Breaking It Down: Audition Techniqu..., Monica White Nd

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Zuletzt aktualisiert am 02. Nov. 2025 04:10:43 MEZAlle Änderungen ansehenAlle Änderungen ansehen

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Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
ISBN
1538137070
EAN
9781538137079
Publication Name
N/A
Type
Hardback
Release Title
Breaking It Down: Audition Techniques for Actors of the Global...
Artist
Monica White Ndounou
Brand
N/A
Colour
N/A
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Bloomsbury Publishing USA
ISBN-10
1538137070
ISBN-13
9781538137079
eBay Product ID (ePID)
9050393572

Product Key Features

Book Title
Breaking It Down : Audition Techniques for Actors of the Global Majority
Number of Pages
190 Pages
Language
English
Publication Year
2021
Topic
Acting & Auditioning
Illustrator
Yes
Genre
Performing Arts
Author
Nicole Hodges Persley, Monica White Ndounou
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
13.2 Oz
Item Length
8.8 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Trade
LCCN
2020-052284
Dewey Edition
23
Reviews
Breaking It Down may become one of the most important books ever written. Monica and Nicole prepare actors of the global majority for the real deal with concrete steps to.take to achieve success as well as how to avoid audition trauma. At the book's core is the much appreciated, very personal essential assertion of standing firmly in ownership of the power and beauty of one's own authentic creative self. Bravo and thank you!, Finally! An astonishing twenty-first treasure trove for actors representing a range of cultural backgrounds and identities. In ten chapters, an understandable, explicit, practical how-to-audition book that offers valuable insight and instruction for actors of the global majority auditioning for roles on the stage or camera. Read this book!, Timing is everything, and this book couldn't have come at a better moment as film and theater companies seek to embrace equity and inclusion in front of and behind the camera and on and off the stage. Experienced theater professionals Persley and Ndounou offer a 10-step program that focuses "on breaking down the process of preparing for and performing in an audition, rather than being broken down by the system." These steps include approaches to establishing boundaries, playing the action, and identifying the emotions, and all are meant to help the student or aspiring actor develop a successful audition strategy and an effective acting process. Readers are encouraged to start keeping an acting journal, using the prompts provided after each step. Additional resources include lists of "Supplemental Stanislavsky-Based and Non-Eurocentric Techniques Developed by African American Actor Trainers," "Non-Eurocentric Acting Approach University Programs," and "Theatres of the Global Majority with Actor Training Opportunities." Further resources may be found at www.BreakingItDown.com. This is an important guide for all theater students and aspiring actors, especially those who identify as BIPOC., Persley and Ndounou--accomplished educators, performers, and directors who cofounded CreateEnsemble, a social media platform for artists of color--have written an acting guide specifically for people of the "global majority" (the more than 80 percent of the world's population that is nonwhite). Focusing on stage audition skills that can easily be applied to screen acting, the authors encourage actors of the global majority (AGM) to treat auditions like job interviews. They provide practical guidance on establishing boundaries, developing a mission statement, increasing emotional vocabulary, creating self-taped auditions, vetting agents and managers, creating résumés, and developing a social media presence. Persley and Ndounou discuss how to handle situations where AGM are asked to read for dehumanizing roles that rely on racial or gender stereotypes; they also make the case that Stanislavski-based techniques, which push performers to disconnect from their emotions and gender and racial identity, can be harmful and limiting for AGM. Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work. armful and limiting for AGM. Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work.armful and limiting for AGM. Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work.armful and limiting for AGM. Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work., BIPOC actors face a unique set of biases and stereotypes in Hollywood. Breaking It Down: Audition Techniques for Actors of the Global Majority is a revolutionary and practical resource that encourages actors of the global majority to use what makes them unique rather than fit into stereotypes created by a predominantly white entertainment industry. I highly recommend Breaking It Down to all BIPOC actors--whether they are just starting out, or whether they are veterans who want a fresh perspective on how to book gigs by (re)claiming their identities., Breaking It Down is a welcome addition to the crowded shelf of "how to" acting books. It separates itself from the pack by approaching the craft of acting holistically--encouraging BIPOC actors, "actors of the global majority," to embrace their full selves. To bring it ALL into the room. Self-knowledge is the key to truthful storytelling. No matter whose story you're telling. We are who we are as artists because of, not in spite of, our uniqueness. If we want to be truly seen we must be brave enough to hone our skills and confront obstacles with honesty and excellence that cannot be denied. Breaking It Down provides tools and exercises to do that work. The authors challenge the reader to "Remember the 3 B's: Break it down. Bring it. Book it." I will add one more B for them: "Bravo!", Timing is everything, and this book couldn't have come at a better moment as film and theater companies seek to embrace equity and inclusion in front of and behind the camera and on and off the stage. Experienced theater professionals Persley and Ndounou offer a 10-step program that focuses "on breaking down the process of preparing for and performing in an audition, rather than being broken down by the system." These steps include approaches to establishing boundaries, playing the action, and identifying the emotions, and all are meant to help the student or aspiring actor develop a successful audition strategy and an effective acting process. Readers are encouraged to start keeping an acting journal, using the prompts provided after each step. Additional resources include lists of "Supplemental Stanislavsky-Based and Non-Eurocentric Techniques Developed by African American Actor Trainers," "Non-Eurocentric Acting