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Keith Rowe; Das erweiterte Zimmer, Keith Rowe
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eBay-Artikelnr.:314622548384
Artikelmerkmale
- Artikelzustand
- ISBN
- 1576878643
- EAN
- 9781576878644
- Date of Publication
- 20180626
- Publication Name
- N/A
- Type
- Hardback
- Release Title
- Keith Rowe ; The Room Extended
- Artist
- Keith Rowe
- Brand
- N/A
- Colour
- N/A
Über dieses Produkt
Product Identifiers
Publisher
powerHouse Books
ISBN-10
1576878643
ISBN-13
9781576878644
eBay Product ID (ePID)
240935610
Product Key Features
Book Title
Keith Rowe : the Room Extended
Number of Pages
500 Pages
Language
English
Publication Year
2018
Topic
Cultural Heritage, Composers & Musicians, Instruction & Study / Techniques, Historical, Genres & Styles / Jazz
Illustrator
Yes
Genre
Music, Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
1.5 in
Item Weight
29.6 Oz
Item Length
8.2 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-937561
Reviews
Whether you've attended to Keith Rowe's music for mere minutes or for decades, Brian Olewnick's terrific biography brings home the fact that much of what you know about this crucial artist likely contains significant gaps. No longer. This marvelously researched life in its similarly fine telling-not to mention the bringing-together of a tremendous collection of written materials on Rowe and AMM-occupies a much-needed place in the literature on improvised and experimental music from the 1960s forward, and its nexus in Rowe of performance, politics, and visual art., Despite having extreme music as his subject, along with even more extreme politics, bitter feuds and the convoluted history of AMM and free improvisation, Brian Olewnick brings clarity, even-handed compassion, wry humour and insight to one of the great stories of post-war avant-garde music., Keith Rowe, it seems, was always an original.But even avowed admirers of his work will glean from Brian Olewnick's weighty and exhaustively researched biography a new understanding of just how original the now-seventy-eight-year-old performer was and still remains. The book provides an invaluable explanation of how Rowe developed his entirely unprecedented approach to the guitar-and why his influence primarily has been felt second hand, through the more widely publicized efforts of acolytes such as the psychedelic-rock innovator Syd Barrett and the indefatigable improviser Fred Frith., For someone interested in going 'beyond' with music and with guitar, this essential history will help you set your sights on places no musician has gone., "A very readable and well-researched account, with lots of great anecdotes." -- The Wire Whether you've attended to Keith Rowe's music for mere minutes or for decades, Brian Olewnick's terrific biography brings home the fact that much of what you know about this crucial artist likely contains significant gaps. No longer. This marvelously researched life in its similarly fine telling--not to mention the bringing-together of a tremendous collection of written materials on Rowe and AMM--occupies a much-needed place in the literature on improvised and experimental music from the 1960s forward, and its nexus in Rowe of performance, politics, and visual art. --David Grubbs, Musician and author of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording Despite having extreme music as his subject, along with even more extreme politics, bitter feuds and the convoluted history of AMM and free improvisation, Brian Olewnick brings clarity, even-handed compassion, wry humour and insight to one of the great stories of post-war avant-garde music. --David Toop, author of Ocean of Sound and Into the Maelstrom "For someone interested in going 'beyond' with music and with guitar, this essential history will help you set your sights on places no musician has gone." -- Henry Kaiser for Guitar Moderne "Keith Rowe, it seems, was always an original. But even avowed admirers of his work will glean from Brian Olewnick's weighty and exhaustively researched biography a new understanding of just how original the now-seventy-eight-year-old performer was and still remains. The book provides an invaluable explanation of how Rowe developed his entirely unprecedented approach to the guitar--and why his influence primarily has been felt second hand, through the more widely publicized efforts of acolytes such as the psychedelic-rock innovator Syd Barrett and the indefatigable improviser Fred Frith." -- musicworks As seen in : Jazz Word, Whether you've attended to Keith Rowe's music for mere minutes or for decades, Brian Olewnick's terrific biography brings home the fact that much of what you know about this crucial artist likely contains significant gaps. No longer. This marvelously researched life in its similarly fine telling--not to mention the bringing-together of a tremendous collection of written materials on Rowe and AMM--occupies a much-needed place in the literature on improvised and experimental music from the 1960s forward, and its nexus in Rowe of performance, politics, and visual art. --David Grubbs, Musician and author of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
Dewey Edition
23
Dewey Decimal
787.87/165092
Synopsis
