock

Über dieses Produkt

Product Identifiers

Record Label
Sanctuary (USA)
UPC
5414939920813
eBay Product ID (ePID)
3050177831

Product Key Features

Release Year
1972
Format
Vinyl
Genre
Rock
Type
LP
Style
Hard Rock
Artist
Black Sabbath
Release Title
Vol. 4

Additional Product Features

Country/Region of Manufacture
USA
Reviews
Rolling Stone (12/7/72, p.63) - "...Storms of liquid metal...the Sabs pour it on...The Sabs are genius..." Spin - "VOL. 4 is renowned mostly for the hedonism and drug use that went down during the album's creation in Los Angeles. But nearly 50 years later, it stands as the creative pinnacle of the Ozzy era." Q (6/00, p.69) - Ranked #60 in Q's "100 Greatest British Albums" - "...The sound of drug-taking, beer-guzzling hooligans from Britain's oft-pilloried cultural armpit let loose in LA..."
Additional information
Vol. 4 is the point in Black Sabbath's career where the band's legendary drug consumption really starts to make itself felt. And it isn't just in the lyrics, most of which are about the blurry line between reality and illusion. Vol. 4 has all the messiness of a heavy metal Exile on Main St., and if it lacks that album's overall diversity, it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk. As a result, there are some puzzling choices made here (not least of which is the inclusion of "FX"), and the album often contradicts itself. Ozzy Osbourne's wail is becoming more powerful here, taking greater independence from Tony Iommi's guitar riffs, yet his vocals are processed into a nearly textural element on much of side two. Parts of Vol. 4 are as ultra-heavy as Master of Reality, yet the band also takes its most blatant shots at accessibility to date -- and then undercuts that very intent. The effectively concise "Tomorrow's Dream" has a chorus that could almost be called radio-ready, were it not for the fact that it only appears once in the entire song. "St. Vitus Dance" is surprisingly upbeat, yet the distant-sounding vocals don't really register. The notorious piano-and-Mellotron ballad "Changes" ultimately fails not because of its change-of-pace mood, but more for a raft of the most horrendously clichéd rhymes this side of "moon-June." Even the crushing "Supernaut" -- perhaps the heaviest single track in the Sabbath catalog -- sticks a funky, almost danceable acoustic breakdown smack in the middle. Besides "Supernaut," the core of Vol. 4 lies in the midtempo cocaine ode "Snowblind," which was originally slated to be the album's title track until the record company got cold feet, and the multi-sectioned prog-leaning opener, "Wheels of Confusion." The latter is one of Iommi's most complex and impressive compositions, varying not only riffs but textures throughout its eight minutes. Many doom and stoner metal aficionados prize the second side of the album, where Osbourne's vocals gradually fade further and further away into the murk, and Iommi's guitar assumes center stage. The underrated "Cornucopia" strikes a better balance of those elements, but by the time "Under the Sun" closes the album, the lyrics are mostly lost under a mountain of memorable, contrasting riffery. Add all of this up, and Vol. 4 is a less cohesive effort than its two immediate predecessors, but is all the more fascinating for it. Die-hard fans sick of the standards come here next, and some end up counting this as their favorite Sabbath record for its eccentricities and for its embodiment of the band's excesses. ~ Steve Huey
Number of discs
1

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  • GB 864 1548 11
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