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Painting and Politics in Northern E..., Carroll, Margar

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Book Title
Painting and Politics in Northern Europe: Van Eyck, Bruegel, R...
ISBN
0271029552
EAN
9780271029559
Release Title
Painting and Politics in Northern Europe: Van Eyck, Bruegel, R...
Artist
Carroll, Margaret D.
Brand
N/A
Colour
N/A
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Pennsylvania STATE University Press
ISBN-10
0271029552
ISBN-13
9780271029559
eBay Product ID (ePID)
78478295

Product Key Features

Number of Pages
280 Pages
Publication Name
Painting and Politics in Northern Europe : Van Eyck, Bruegel, Rubens, and Their Contemporaries
Language
English
Subject
Art & Politics, European, History / General, History / Renaissance
Publication Year
2009
Type
Textbook
Author
Margaret D. Carroll
Subject Area
Art
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
38.2 Oz
Item Length
12 in
Item Width
8 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2007-003532
Dewey Edition
22
Reviews
"The author's erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers." --A. Golahny Choice, "The author's erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers." -A. Golahny, Choice, &"This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art&and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field.&" &-Todd M. Richardson, HNA Newsletter and Review of Books, "With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll's important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region." --Dan Ewing, CAA Reviews, "The author's erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers." --A. Golahny, Choice, "This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field." --Elizabeth Honig, University of California, Berkeley, &"With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll&'s important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region.&" &-Dan Ewing, CAA Reviews, &"In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant&-from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries&-stimulated local artistic innovation in very pointed ways.&" &-Catherine H. Lusheck, Renaissance Quarterly, "With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll's important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region." -Dan Ewing, CAA Reviews, "This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field." --Elizabeth Honig,University of California, Berkeley, "In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant--from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries--stimulated local artistic innovation in very pointed ways." --Catherine H. Lusheck Renaissance Quarterly, &"This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field.&" &-Elizabeth Honig, University of California, Berkeley, "In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant--from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries--stimulated local artistic innovation in very pointed ways." --Catherine H. Lusheck, Renaissance Quarterly, "This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art-and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field." -Todd M. Richardson, HNA Newsletter and Review of Books, "With her superb individual studies and her searching investigations into questions of historical belief-systems and their transformations over time, Carroll's important, clearly written book makes an impressive contribution to contextual art history and the history of ideas. It is certain to stimulate scholars, and likely to engage non-specialists and students who have an interest in this volatile, fascinating extended period and region." --Dan Ewing CAA Reviews, "This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art-and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field." --Todd M. Richardson, HNA Newsletter and Review of Books, &"The author&'s erudition, lucid writing, and meticulous research make these essays on the themes of marriage, politics, social harmony, and discord excellent reading for undergraduates as well as researchers.&" &-A. Golahny, Choice, "This book provides a welcome addition to scholarship on late medieval and early modern Netherlandish art-and because it is so readable, it provides a rare scholarly resource that is accessible to undergraduate students interested in the field." --Todd M. Richardson HNA Newsletter and Review of Books, "This is an important book that deserves to be listened to, debated, and absorbed into the discourse of this field." -Elizabeth Honig, University of California, Berkeley, "In this compelling study, Margaret D. Carroll explores how shifting political and cultural climates, in part the result of longstanding foreign domination, fueled an extraordinary flourish of pictorial invention in the early modern Lowlands. Through six carefully chosen case studies, the author investigates how certain seminal works of Netherlandish art inventively register contemporary responses to local, political discourse. While Carroll casts her sociohistorical net broadly, a focused discursive thread drives the choice and chronological arrangement of her case studies and her broader ideological concerns. She argues that a fundamental philosophical progression in the Brabant-from an ethos of relative social cooperation based in accelerating capitalist interests in the Burgundian Netherlands to one of social strain and conquest wrought by rising demands of absolutist courts in the late sixteenth and early seventeenth centuries-stimulated local artistic innovation in very pointed ways." -Catherine H. Lusheck, Renaissance Quarterly
Illustrated
Yes
Dewey Decimal
759.9493
Table Of Content
Contents List of Illustrations Acknowledgments Introduction 1.. The Merchant's Mirror: Jan van Eyck's Arnolfini Portrait 2. Breaking Bonds: Marriage and Community in Bruegel's Netherlandish Proverbs and Carnival and Lent 3. The Conceits of Empire: Bruegel's Ice-Skating Outside St. George's Gate in Antwerp and Tower of Babel 4. The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence 5. "Womanliness as a Masquerade": The Case of Marie de Médicis 6. The Nature of Violence: Animal Combat in the Seventeenth Century Notes Bibliography Index
Synopsis
Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck's Arnolfini Portrait , Bruegel's Netherlandish Proverbs , and Rubens's Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art. The narrative follows the way painters responded to the emergence of "modern" theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day., Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists ......, Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck's Arnolfini Portrait, Bruegel's Netherlandish Proverbs, and Rubens's Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art. The narrative follows the way painters responded to the emergence of "modern" theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day., Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck's Arnolfini Portrait , Bruegel's Netherlandish Proverbs , and Rubens's Life of Marie de M dicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art. The narrative follows the way painters responded to the emergence of "modern" theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day.
LC Classification Number
ND634.C37 2007

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