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Standort: Glendale Heights, Illinois, USA
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eBay-Artikelnr.:305936689228
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780814766897
Über dieses Produkt
Product Identifiers
Publisher
New York University Press
ISBN-10
0814766897
ISBN-13
9780814766897
eBay Product ID (ePID)
1863059
Product Key Features
Number of Pages
320 Pages
Language
English
Publication Name
Watching Rape : Film and Television in Postfeminist Culture
Publication Year
2001
Subject
Television / General, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-002283
Reviews
Watching Rape is a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution., " Watching Rape is a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution." -Leslie Kern,School of Women's Studies, York University, Blending cinematic, literary, historical, and political analyses, Watching Rape demonstrates that filmic representations of rape are never only about gender and sexual violence, but are narrative devices that also attempt to regulate such conflicts and boundaries of power as race, nationality, and social class. Projansky makes good on her bold claim that representations of rape are ubiquitous, versatile, and utterly central to the history of cinema itself. A scholarly tour de force, a feminist triumph. Two thumbs up!, "Exciting and original. Sarah Projansky's work on rape and postfeminism is an important contribution to scholarship in film and cultural studies, as well as women's studies." - Richard Slotkin, author ofGunfighter Nation, "Blending cinematic, literary, historical, and political analyses, Watching Rape demonstrates that filmic representations of rape are never only about gender and sexual violence, but are narrative devices that also attempt to regulate such conflicts and boundaries of power as race, nationality, and social class. Projansky makes good on her bold claim that representations of rape are ubiquitous, versatile, and utterly central to the history of cinema itself. A scholarly tour de force, a feminist triumph. Two thumbs up!" ~Judith Stacey,University of Southern California"Exciting and original. Sarah Projanskys work on rape and postfeminism is an important contribution to scholarship in film and cultural studies, as well as womens studies." ~Richard Slotkin,author of Gunfighter Nation"Sarah Projanskys work is distinctive for its theoretical clarity and interdisciplinary feminist framework. She urges us to think deeply about the ways in which media shape our understandings of sexual violence. Watching Rape is a powerful, historically grounded, incisive analysis of the representation of sexual violence." ~Rosa Linda Fregoso,University of California-Santa Cruz"Watching Rape is a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution." ~Leslie Kern,School of Women's Studies, York University, "Sarah Projansky's work is distinctive for its theoretical clarity and interdisciplinary feminist framework. She urges us to think deeply about the ways in which media shape our understandings of sexual violence. Watching Rape is a powerful, historically grounded, incisive analysis of the representation of sexual violence." - Rosa Linda Fregoso, University of California-Santa Cruz, Exciting and original. Sarah Projansky's work on rape and postfeminism is an important contribution to scholarship in film and cultural studies, as well as women's studies., "Blending cinematic, literary, historical, and political analyses, Watching Rape demonstrates that filmic representations of rape are never only about gender and sexual violence, but are narrative devices that also attempt to regulate such conflicts and boundaries of power as race, nationality, and social class. Projansky makes good on her bold claim that representations of rape are ubiquitous, versatile, and utterly central to the history of cinema itself. A scholarly tour de force, a feminist triumph. Two thumbs up!"--Judith Stacey, University of Southern California "Exciting and original. Sarah Projansky's work on rape and postfeminism is an important contribution to scholarship in film and cultural studies, as well as women's studies."--Richard Slotkin, author of Gunfighter Nation " Watching Rape is a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution."--Leslie Kern, School of Women's Studies, York University "Sarah Projansky's work is distinctive for its theoretical clarity and interdisciplinary feminist framework. She urges us to think deeply about the ways in which media shape our understandings of sexual violence. Watching Rape is a powerful, historically grounded, incisive analysis of the representation of sexual violence."--Rosa Linda Fregoso, University of California-Santa Cruz, "Blending cinematic, literary, historical, and political analyses, Watching Rape demonstrates that filmic representations of rape are never only about gender and sexual violence, but are narrative devices that also attempt to regulate such conflicts and boundaries of power as race, nationality, and social class. Projansky makes good on her bold claim that representations of rape are ubiquitous, versatile, and utterly central to the history of cinema itself. A scholarly tour de force, a feminist triumph. Two thumbs up!" -Judith Stacey,University of Southern California, "Exciting and original. Sarah Projansky's work on rape and postfeminism is an important contribution to scholarship in film and cultural studies, as well as women's studies." -Richard Slotkin,author of Gunfighter Nation, "Blending cinematic, literary, historical, and political analyses, Watching Rape demonstrates that filmic representations of rape are never only about gender and sexual violence, but are narrative devices that also attempt to regulate such conflicts and boundaries of power as race, nationality, and social class. Projansky makes good on her bold claim that representations of rape are ubiquitous, versatile, and utterly central to the history of cinema itself. A scholarly tour de force, a feminist triumph. Two thumbs up!" - Judith Stacey, University of Southern California, Watching Rape is a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution., "Brave and appealing. Saunders deserves attention for challenging free-expression orthodoxy." - American Journalism Review, Sarah Projansky's work is distinctive for its theoretical clarity and interdisciplinary feminist framework. She urges us to think deeply about the ways in which media shape our understandings of sexual violence. Watching Rape is a powerful, historically grounded, incisive analysis of the representation of sexual violence., "Sarah Projansky's work is distinctive for its theoretical clarity and interdisciplinary feminist framework. She urges us to think deeply about the ways in which media shape our understandings of sexual violence. Watching Rape is a powerful, historically grounded, incisive analysis of the representation of sexual violence." -Rosa Linda Fregoso,University of California-Santa Cruz, "Watching Rapeis a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution." - Leslie Kern, School of Women's Studies, York University, 'e� Watching Rape is a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution.'e� -Leslie Kern,School of Women'e(tm)s Studies, York University, "This is an unusually thoughtful and sophisticated book about what freedom of speech means in the real world. Offers a clear, sensible, and rule-governed system of free speech for the younger generation." - John Garvey, Boston College Law School, "Exciting and original. Sarah Projansky's work on rape and postfeminism is an important contribution to scholarship in film and cultural studies, as well as women's studies." - Richard Slotkin, author of Gunfighter Nation
Dewey Edition
21
Dewey Decimal
791.43/655
Synopsis
Looking at popular culture from 1980 to the present, feminism appears to be "over" that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism., Looking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism., Looking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and Shes Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.
LC Classification Number
PN1995.9.R27P76 2001
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