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Kapwani Kiwanga [Hardcover]
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eBay-Artikelnr.:305934253766
Artikelmerkmale
- Artikelzustand
- ISBN
- 9783037645673
Über dieses Produkt
Product Identifiers
Publisher
Jrp Ringier Kunstverlag A&G
ISBN-10
3037645679
ISBN-13
9783037645673
eBay Product ID (ePID)
24057272122
Product Key Features
Book Title
Kapwani Kiwanga
Number of Pages
224 Pages
Language
English
Publication Year
2023
Topic
Individual Artists / Monographs, General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
41.7 Oz
Item Length
11.8 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
709.2
Synopsis
"Kiwanga seamlessly integrates film, photography, performance, ephemera and sculpture to play with the mutability of historical narratives" Artsy Published in parallel with the artist's first major exhibition in the US (at the New Museum, summer 2022), this is the first monograph on Paris-based Canadian artist Kapwani Kiwanga (born 1978). Unveiling the pervasive impact of power asymmetries by placing narratives from the past in dialogue with contemporary realities, Kiwanga's work is research-driven, instigated by marginalized or forgotten histories, and articulated across a range of mediums. This publication documents Kiwanga s entire body of work, highlighting her most important fields of research, from disciplinary architecture and Afrofuturism to her singular takes on Minimalism and political and spiritual beliefs. Gathering contributions by art historians, art critics, philosophers, curators and anthropologists, it draws a multidisciplinary and polyphonic portrait of Kiwanga s practice and thinking., "Kiwanga seamlessly integrates film, photography, performance, ephemera and sculpture to play with the mutability of historical narratives" - Artsy Published in parallel with the artist's first major exhibition in the US (at the New Museum, summer 2022), this is the first monograph on Paris-based Canadian artist Kapwani Kiwanga (born 1978). Unveiling the pervasive impact of power asymmetries by placing narratives from the past in dialogue with contemporary realities, Kiwanga's work is research-driven, instigated by marginalized or forgotten histories, and articulated across a range of mediums. This publication documents Kiwanga's entire body of work, highlighting her most important fields of research, from disciplinary architecture and Afrofuturism to her singular takes on Minimalism and political and spiritual beliefs. Gathering contributions by art historians, art critics, philosophers, curators and anthropologists, it draws a multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking., Kapwani Kiwanga (b. 1978, Hamilton, Canada, lives in Paris) traces historical narratives, excavating and considering the global impact of international relationships--including colonialism--in its manifold aspects, and how it permeates contemporary culture. Unveiling the pervasive impact of power asymmetries by placing narratives from the past in dialogue with contemporary realities, the archive, and tomorrow's possibilities--as in her most exhibited project Flowers for Africa, begun in 2013--her work is research-driven, instigated by marginalized or forgotten histories, and articulated across a range of materials and mediums including sculpture, installation, photography, video, and performance. Materiality and the economics of material production is a recurring element in Kiwanga's work, pointing to exploitation and how it manifests between politics and culture. Informed by her own biography--raised in working-class Canada, spending time with family in Tanzania, and living in France for over a decade--she is interested in the multiplicities of perspective inherent in chronicling social and political moments. With a background in anthropology and social sciences, Kiwanga embraces a subjective reading of the archive, exploring ideas around belief, mythology, and impermanence. Kiwanga co-opts the canon; she turns systems of power back on themselves, both in art and in parsing broader histories. In this manner Kiwanga has developed an aesthetic vocabulary that she describes as "exit strategies," works that invite one to see things from multiple perspectives so as to look severally at existing structures and find ways to navigate the future differently.The first reference monograph on one of the most discussed contemporary artists active today, this publication, designed by London-based graphic design studio A Practice for Everyday Life, documents her entire body of work since her beginnings in 2009, highlighting her most important fields of research, from disciplinary architecture and Afrofuturism to her singular take on minimalism, and political and spiritual beliefs. It gathers together various contributions by art historians and critics, curators and anthropologists--among them Omar Berrada, Emanuele Coccia, Adrienne Edwards, Lesley Lokko, and November Paynter--to draw a multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.Kapwani Kiwanga studied Anthropology and Comparative Religion at McGill University, Montreal, and Visual Arts at the École des Beaux-Arts de Paris. She has presented solo exhibitions at the New Museum, New York; MIT List Visual Arts Center, Cambridge, Massachusetts; Artpace, San Antonio; The Power Plant, Toronto; Tramway, Glasgow; South London Gallery, London; and the Jeu de Paume, Paris. Recent group exhibitions include the 59th Venice Biennale; LUMA, Arles; the Hammer Museum, Los Angeles; SALT, Istanbul; and the Whitechapel Gallery, London. In 2018 she received the Frieze Artist Award, and was the recipient of the 2018 Sobey Art Award. In 2020, she was awarded the Marcel Duchamp Prize.
LC Classification Number
N6545.6.K3 2022
Text by
Boukari-Yabara, Amzat, Berrada, Omar, Agard-Jones, Vanessa
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