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Der Triumph der Vulgarität: Rockmusik im Spiegel der Romantik von Pattison,
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eBay-Artikelnr.:314034973251
Artikelmerkmale
- Artikelzustand
- Akzeptabel
- Hinweise des Verkäufers
- ISBN
- 9780195038767
- Book Title
- Triumph of Vulgarity : Rock Music in the Mirror of Romanticism
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.1 in
- Publication Year
- 1987
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.9 in
- Genre
- Music
- Topic
- Genres & Styles / Rock
- Item Weight
- 19.4 Oz
- Item Width
- 8.9 in
- Number of Pages
- 294 Pages
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195038762
ISBN-13
9780195038767
eBay Product ID (ePID)
2409620
Product Key Features
Book Title
Triumph of Vulgarity : Rock Music in the Mirror of Romanticism
Number of Pages
294 Pages
Language
English
Publication Year
1987
Topic
Genres & Styles / Rock
Illustrator
Yes
Genre
Music
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
19.4 Oz
Item Length
6.1 in
Item Width
8.9 in
Additional Product Features
Intended Audience
Trade
LCCN
86-012670
Dewey Edition
19
TitleLeading
The
Reviews
"This is the most brilliant study yet written of the modern phenomenon of rock music."--National Review "An articulate elucidation of rock 'n' roll as the heir apparent to 19th-century romantic pantheism.... Makes a convincing case for rock as the central aesthetic manifestation of our culture.... Pattison writes amusingly and his rock 'n' roll fever is infectious."--Kirkus Reviews. "A provocative, opinionated study about the origins of rock and about rock as an idea."--Library Journal, "This is the most brilliant study yet written of the modern phenomenon of rock music."--National Review"An articulate elucidation of rock 'n' roll as the heir apparent to 19th-century romantic pantheism.... Makes a convincing case for rock as the central aesthetic manifestation of our culture.... Pattison writes amusingly and his rock 'n' roll fever is infectious."--Kirkus Reviews. "A provocative, opinionated study about the origins of rock and about rock as an idea."--Library Journal, "This is the most brilliant study yet written of the modern phenomenon of rock music."--National Review"An articulate elucidation of rock 'n' roll as the heir apparent to 19th-century romantic pantheism.... Makes a convincing case for rock as the central aesthetic manifestation of our culture.... Pattison writes amusingly and his rock 'n' roll fever is infectious."--Kirkus Reviews. "A provocative, opinionated study about the origins of rock and about rock as an idea."--Library Journal"This is the most brilliant study yet written of the modern phenomenon of rock music."--National Review"An articulate elucidation of rock 'n' roll as the heir apparent to 19th-century romantic pantheism.... Makes a convincing case for rock as the central aesthetic manifestation of our culture.... Pattison writes amusingly and his rock 'n' roll fever is infectious."--Kirkus Reviews. "A provocative, opinionated study about the origins of rock and about rock as an idea."--Library Journal, "This is the most brilliant study yet written of the modern phenomenon of rock music."--National Review, "An articulate elucidation of rock 'n' roll as the heir apparent to 19th-century romantic pantheism.... Makes a convincing case for rock as the central aesthetic manifestation of our culture.... Pattison writes amusingly and his rock 'n' roll fever is infectious."--Kirkus Reviews. "Aprovocative, opinionated study about the origins of rock and about rock as an idea."--Library Journal, "This is the most brilliant study yet written of the modern phenomenon of rock music."-- National Review "An articulate elucidation of rock 'n' roll as the heir apparent to 19th-century romantic pantheism.... Makes a convincing case for rock as the central aesthetic manifestation of our culture.... Pattison writes amusingly and his rock 'n' roll fever is infectious."-- Kirkus Reviews . "A provocative, opinionated study about the origins of rock and about rock as an idea."-- Library Journal
Dewey Decimal
784.54009
Synopsis
The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works., Robert Pattison's new book discusses Romanticism, and the cross-currents between it and popular culture, using rock music as the main example. He shows that popular culture is not merely a continuation of folk culture or a spontaneous creation of the alienated masses, but a mirror-image of main-stream cultural doctrines., In this thinker's guide to rock and roll, Robert Pattison contends that rock music mirrors the tradition of 19th-century Romanticism. The music is vulgar, he notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romanticism, it has slipped the constraints imposed on itby refined culture and established its own loud arts.
LC Classification Number
ML3534.P37 1987
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