Approach University Programs," and "Theatres of the Global Majority with Actor Training Opportunities." Further resources may be found at www.BreakingItDownBook.com. This is an important guide for all theater students and aspiring actors, especially those who identify as BIPOC., Persley and Ndounou--accomplished educators, performers, and directors who cofounded CreateEnsemble, a social media platform for artists of color--have written an acting guide specifically for people of the "global majority" (the more than 80 percent of the world's population that is nonwhite). Focusing on stage audition skills that can easily be applied to screen acting, the authors encourage actors of the global majority (AGM) to treat auditions like job interviews. They provide practical guidance on establishing boundaries, developing a mission statement, increasing emotional vocabulary, creating self-taped auditions, vetting agents and managers, creating résumés, and developing a social media presence. Persley and Ndounou discuss how to handle situations where AGM are asked to read for dehumanizing roles that rely on racial or gender stereotypes; they also make the case that Stanislavski-based techniques, which push performers to disconnect from their emotions and gender and racial identity, can be harmful and limiting for AGM. Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work., Timing is everything, and this book couldn't have come at a better moment as film and theater companies seek to embrace equity and inclusion in front of and behind the camera and on and off the stage. Experienced theater professionals Persley and Ndounou offer a 10-step program that focuses "on breaking down the process of preparing for and performing in an audition, rather than being broken down by the system." These steps include approaches to establishing boundaries, playing the action, and identifying the emotions, and all are meant to help the student or aspiring actor develop a successful audition strategy and an effective acting process. Readers are encouraged to start keeping an acting journal, using the prompts provided after each step. Additional resources include lists of "Supplemental Stanislavsky-Based and Non-Eurocentric Techniques Developed by African American Actor Trainers," "Non-Eurocentric Acting Approach University Programs," and "Theatres of the Global Majority with Actor Training Opportunities." Further resources may be found at www.BreakingItDownBook.com. This is an important guide for all theater students and aspiring actors, especially those who identify as BIPOC. rtunities." Further resources may be found at www.BreakingItDownBook.com. This is an important guide for all theater students and aspiring actors, especially those who identify as BIPOC.rtunities." Further resources may be found at www.BreakingItDownBook.com. This is an important guide for all theater students and aspiring actors, especially those who identify as BIPOC.rtunities." Further resources may be found at www.BreakingItDownBook.com. This is an important guide for all theater students and aspiring actors, especially those who identify as BIPOC.
Dewey Decimal
792.028
Synopsis
"Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work." Library Journa l, Starred Review * A practical guide that shows BIPOC actors how to break down the audition process rather than being broken down by the entertainment industry and its practices of exclusion and bias., "Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work." Library Journal, Starred ReviewA practical guide that shows BIPOC actors how to break down the audition process rather than being broken down by the entertainment industry and its practices of exclusion and bias. Working in an environment that often stereotypes or attempts to "universalize" experiences, it's more important than ever that actors consider how culture, race, ethnicity, gender, sexuality, and ability are inseparable and important parts of their identity that should not be minimized and can instead enhance their work. In Breaking It Down: Audition Techniques for Actors of the Global Majority, Nicole Hodges Persley and Monica White Ndounou share real-world audition strategies that centers the experiences of actors of color. They combine practical advice, cultural studies, Black feminist perspectives, and lived experiences to offer intersectional approaches to auditioning.The ten steps outlined in this book aid actors across racial lines seeking to develop the necessary skills to break down a character and script while affirming their full selves into the audition to book the role. Building on the momentum of the #BlackLivesMatter, #MeToo, and Time's Up movements, Breaking It Down emboldens actors of the global majority to embrace every aspect of their identities rather than leaving themselves behind in an effort to gain entry and access to the entertainment industry, "Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work." Library Journa l, Starred Review - A practical guide that shows BIPOC actors how to break down the audition process rather than being broken down by the entertainment industry and its practices of exclusion and bias., "Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work." Library Journa l, Starred Review A practical guide that shows BIPOC actors how to break down the audition process rather than being broken down by the entertainment industry and its practices of exclusion and bias. Working in an environment that often stereotypes or attempts to "universalize" experiences, it's more important than ever that actors consider how culture, race, ethnicity, gender, sexuality, and ability are inseparable and important parts of their identity that should not be minimized and can instead enhance their work. In Breaking It Down: Audition Techniques for Actors of the Global Majority , Nicole Hodges Persley and Monica White Ndounoushare real-world audition strategies that centers the experiences of actors of color. They combine practical advice, cultural studies, Black feminist perspectives, and lived experiences to offer intersectional approaches to auditioning. The ten steps outlined in this book aid actors across racial lines seeking to develop the necessary skills to break down a character and script while affirming their full selves into the audition to book the role. Building on the momentum of the #BlackLivesMatter, #MeToo, and Time's Up movements, Breaking It Down emboldens actors of the global majority to embrace every aspect of their identities rather than leaving themselves behind in an effort to gain entry and access to the entertainment industry
LC Classification Number
PN2071.A92H57 2021

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