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Jansons Kunstgeschichte: Die westliche Tradition (8. Auflage) von Davies, Penelope
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Jansons Kunstgeschichte: Die westliche Tradition (8. Auflage) von Davies, Penelope
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Jansons Kunstgeschichte: Die westliche Tradition (8. Auflage) von Davies, Penelope

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    Hinweise des Verkäufers
    “This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs ...
    Book Title
    Janson's History of Art: The Western Tradition (8th Edition)
    ISBN
    9780205685172
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Prentice Hall PTR
    ISBN-10
    020568517X
    ISBN-13
    9780205685172
    eBay Product ID (ePID)
    4038259074

    Product Key Features

    Number of Pages
    1184 Pages
    Language
    English
    Publication Name
    Janson's History of Art : the Western Tradition
    Subject
    General, History / General
    Publication Year
    2010
    Type
    Textbook
    Author
    Joseph F. Jacobs, H. W. Janson, Walter B. Denny, Frima Fox Hofrichter, Penelope J. E. Davies
    Subject Area
    Art
    Format
    Hardcover

    Dimensions

    Item Height
    2.2 in
    Item Weight
    133.2 Oz
    Item Length
    11.3 in
    Item Width
    9.5 in

    Additional Product Features

    Edition Number
    8
    Intended Audience
    College Audience
    LCCN
    2009-022617
    Dewey Edition
    22
    Illustrated
    Yes
    Dewey Decimal
    709
    Synopsis
    For courses in the History of Art.   R ewritten and reorganized, this new edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library. Experience the new Janson and re-experience the history of art .   Long established as the classic and seminal introduction to art of the Western world, the Eighth Edition of Janson's History of Art is groundbreaking. When Harry Abrams first published the History of Art in 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist.  Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view. The History of Art , said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson's text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson's History of Art helped to establish the canon of art history for many generations of scholars.   The new Eighth Edition, although revised to remain current with new discoveries and scholarship, continues to follow Janson's lead in important ways: It is limited to the Western tradition, with a chapter on Islamic art and its relationship to Western art. It keeps the focus of the discussion on the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition maintains an organization along the lines established by Janson, with separate chapters on the Northern European Renaissance, the Italian Renaissance, the High Renaissance, and Baroque art, with stylistic divisions for key periods of the modern era. Also embedded in this edition is the narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony., For courses in the History of Art. "R"ewritten " " "and reorganized, thisnew edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library. Experience the new Janson and re-experience the history of art." Long established as the classic and seminal introduction to art of the Western world, theEighth Edition of "Janson's History of Art "is groundbreaking. When Harry Abrams first published the "History of Art" in 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view. "The History of Art," said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson s text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson s "History of Art" helped to establish the canon of art history for many generations of scholars. The newEighth Edition, although revised to remain current with new discoveries and scholarship, continues to follow Janson s lead in important ways: It is limited to the Western tradition, with a chapter on Islamic art and its relationship to Western art. It keeps the focus of the discussion on the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition maintains an organization along the lines established by Janson, with separate chapters on the Northern European Renaissance, the Italian Renaissance, the High Renaissance, and Baroque art, with stylistic divisions for key periods of the modern era. Also embedded in this edition is the narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony. ", For courses in the History of Art. R ewritten and reorganized, this new edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library. Experience the new Janson and re-experience the history of art . Long established as the classic and seminal introduction to art of the Western world, the Eighth Edition of Janson's History of Art is groundbreaking. When Harry Abrams first published the History of Art in 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view. The History of Art , said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson's text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson's History of Art helped to establish the canon of art history for many generations of scholars. The new Eighth Edition, although revised to remain current with new discoveries and scholarship, continues to follow Janson's lead in important ways: It is limited to the Western tradition, with a chapter on Islamic art and its relationship to Western art. It keeps the focus of the discussion on the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition maintains an organization along the lines established by Janson, with separate chapters on the Northern European Renaissance, the Italian Renaissance, the High Renaissance, and Baroque art, with stylistic divisions for key periods of the modern era. Also embedded in this edition is the narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony.
    LC Classification Number
    N5300.J29 2009b

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