For someone interested in going 'beyond' with music and with guitar, this essential history will help you set your sights on places no musician has gone. -Henry Kaiser for Guitar Moderne The first and only authorized biography about Keith Rowe, his solo career, and his influence as the guitarist in the cult British improvised music band AMM, a group who counted Syd Barrett from Pink Floyd, Sonic Youth, and composer Christian Wolff as admirers. In London, in the fall of 1965, a group of four musicians, dissatisfied with the confines they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionize the way music was created: no repertoire, no solos, no regular rhythms, no melodies, no fear of silence, 100% improvised.This rejected rules firmly in place then, as now, among even the most forward-looking of musicians. Keith Rowe was one of the founding membersof this collective. They called themselves AMM and soon added the composer Cornelius Cardew, an associate of John Cage and Karlheinz Stockhausen, who was seeking to escape what he thought were equivalent strictures in the avant-garde classical world. As a quintet, AMM created music unlike anything else being done at the time and, being immersed in the London scene of the mid-60s in which musical boundaries were amorphous, found themselves on the one hand sharing bills with nascent bands like Pink Floyd, The Who, and Cream while on the other working with and alongside Yoko Ono and Christian Wolff. Rowe, a guitarist trained as a painter, adapted to his guitar the lessons he'd learned in the visual arts, placing it flat on a table or the ground as Jackson Pollock had done with his canvases, using it as a sound source to be approached with all manner of implements, opening up a vast new territory of exploration, one which would be enormously influential in rock and contemporary classical, as well as the field of free improvisation. Over 12 years in the making and via exhaustive research and exclusive interviews Brian Olewnick has traced Rowe's life from childhood through the present, with focuses on London's mid-60s experimental music scene, the political unrest of the late 60s, the radical politics of the early 70s, the ongoing saga of AMM through the 90s and the accompanying advance of creative music over that time period, centered around Rowe's participation in those events and his major contributions to the contemporary avant-garde environment. Through the many ups and downs of AMM and beyond, Rowe has become an eminence grise to generations of musicians and is still today continuing to push the boundaries of what is possible in the world of sound., In London, in the fall of 1965, a group of four musicians dissatisfied with the constrictions they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionise the way music was created, rejecting rules firmly in place then (and still today) among even the most forward-looking of musicians: no repertoire, no fear of silence, 100% improvised. Keith Rowe was one of the founding members. Over 12 years in the making and via exhaustive research and interviews Brian Olewnick has traced Rowe's life from childhood to the present., "For someone interested in going 'beyond' with music and with guitar, this essential history will help you set your sights on places no musician has gone." -- Henry Kaiser for Guitar Moderne The first and only authorized biography about Keith Rowe, his solo career, and his influence as the guitarist in the cult British improvised music band AMM, a group who counted Syd Barrett from Pink Floyd, Sonic Youth, and composer Christian Wolff as admirers. In London, in the fall of 1965, a group of four musicians, dissatisfied with the confines they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionize the way music was created: no repertoire, no solos, no regular rhythms, no melodies, no fear of silence, 100% improvised. This rejected rules firmly in place then, as now, among even the most forward-looking of musicians. Keith Rowe was one of the founding membersof this collective. They called themselves AMM and soon added the composer Cornelius Cardew, an associate of John Cage and Karlheinz Stockhausen, who was seeking to escape what he thought were equivalent strictures in the avant-garde classical world. As a quintet, AMM created music unlike anything else being done at the time and, being immersed in the London scene of the mid-60s in which musical boundaries were amorphous, found themselves on the one hand sharing bills with nascent bands like Pink Floyd, The Who, and Cream while on the other working with and alongside Yoko Ono and Christian Wolff. Rowe, a guitarist trained as a painter, adapted to his guitar the lessons he'd learned in the visual arts, placing it flat on a table or the ground as Jackson Pollock had done with his canvases, using it as a sound source to be approached with all manner of implements, opening up a vast new territory of exploration, one which would be enormously influential in rock and contemporary classical, as well as the field of free improvisation. Over 12 years in the making and via exhaustive research and exclusive interviews Brian Olewnick has traced Rowe's life from childhood through the present, with focuses on London's mid-60s experimental music scene, the political unrest of the late 60s, the radical politics of the early 70s, the ongoing saga of AMM through the 90s and the accompanying advance of creative music over that time period, centered around Rowe's participation in those events and his major contributions to the contemporary avant-garde environment. Through the many ups and downs of AMM and beyond, Rowe has become an minence grise to generations of musicians and is still today continuing to push the boundaries of what is possible in the world of sound.
LC Classification Number
ML430.7
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