Art In America 1945 - 1970 The Library Of America Slipcase

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eBay-Artikelnr.:306594899740

Artikelmerkmale

Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Signed
No
Narrative Type
Nonfiction
Features
Slipcase
Intended Audience
Adults
Country of Origin
United States
Year Printed
2014
ISBN
9781598533101
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Library of America, T.H.E.
ISBN-10
159853310X
ISBN-13
9781598533101
eBay Product ID (ePID)
18038460703

Product Key Features

Book Title
Art in America 1945-1970 (LOA #259) : Writings from the Age of Abstract Expressionism, Pop Art, and Minimalism
Number of Pages
864 Pages
Language
English
Publication Year
2014
Topic
History / Contemporary (1945-), Criticism & Theory, Popular Culture, American / General
Illustrator
Yes
Genre
Art
Author
Jed Perl
Format
Hardcover

Dimensions

Item Height
1.8 in
Item Weight
30.8 Oz
Item Length
8.2 in
Item Width
5.3 in

Additional Product Features

Intended Audience
Trade
LCCN
2013-957900
Dewey Edition
23
Reviews
It's a plump, unbuttoned and convivial book, streaked like bacon with gossip and cogitation. . . . [Mr. Perl] is interested in the era's tumult, its howls and murmurs, its wolf whistles and rebel yells. He has raided memoirs, magazines and interviews for material; he's also rummaged through forgotten pamphlets and yellowed correspondence. This is a party that spills out onto the lawn., In this fascinating anthology Jed Perl has given narrative shape and structure to a wide range of voices: poets, artists themselves, and various other articulate observers of the amazing metamorphoses of postwar American art. What emerges is surely one of the defining records of our artistic age., A powerhouse time capsule of a singular era. Jed Perl's masterful compilation of interviews, diaries, and essays from the post-war legends of word (Capote, Sontag, Kerouac) and image (Warhol, Avedon, Frank) reads like the dinner party of a lifetime., Perl is a fiercely fluent word-spinner, with a staggering knowledge of American artists and their critics., Every student ought to have a copy in the studio or carrel. . . . For readers generally concerned about art, Art in America is likely to remain essential for quite a while., Jed Perl has compiled an invigorating panorama of art writing from a crucial quarter century, adding vital context with his incisive commentaries. As today's art writers suffer diminishing visibility, the pleasures to be had exploring this collection comes as a salutary shock. An unexpectedly compulsive read.
Grade From
Twelfth Grade
Dewey Decimal
709.7309/044
Synopsis
Experience the creative explosion that transformed American art, in the words of the artists, writers, and critics who were there: In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor Jed Perl, "there has never been a period when the visual arts have been written about with more mongrel energy--with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy." Perl has gathered the best of this writing together for the first time, interwoven with fascinating headnotes that establish the historical background, the outsized personalities of the artists and critics, and the nature of the aesthetic battles that defined the era. Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol, James Agee on Helen Levitt, James Baldwin on Beauford Delaney, Truman Capote on Richard Avedon, Tennessee Williams on Hans Hofmann, Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure., In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of America art and shifted the centre of the art world from Paris to New York. This revolution generated an exuberant and contentious body of writing without parallel in our cultural history. Jed Perl has gathered the best of this writing together for the first time, interwoven with fascinating headnotes that establish the nature of the aesthetic battles that defined the era., Experience the creative explosion that transformed American art--in the words of the artists, writers, and critics who were there In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor, art critic, and historian Jed Perl, "there has never been a period when the visual arts have been written about with more mongrel energy--with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy." In this Library of America volume, Perl gathers for the first time the most vibrant contemporary accounts of this momentous period--by artists, critics, poets, gallery owners, and other observers--conveying the sweep and energy of a cultural scene dominated (in the poet James Schuyler's words) by "the floods of paint in whose crashing surf we all scramble." Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol; James Agee on Helen Levitt; James Baldwin on Beauford Delaney; Truman Capote on Richard Avedon; Tennessee Williams on Hans Hofmann; and Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.
LC Classification Number
N6512

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