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Die ungeduldige Muse: Deutschland...von Leidner Alan *signiert*
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Die ungeduldige Muse: Deutschland...von Leidner Alan *signiert*
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Die ungeduldige Muse: Deutschland...von Leidner Alan *signiert*

The kings dungeon
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    eBay-Artikelnr.:305655123433

    Artikelmerkmale

    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    Signed By
    Alan C. Leidner
    Signed
    Yes
    Ex Libris
    No
    Personalized
    Yes
    Country/Region of Manufacture
    United States
    Intended Audience
    Young Adults, Adults
    ISBN
    9780807881156
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    University of North Carolina Press
    ISBN-10
    0807881155
    ISBN-13
    9780807881156
    eBay Product ID (ePID)
    953344

    Product Key Features

    Book Title
    Impatient Muse : Germany and the Sturm Und Drang
    Number of Pages
    168 Pages
    Language
    English
    Publication Year
    1994
    Topic
    European / German, Gothic & Romance
    Illustrator
    Yes
    Genre
    Literary Criticism, Poetry
    Author
    Alan C. Leidner
    Book Series
    University of North Carolina Studies in Germanic Languages and Literature Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    1 in
    Item Weight
    15 oz
    Item Length
    9 in
    Item Width
    6 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    93-036492
    Dewey Edition
    20
    Reviews
    "Leidner offers valuable insights into the role of Sturm-und-Drang literature in the creation of a German national identity; in doing so, he exposes the roots of a process of cultural formation that was to continue for at least the next hundred years, and is arguably still at work today."-- The Journal of English and Germanic Philology, "In many ways this is a remarkable book. . . . The main thesis which Leidner so eloquently sets forth in this small volume is quite convincing and does indeed present a new way of looking at Sturm und Drang ."-- German Studies Review, Leidner offers valuable insights into the role of Sturm-und-Drang literature in the creation of a German national identity; in doing so, he exposes the roots of a process of cultural formation that was to continue for at least the next hundred years, and is arguably still at work today.-- The Journal of English and Germanic Philology, In many ways this is a remarkable book. . . . The main thesis which Leidner so eloquently sets forth in this small volume is quite convincing and does indeed present a new way of looking at Sturm und Drang .-- German Studies Review
    TitleLeading
    The
    Series Volume Number
    115
    Dewey Decimal
    830.9/006
    Synopsis
    Far from being a forerunner of Weimar Classicism or an addendum to the Enlightenment, the Sturm und Drang is best seen as part of an autonomous culture of impatience -- as literature in which Germans, frustrated with their fragmented land, simulated a sense of power and effectiveness that political realities did not afford. This impatience drove not only authors and the characters they created; it also drew in German audiences and readers ready to partake vicariously in national sentiments that they otherwise could not have experienced.Alan Leidner sees Lavater's work as a model for dealing with a limiting culture, Goethe's Werther as a subtly arrogant figure, the drama of the Kraftmensch as a literature legitimizing the violence of its protagonists, the famous split in the Urfaust as the result of Goethe's resistance to the impatience that led many writers to fabricate a German nation that did not exist, and Schiller's Die Räuber as a liberating ritual that allowed German audiences to enjoy temporary feelings of national community. He concludes his study with an analysis of J. M. R. Lenz, whose texts recoil unequivocally in the face of the impatient muse., Far from being a forerunner of Weimar Classicism or an addendum to the Enlightenment, the Sturm und Drang is best seen as part of an autonomous culture of impatience -- as literature in which Germans, frustrated with their fragmented land, simulated a sense of power and effectiveness that political realities did not afford. This impatience drove not only authors and the characters they created; it also drew in German audiences and readers ready to partake vicariously in national sentiments that they otherwise could not have experienced. Alan Leidner sees Lavater's work as a model for dealing with a limiting culture, Goethe's Werther as a subtly arrogant figure, the drama of the Kraftmensch as a literature legitimizing the violence of its protagonists, the famous split in the Urfaust as the result of Goethe's resistance to the impatience that led many writers to fabricate a German nation that did not exist, and Schiller's Die Räuber as a liberating ritual that allowed German audiences to enjoy temporary feelings of national community. He concludes his study with an analysis of J. M. R. Lenz, whose texts recoil unequivocally in the face of the impatient muse., Far from being a forerunner of Weimar Classicism or an addendum to the Enlightenment, the Sturm und Drang is best seen as part of an autonomous culture of impatience--as literature in which Germans, frustrated with their fragmented land, simulated a sense of power and effectiveness that political realities did not afford. This impatience drove not only authors and the characters they created; it also drew in German audiences and readers ready to partake vicariously in national sentiments that they otherwise could not have experienced. Alan Leidner sees Lavater's work as a model for dealing with a limiting culture, Goethe's Werther as a subtly arrogant figure, the drama of the Kraftmensch as a literature legitimizing the violence of its protagonists, the famous split in the Urfaust as the result of Goethe's resistance to the impatience that led many writers to fabricate a German nation that did not exist, and Schiller's Die Rauber as a liberating ritual that allowed German audiences to enjoy temporary feelings of national community. He concludes his study with an analysis of J. M. R. Lenz, whose texts recoil unequivocally in the face of the impatient muse.
    LC Classification Number
    PT317.L45 1994

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    The kings dungeon

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