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Transatlantic: Ein Roman von Colum McCann (2013, Hardcover)

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Standort: Midlothian, Virginia, USA
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Zuletzt aktualisiert am 17. Jun. 2025 15:29:52 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Type
Novel
Era
2010s
Ex Libris
No
Narrative Type
Fiction
Features
Dust Jacket
Original Language
English
Country/Region of Manufacture
United States
Intended Audience
Young Adults, Adults
Inscribed
No
Vintage
No
ISBN
9781400069590

Über dieses Produkt

Product Identifiers

Publisher
Random House Publishing Group
ISBN-10
1400069599
ISBN-13
9781400069590
eBay Product ID (ePID)
143611745

Product Key Features

Book Title
Transatlantic : a Novel
Number of Pages
320 Pages
Language
English
Topic
Sagas, Literary, Historical
Publication Year
2013
Illustrator
Yes
Genre
Fiction
Author
Colum Mccann
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
20 oz
Item Length
9.5 in
Item Width
6.6 in

Additional Product Features

Intended Audience
Trade
LCCN
2012-043294
Dewey Edition
23
Reviews
"This novel is beautifully hypnotic in its movements, from the grand (between two continents, across three centuries) to the most subtle. Silkily threading together public events and private feelings, TransAtlantic says no to death with every line. Those who can't see the point of historical novels will find their answer here: in all intelligent fiction, the past has not passed." -Emma Donoghue, author of Room   "A dazzlingly talented author's latest high-wire act . . . National Book Award winner Colum McCann weaves an intricate tapestry that illuminates the anguish of Irish history and the deeper agonies of war. TransAtlantic reads as a series of interconnected novellas, shifting between decades, among an unlikely cast of richly drawn characters. . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann's most penetrating novel yet." - O: The Oprah Magazine   "What distinguishes TransAtlantic from McCann's earlier work isn't the stunning language or the psychological acuity or the humor and imagination on display-all of that has been there before. It's the sheer ambition, the audacity to imagine within the same novel the experience of Frederick Douglass . . . then the first nonstop trans-Atlantic flight . . . then to leap into the near-present and embody the former senator George Mitchell . . . and finally to unite these stories, to give them even larger purpose than the historical significance they already possess, by knitting through and around them the stories of four generations of women." -Joel Lovell, The New York Times Magazine   "Ingenious . . . The intricate connections he has crafted between the stories of his women and our men will, by the end, have you trying to figure out, in pencil, what he seems to have written in air, in water, and-given that his subject is the confluence of Irish and American history-in blood." -Tom Junod, Esquire   " Let The Great World Spin is one of the twenty-first century's most celebrated novels thus far-with a National Book Award and an IMPAC Dublin Literary Award among its lauds. Not an easy act to follow. But McCann is an acrobat. . . . TransAtlantic is entrancing. . . . Trusting and economic, McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music-elation and sorrow." -Tucker Shaw, The Denver Post From the Hardcover edition., "A dazzlingly talented author's latest high-wire act . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann's most penetrating novel yet." -- O: The Oprah Magazine   "What distinguishes TransAtlantic from [Colum] McCann's earlier work isn't the stunning language or the psychological acuity or the humor and imagination on display--all of that has been there before. It's the sheer ambition, the audacity to imagine within the same novel the experience of Frederick Douglass in 1845 . . . then the first nonstop trans-Atlantic flight in 1919 . . . then to leap into the near-present and embody the former senator George Mitchell, . . . knitting through and around them the stories of four generations of women." -- The New York Times Magazine   "One of the greatest pleasures of TransAtlantic is how provisional it makes history feel, how intimate, and intensely real. . . . Here is the uncanny thing McCann finds again and again about the miraculous: that it is inseparable from the everyday." -- The Boston Globe   "Ingenious . . . The intricate connections [McCann] has crafted between the stories of his women and our men [seem] written in air, in water, and--given that his subject is the confluence of Irish and American history--in blood." -- Esquire   "Another sweeping, beautifully constructed tapestry of life . . . Reading McCann is a rare joy." -- The Seattle Times   "Entrancing . . . McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music--elation and sorrow." -- The Denver Post, "This novel is beautifully hypnotic in its movements, from the grand (between two continents, across three centuries) to the most subtle. Silkily threading together public events and private feelings, TransAtlantic says no to death with every line. Those who can't see the point of historical novels will find their answer here: in all intelligent fiction, the past has not passed." --Emma Donoghue, author of Room   "A dazzlingly talented author's latest high-wire act . . . National Book Award winner Colum McCann weaves an intricate tapestry that illuminates the anguish of Irish history and the deeper agonies of war. TransAtlantic reads as a series of interconnected novellas, shifting between decades, among an unlikely cast of richly drawn characters. . