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Unweiß: Appalachen, Rasse und Film (Der Süden, McCarroll, Bernstein, Palme-,
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eBay-Artikelnr.:315104755781
Artikelmerkmale
- Artikelzustand
- PublishedOn
- 2018-10-30
- Title
- Unwhite: Appalachia, Race, and Film (The South on Screen Ser.)
- Artist
- Not Specified
- ISBN
- 9780820353364
Über dieses Produkt
Product Identifiers
Publisher
University of Georgia Press
ISBN-10
0820353361
ISBN-13
9780820353364
eBay Product ID (ePID)
2309876162
Product Key Features
Number of Pages
172 Pages
Language
English
Publication Name
Unwhite : Appalachia, Race, and Film
Publication Year
2018
Subject
Film / General, Media Studies, Discrimination & Race Relations, United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), Film / History & Criticism, Sociology / Rural
Type
Textbook
Subject Area
Performing Arts, Social Science, History
Series
The South on Screen Ser.
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2018-003948
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.4308991607
Synopsis
Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "pure white stock" and as deeply impoverished and backward. Meredith McCarroll's Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what "rednecks" and "white trash" are, McCarroll argues, we rely on the continued use of such categories in fashioning our broader sense of self and other. Further, we continue to depend upon the existence of the region of Appalachia as a cultural construct. As a consequence, Appalachia has long been represented in the collective cultural history as the lowest, the poorest, the most ignorant, and the most laughable community. McCarroll complicates this understanding by asserting that white privilege remains intact while Appalachia is othered through reliance on recognizable nonwhite cinematic stereotypes. Unwhite demonstrates how typical characterizations of Appalachian people serve as foils to set off and define the "whiteness" of the non-Appalachian southerners. In this dynamic, Appalachian characters become the racial other. Analyzing the representation of the people of Appalachia in films such as Deliverance , Cold Mountain , Medium Cool , Norma Rae , Cape Fear , The Killing Season , and Winter's Bone through the critical lens of race and specifically whiteness, McCarroll offers a reshaping of the understanding of the relationship between racial and regional identities., Analyses the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what ""rednecks"" are, Meredith McCarroll argues, we rely on the use of such categories in fashioning our broader sense of self and other., Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as ?pure white stock? and as deeply impoverished and backward. Meredith McCarroll's Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what ?rednecks? and ?white trash? are, McCarroll argues, we rely on the continued use of such categories in fashioning our broader sense of self and other. Further, we continue to depend upon the existence of the region of Appalachia as a cultural construct. As a consequence, Appalachia has long been represented in the collective cultural history as the lowest, the poorest, the most ignorant, and the most laughable community. McCarroll complicates this understanding by asserting that white privilege remains intact while Appalachia is othered through reliance on recognizable nonwhite cinematic stereotypes. Unwhite demonstrates how typical characterizations of Appalachian people serve as foils to set off and define the ?whiteness? of the non-Appalachian southerners. In this dynamic, Appalachian characters become the racial other. Analyzing the representation of the people of Appalachia in films such as Deliverance , Cold Mountain , Medium Cool , Norma Rae , Cape Fear , The Killing Season , and Winter's Bone through the critical lens of race and specifically whiteness, McCarroll offers a reshaping of the understanding of the relationship between racial and regional identities.
LC Classification Number
PN1995.9.M67M33 2018
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USt-IdNr.: GB 724498118
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- n***n (1014)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent.
- 0***r (11)- Bewertung vom Käufer.Letzter MonatBestätigter KaufItem arrived as promised.
- b***c (559)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThere was a discrepancy with the item description but the seller made it good