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The Tyranny of Taste: The Politics of Architecture &... - Lubbock, Jules
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eBay-Artikelnr.:306418553015
Artikelmerkmale
- Artikelzustand
- Book Title
- Politics
- Genre
- Theory of architecture
- Topic
- Architecture
- ISBN
- 9780300058895
Über dieses Produkt
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300058896
ISBN-13
9780300058895
eBay Product ID (ePID)
102869
Product Key Features
Number of Pages
430 Pages
Language
English
Publication Name
Tyranny of Taste : the Politics of Architecture and Design in Britain, 1550-1960
Subject
Urban & Land Use Planning, History & Criticism, Aesthetics, Regional, History / General
Publication Year
1995
Type
Textbook
Subject Area
Design, Art, Philosophy, Architecture
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
52.3 Oz
Item Length
1 in
Item Width
0.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
94-026853
TitleLeading
The
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
720/.1/030942
Synopsis
How do countries acquire their distinctive features and appearance, their look or style? In this stimulating book, Jules Lubbock answers this question by focusing on Britain, with its characteristic terraced houses, Georgian squares, postwar slab blocks, and Victorian floral ornamentation. Lubbock traces the fierce debates over consumerism, good design, and town planning that have raged in Britain since the Elizabethan period, investigating how the design of buildings and possessions--domestic as well as official--becomes an issue of public policy and controversy. Lubbock discusses the ideas, policies, and motivations of designers and commentators from 1550 to the present, including such figures as Charles I, Inigo Jones, Joseph Addison, Pope, Hogarth, Pugin, Dickens, Ruskin, and Le Corbusier. He describes the growing public awareness that taste and beauty are related to economic growth, that there is what he calls a political economy of design. He shows, for example, that London was shaped by a desire to control its expansion in order to maintain social stability in the face of the developing industrial and commercial revolution; that Puritans believed that the high consumption of luxury goods essential to prosperity could be made morally acceptable through good design; and that the court of James I consciously adopted classicism as the appropriate style for the newly joined kingdoms of England and Scotland. Lubbock shows the different ways in which architecture, design, planning, and style were believed to contribute to a Good Society. He suggests that the political economy of design was not only viable in the past but can also provide an essential framework for the future., How do countries acquire their distinctive features and appearance, their look or style? In this stimulating book, Jules Lubbock answers this question by focusing on Britain, with its characteristic terraced houses, Georgian squares, postwar slab blocks, and Victorian floral ornamentation. Lubbock traces the fierce debates over consumerism, good design, and town planning that have raged in Britain since the Elizabethan period, investigating how the design of buildings and possessions--domestic as well as official--becomes an issue of public policy and controversy. Lubbock discusses the ideas, policies, and motivations of designers and commentators from 1550 to the present, including such figures as Charles I, Inigo Jones, Joseph Addison, Pope, Hogarth, Pugin, Dickens, Ruskin, and Le Corbusier. He describes the growing public awareness that taste and beauty are related to economic growth, that there is what he calls a political economy of design. He shows, for example, that London was shaped by a desire to control its expansion in order to maintain social stability in the face of the developing industrial and commercial revolution; that Puritans believed that the high consumption of luxury goods essential to prosperity could be made morally acceptable through good design; and that the court of James I consciously adopted classicism as the appropriate style for the newly joined kingdoms of England and Scotland. Lubbock shows the different ways in which architecture, design, planning, and style were believed to contribute to a "Good Society." He suggests that the political economy of design was not only viable in the past but can also provide an essential framework for the future., How do countries acquire their distinctive features and appearance, their look or style? In this stimulating book, Jules Lubbock answers this question by focusing on Britain, with its characteristic terraced houses, Georgian squares, postwar slab blocks, and Victorian floral ornamentation. Lubbock traces the fierce debates over consumerism, good design, and town planning that have raged in Britain since the Elizabethan period, investigating how the design of buildings and possessions-domestic as well as official-becomes an issue of public policy and controversy. Lubbock discusses the ideas, policies, and motivations of designers and commentators from 1550 to the present, including such figures as Charles I, Inigo Jones, Joseph Addison, Pope, Hogarth, Pugin, Dickens, Ruskin, and Le Corbusier. He describes the growing public awareness that taste and beauty are related to economic growth, that there is what he calls a political economy of design. He shows, for example, that London was shaped by a desire to control its expansion in order to maintain social stability in the face of the developing industrial and commercial revolution; that Puritans believed that the high consumption of luxury goods essential to prosperity could be made morally acceptable through good design; and that the court of James I consciously adopted classicism as the appropriate style for the newly joined kingdoms of England and Scotland. Lubbock shows the different ways in which architecture, design, planning, and style were believed to contribute to a "Good Society." He suggests that the political economy of design was not only viable in the past but can also provide an essential framework for the future.
LC Classification Number
NK1443.A1L8 1995
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- e***y (185)- Bewertung vom Käufer.Letztes JahrBestätigter KaufSeller ver responsive. Accepted my offer and shipped quickly. Packaged this fragile item extremely well. Each glass was bubblewrapped separately. Then packaged snuggly double boxed to ensure it arrived safely. The items are in great condition and exactly as described. Very pleased with my purchase and would definitely buy from this seller again.RARE SET (2) ORCHIDS RED DRAGON HAPPY NEW YEAR 70'S TALL TOM COLLINS BAR GLASSES (Nr. 305777566119)
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retrotreasuresct
99,7% positive Bewertungen•1.4 Tsd. Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe.
Verkäuferbewertungen (600)
- e***o (523)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent seller.... great communication, fabulous packing, great shipping... perfectly as described, and wonderful value. I LOVE MY MUG, and it was packed SO very good!! Never, have I received an Ebay purchase PACKED SO WELL!!! THANK YOU KINDLY!!!!! AAA++++ Seller.
- a***1 (334)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufItem received in good condition A++ great seller great communication fast delivery packs well to prevent damage. Item as described great value item.Vtg Lrg Needle Point Framed Picture Swiss Alps Mountains Country Yarn Artwork (Nr. 306299204881)
- e***y (185)- Bewertung vom Käufer.Letztes JahrBestätigter KaufSeller ver responsive. Accepted my offer and shipped quickly. Packaged this fragile item extremely well. Each glass was bubblewrapped separately. Then packaged snuggly double boxed to ensure it arrived safely. The items are in great condition and exactly as described. Very pleased with my purchase and would definitely buy from this seller again.RARE SET (2) ORCHIDS RED DRAGON HAPPY NEW YEAR 70'S TALL TOM COLLINS BAR GLASSES (Nr. 305777566119)