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann's most penetrating novel yet." -- O: The Oprah Magazine   "What distinguishes TransAtlantic from McCann's earlier work isn't the stunning language or the psychological acuity or the humor and imagination on display--all of that has been there before. It's the sheer ambition, the audacity to imagine within the same novel the experience of Frederick Douglass . . . then the first nonstop trans-Atlantic flight . . . then to leap into the near-present and embody the former senator George Mitchell . . . and finally to unite these stories, to give them even larger purpose than the historical significance they already possess, by knitting through and around them the stories of four generations of women." --Joel Lovell, The New York Times Magazine   "Ingenious . . . The intricate connections he has crafted between the stories of his women and our men will, by the end, have you trying to figure out, in pencil, what he seems to have written in air, in water, and--given that his subject is the confluence of Irish and American history--in blood." --Tom Junod, Esquire   " Let The Great World Spin is one of the twenty-first century's most celebrated novels thus far--with a National Book Award and an IMPAC Dublin Literary Award among its lauds. Not an easy act to follow. But McCann is an acrobat. . . . TransAtlantic is entrancing. . . . Trusting and economic, McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music--elation and sorrow." --Tucker Shaw, The Denver Post, Praise for Colum McCann's Let the Great World Spin, Winner of the National Book Award   "One of the most electric, profound novels I have read in years."-Jonathan Mahler, The New York Times Book Review   "There's so much passion and humor and pure life force on every page that you'll find yourself giddy, dizzy, overwhelmed."-Dave Eggers   "Stunning . . . [an] elegiac glimpse of hope."- USA Today   "Marvelously rich . . . a Joycean look at the lives of New Yorkers changed by a single act on a single day."- The Seattle Times   "McCann's gift [is] finding grace in grief and magic in the mundane, and immersing the reader in these thoroughly."- San Francisco Chronicle   "An act of pure bravado."- O: The Oprah Magazine, "A dazzlingly talented author's latest high-wire act . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann's most penetrating novel yet." -- O: The Oprah Magazine "What distinguishes TransAtlantic from [Colum] McCann's earlier work isn't the stunning language or the psychological acuity or the humor and imagination on display--all of that has been there before. It's the sheer ambition, the audacity to imagine within the same novel the experience of Frederick Douglass in 1845 . . . then the first nonstop trans-Atlantic flight in 1919 . . . then to leap into the near-present and embody the former senator George Mitchell, . . . knitting through and around them the stories of four generations of women." -- The New York Times Magazine "One of the greatest pleasures of TransAtlantic is how provisional it makes history feel, how intimate, and intensely real. . . . Here is the uncanny thing McCann finds again and again about the miraculous: that it is inseparable from the everyday." -- The Boston Globe "Ingenious . . . The intricate connections [McCann] has crafted between the stories of his women and our men [seem] written in air, in water, and--given that his subject is the confluence of Irish and American history--in blood." -- Esquire "Another sweeping, beautifully constructed tapestry of life . . . Reading McCann is a rare joy." -- The Seattle Times "Entrancing . . . McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music--elation and sorrow." -- The Denver Post, Advance praise for TransAtlantic "This novel is beautifully hypnotic in its movements, from the grand (between two continents, across three centuries) to the most subtle. Silkily threading together public events and private feelings, TransAtlantic says no to death with every line."-Emma Donoghue "A masterful and profoundly moving novel that employs exquisite language to explore the limits of language and the tricks of memory . . . epic in ambition . . . audacious in format."- Kirkus Reviews (starred review) "A beautiful writer . . . This is what interests McCann: lives made amid and despite violence; the hidden braids of places, times, and peop≤ the way the old days 'arrive back in the oddest ways.' " -Publishers Weekly Praise for Colum McCann's Let the Great World Spin, Winner of the National Book Award "One of the most electric, profound novels I have read in years."-Jonathan Mahler, The New York Times Book Review "Stunning . . . [an] elegiac glimpse of hope."- USA Today "There's so much passion and humor and pure life force on every page that you'll find yourself giddy, dizzy, overwhelmed."-Dave Eggers From the Hardcover edition.
Dewey Decimal
823/.914
Synopsis
