Creative Filmmaking from the Inside O... by Dannenbaum, Jed Paperback / softback

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Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
ISBN
0743223195
EAN
9780743223195
Publication Name
N/A
Type
Paperback
Release Title
Creative Filmmaking from the Inside Out: Five Keys to the Art ...
Artist
Dannenbaum, Jed
Brand
N/A
Colour
N/A
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Touchstone
ISBN-10
0743223195
ISBN-13
9780743223195
eBay Product ID (ePID)
2390399

Product Key Features

Book Title
Creative Filmmaking from the Inside Out : Five Keys to the Art of Making Inspired Movies and Television
Number of Pages
224 Pages
Language
English
Topic
Television / Direction & Production, Film / Reference, Film / Screenwriting, Film / Direction & Production
Publication Year
2003
Illustrator
Yes
Genre
Performing Arts
Author
Carroll Hodge, Doe Mayer, Jed Dannenbaum
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
14.2 Oz
Item Length
9.2 in
Item Width
7.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2002-190756
Reviews
Norman Lear If I were a film or television student starting out, it's the book I'd want to read, because it tells you to create from your gut and your heart and your spirit., Victoria Riskin screenwriter and President of the Writers Guild of America, west Indispensable reading for students and professionals alike., William McDonald Head of Production, UCLA Department of Film, Television and Digital Media In Creative Filmmaking from the Inside Out, the authors have stunningly codified an elusive process media educators must attempt to articulate every day in every classroom. This practical, illuminating and inspiring book will become a foundation text in film schools around the world., William McDonaldHead of Production, UCLA Department of Film, Television and Digital MediaInCreative Filmmaking from the Inside Out,the authors have stunningly codified an elusive process media educators must attempt to articulate every day in every classroom. This practical, illuminating and inspiring book will become a foundation text in film schools around the world., George Stoney Professor of Film and Television, Tisch School of the Arts, New York University Creative Filmmaking is entirely fresh and different and welcomed., William McDonaldHead of Production, UCLA Department of Film, Television and Digital MediaIn Creative Filmmaking from the Inside Out, the authors have stunningly codified an elusive process media educators must attempt to articulate every day in every classroom. This practical, illuminating and inspiring book will become a foundation text in film schools around the world., George StoneyProfessor of Film and Television, Tisch School of the Arts, New York University Creative Filmmaking is entirely fresh and different and welcomed., Norman LearIf I were a film or television student starting out, it's the book I'd want to read, because it tells you to create from your gut and your heart and your spirit., Victoria Riskinscreenwriter and President of the Writers Guild of America, westIndispensable reading for students and professionals alike., George StoneyProfessor of Film and Television, Tisch School of the Arts, New York UniversityCreative Filmmaking is entirely fresh and different and welcomed.
Dewey Edition
21
Dewey Decimal
791.43/0233
Table Of Content
Contents Acknowledgments Introduction The Filmmakers one introspection A Mysterious Predisposition: Discovering Your Creative Field Finding the Resonance: Choosing the Stories You Want to Tell A Private World: Drawing on Personal Memories two inquiry Breadth of Knowledge: A Preparation in the Liberal Arts Getting Out of the Car: Observation of the World Doing the Homework: Researching a Film three intuition Open-closedness: The Link Between Intellect and Intuition The Dreamer: Connecting to the Nonconscious Mind Time at the Desk and Time Running in the Forest: Enticing Your Intuition four interaction Plenty of Rope: The Fluid Collaboration Arguments Worth Having: Responding to Creative Differences Everyone Is Telling the Story: Establishing a Creative Environment five impact The Undercurrent: Finding the Soul of the Film Fresh Eyes: The Power of the Audience Taking Responsibility: Owning the Images We Create six workouts Endnotes Selected Filmographies Suggested Reading Embedded Values Questionnaire Index
Synopsis
From the University of Southern California's School of Cinema-Television, the ultimate insider's guide, full of invaluable information for anyone interested in the creative process., Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: * Uncover your unique creative voice (Introspection) * Work from real-life observations and experience (Inquiry) * Draw on your nonconscious wells of creativity (Intuition) * Strengthen your creative collaborations (Interaction) * Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense)., Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: - Uncover your unique creative voice (Introspection) - Work from real-life observations and experience (Inquiry) - Draw on your nonconscious wells of creativity (Intuition) - Strengthen your creative collaborations (Interaction) - Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense)., Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: - Uncover your unique creative voice (Introspection) - Work from real-life observations and experience (Inquiry) - Draw on your nonconscious wells of creativity (Intuition) - Strengthen your creative collaborations (Interaction) - Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense).
LC Classification Number
PN1995.9.P7D37 2003

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