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Dark Tree Jazz and the Community Arts in Los Angeles Steven Isoardi HCDJ 2006
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- Sofort-KaufenDark Tree Jazz and the Community Arts in Los Angeles Steven Isoardi HCDJ 2006
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Standort: San Antonio, Texas, USA
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eBay-Artikelnr.:306614433726
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780520245914
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520245911
ISBN-13
9780520245914
eBay Product ID (ePID)
46906759
Product Key Features
Number of Pages
377 Pages
Language
English
Publication Name
Dark Tree : Jazz and the Community Arts in Los Angeles
Subject
Philosophy & Social Aspects, General, Ethnic, Genres & Styles / Jazz
Publication Year
2006
Type
Textbook
Subject Area
Music
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
28.9 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2005-015753
TitleLeading
The
Illustrated
Yes
Dewey Decimal
903
Table Of Content
CD Playlist Preface Acknowledgments 1. Ancestral Echoes: Roots of the African American Community Artist 2. Ballad for Samuel: The Legacy of Central Avenue and the 1950s Avant-Garde in Los Angeles 3. Lino's Pad: African American Los Angeles and the Formation of the Underground Musicians Association 4. The Giant Is Awakened: The Watts Uprising and Cultural Resurgence 5. Warriors All: UGMA in the Middle of It 6. The Mothership: From UGMA to the Pan Afrikan Peoples Arkestra and UGMAA 7. To the Great House: The Arkestra in the 1970s 8. Thoughts of Dar Es Salaam: The Institutionalization of UGMAA 9. At the Crossroads: The Ark and UGMAA in the 1980s 10. The Hero's Last Dance: The '90s Resurgence 11. Aiee! The Phantom: Horace Tapscott 12. The Black Apostles: The Arkestra/UGMAA Ethos and Aesthetic Appendix. A View from the Bottom: The Music of Horace Tapscott and the Pan Afrikan Peoples Arkestra Roberto Miranda Notes Bibliography Index
Synopsis
While he was still in his twenties, Horace Tapscott gave up a successful career in Lionel Hampton's band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing affordable, community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God's Musicians and Artists Ascension (UGMAA) Foundation, were at the forefront of the vital community-based arts movements in black Los Angeles. Some three hundred artists--musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists--passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. Based primarily on one hundred in-depth interviews with current and former participants,The Dark Treeis the first history of the important and largely overlooked community arts movement of African American Los Angeles. Brought to life by the passionate voices of the men and women who worked to make the arts integral to everyday community life, this engrossing book completes the account began in the highly acclaimedCentral Avenue Sounds, which documented the secular music history of the first half of the twentieth century and which theSan Francisco Examinercalled "one of the best jazz books ever compiled.", While he was still in his twenties, Horace Tapscott gave up a successful career in Lionel Hampton's band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing affordable, community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God's Musicians and Artists Ascension (UGMAA) Foundation, were at the forefront of the vital community-based arts movements in black Los Angeles. Some three hundred artists--musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists--passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. Based primarily on one hundred in-depth interviews with current and former participants, The Dark Tree is the first history of the important and largely overlooked community arts movement of African American Los Angeles. Brought to life by the passionate voices of the men and women who worked to make the arts integral to everyday community life, this engrossing book completes the account began in the highly acclaimed Central Avenue Sounds , which documented the secular music history of the first half of the twentieth century and which the San Francisco Examiner called "one of the best jazz books ever compiled.", While he was still in his twenties, Horace Tapscott gave up a successful career in Lionel Hampton's band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing affordable, community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God's Musicians and Artists Ascension (UGMAA) Foundation, were at the forefront of the vital community-based arts movements in black Los Angeles. Some three hundred artists--musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists--passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. Based primarily on one hundred in-depth interviews with current and former participants, "The Dark Tree" is the first history of the important and largely overlooked community arts movement of African American Los Angeles. Brought to life by the passionate voices of the men and women who worked to make the arts integral to everyday community life, this engrossing book completes the account began in the highly acclaimed "Central Avenue Sounds," which documented the secular music history of the first half of the twentieth century and which the "San Francisco Examiner "called "one of the best jazz books ever compiled.", A history of the jazz and community arts collective UGMA and its role in the cultural history of South Central LA.
LC Classification Number
2005015753
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