NEW YORK TIMES BESTSELLER * LONGLISTED FOR THE MAN BOOKER PRIZE * NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS In the National Book Award-winning Let the Great World Spin, Colum McCann thrilled readers with a marvelous high-wire act of fiction that The New York Times Book Review called "an emotional tour de force." Now McCann demonstrates once again why he is one of the most acclaimed and essential authors of his generation with a soaring novel that spans continents, leaps centuries, and unites a cast of deftly rendered characters, both real and imagined. Newfoundland, 1919. Two aviators--Jack Alcock and Arthur Brown--set course for Ireland as they attempt the first nonstop flight across the Atlantic Ocean, placing their trust in a modified bomber to heal the wounds of the Great War. Dublin, 1845 and '46. On an international lecture tour in support of his subversive autobiography, Frederick Douglass finds the Irish people sympathetic to the abolitionist cause--despite the fact that, as famine ravages the countryside, the poor suffer from hardships that are astonishing even to an American slave. New York, 1998. Leaving behind a young wife and newborn child, Senator George Mitchell departs for Belfast, where it has fallen to him, the son of an Irish-American father and a Lebanese mother, to shepherd Northern Ireland's notoriously bitter and volatile peace talks to an uncertain conclusion. These three iconic crossings are connected by a series of remarkable women whose personal stories are caught up in the swells of history. Beginning with Irish housemaid Lily Duggan, who crosses paths with Frederick Douglass, the novel follows her daughter and granddaughter, Emily and Lottie, and culminates in the present-day story of Hannah Carson, in whom all the hopes and failures of previous generations live on. From the loughs of Ireland to the flatlands of Missouri and the windswept coast of Newfoundland, their journeys mirror the progress and shape of history. They each learn that even the most unassuming moments of grace have a way of rippling through time, space, and memory. The most mature work yet from an incomparable storyteller, TransAtlantic is a profound meditation on identity and history in a wide world that grows somehow smaller and more wondrous with each passing year. Praise for TransAtlantic "A dazzlingly talented author's latest high-wire act . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann's most penetrating novel yet." -- O: The Oprah Magazine "One of the greatest pleasures of TransAtlantic is how provisional it makes history feel, how intimate, and intensely real. . . . Here is the uncanny thing McCann finds again and again about the miraculous: that it is inseparable from the everyday." -- The Boston Globe "Ingenious . . . The intricate connections [McCann] has crafted between the stories of his women and our men [seem] written in air, in water, and--given that his subject is the confluence of Irish and American history--in blood." -- Esquire "Another sweeping, beautifully constructed tapestry of life . . . Reading McCann is a rare joy." -- The Seattle Times "Entrancing . . . McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music--elation and sorrow." -- The Denver Post, NEW YORK TIMES BESTSELLER - LONGLISTED FOR THE MAN BOOKER PRIZE - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS In the National Book Award-winning Let the Great World Spin, Colum McCann thrilled readers with a marvelous high-wire act of fiction that The New York Times Book Review called "an emotional tour de force." Now McCann demonstrates once again why he is one of the most acclaimed and essential authors of his generation with a soaring novel that spans continents, leaps centuries, and unites a cast of deftly rendered characters, both real and imagined. Newfoundland, 1919. Two aviators--Jack Alcock and Arthur Brown--set course for Ireland as they attempt the first nonstop flight across the Atlantic Ocean, placing their trust in a modified bomber to heal the wounds of the Great War. Dublin, 1845 and '46. On an international lecture tour in support of his subversive autobiography, Frederick Douglass finds the Irish people sympathetic to the abolitionist cause--despite the fact that, as famine ravages the countryside, the poor suffer from hardships that are astonishing even to an American slave. New York, 1998. Leaving behind a young wife and newborn child, Senator George Mitchell departs for Belfast, where it has fallen to him, the son of an Irish-American father and a Lebanese mother, to shepherd Northern Ireland's notoriously bitter and volatile peace talks to an uncertain conclusion. These three iconic crossings are connected by a series of remarkable women whose personal stories are caught up in the swells of history. Beginning with Irish housemaid Lily Duggan, who crosses paths with Frederick Douglass, the novel follows her daughter and granddaughter, Emily and Lottie, and culminates in the present-day story of Hannah Carson, in whom all the hopes and failures of previous generations live on. From the loughs of Ireland to the flatlands of Missouri and the windswept coast of Newfoundland, their journeys mirror the progress and shape of history. They each learn that even the most unassuming moments of grace have a way of rippling through time, space, and memory. The most mature work yet from an incomparable storyteller, TransAtlantic is a profound meditation on identity and history in a wide world that grows somehow smaller and more wondrous with each passing year. Praise for TransAtlantic "A dazzlingly talented author's latest high-wire act . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann's most penetrating novel yet." -- O: The Oprah Magazine "One of the greatest pleasures of TransAtlantic is how provisional it makes history feel, how intimate, and intensely real. . . . Here is the uncanny thing McCann finds again and again about the miraculous: that it is inseparable from the everyday." -- The Boston Globe "Ingenious . . . The intricate connections McCann] has crafted between the stories of his women and our men seem] written in air, in water, and--given that his subject is the confluence of Irish and American history--in blood." -- Esquire "Another sweeping, beautifully constructed tapestry of life . . . Reading McCann is a rare joy." -- The Seattle Times "Entrancing . . . McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music--elation and sorrow." -- The Denver Post

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