Cornell '77: The Music, the Myth, an..., Conners, Peter

worldofbooksinc
(252985)
Angemeldet als gewerblicher Verkäufer
Mehr Artikel des Verkäufers
Verkäufer kontaktieren
US $9,69
Ca.CHF 7,72
Artikelzustand:
Sehr gut
2 verfügbar1 verkauft
Wurde auch von anderen Nutzern gekauft. Schon 1 verkauft.
Ganz entspannt. Kostenloser Versand & Rückversand.
Versand:
Kostenlos USPS Media MailTM.
Standort: Montgomery Illinois, USA
Lieferung:
Lieferung zwischen Mo, 6. Okt und Do, 9. Okt nach 94104 bei heutigem Zahlungseingang
Liefertermine - wird in neuem Fenster oder Tab geöffnet berücksichtigen die Bearbeitungszeit des Verkäufers, die PLZ des Artikelstandorts und des Zielorts sowie den Annahmezeitpunkt und sind abhängig vom gewählten Versandservice und dem ZahlungseingangZahlungseingang - wird ein neuem Fenster oder Tab geöffnet. Insbesondere während saisonaler Spitzenzeiten können die Lieferzeiten abweichen.
Rücknahme:
30 Tage Rückgabe. Verkäufer zahlt Rückversand.
Zahlungen:
     Diners Club

Sicher einkaufen

eBay-Käuferschutz
Geld zurück, wenn etwas mit diesem Artikel nicht stimmt. Mehr erfahreneBay-Käuferschutz - wird in neuem Fenster oder Tab geöffnet
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:317128772684
Zuletzt aktualisiert am 11. Sep. 2025 16:42:51 MESZAlle Änderungen ansehenAlle Änderungen ansehen

Artikelmerkmale

Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Book Title
Cornell '77: The Music, the Myth, and the Magnificence of the ...
ISBN
150170432X
EAN
9781501704321
Release Title
Cornell '77: The Music, the Myth, and the Magnificence of the ...
Artist
Conners, Peter
Brand
N/A
Colour
N/A
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Cornell University Press
ISBN-10
150170432X
ISBN-13
9781501704321
eBay Product ID (ePID)
7038619129

Product Key Features

Number of Pages
232 Pages
Publication Name
Cornell '77 : The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall
Language
English
Publication Year
2017
Subject
History & Criticism, United States / State & Local / Middle Atlantic (DC, De, Md, NJ, NY, Pa), Higher, Individual Composer & Musician, Genres & Styles / Rock
Type
Textbook
Subject Area
Music, Education, History
Author
Peter Conners
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
32.1 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2016-052331
Reviews
Cornell '77 is a smart history.... It's also a lot of fun.... And in his exegesis of the Dead classic 'Dark Star,' Conners's own writing becomes psychedelic--a challenge for any scribe, and one he meets with a poet's lyricism and insider's experience., "Peter Conners draws on an exceptionally wide range of sources--musicians, sound engineers, ticket takers, tapers, groundlings, record executives, archivists, journalists, and historians--not to argue that the Barton Hall event was the best Grateful Dead concert ever, but rather to show how it encapsulated the Dead's unique project and its extraordinary reception. By situating this remarkable concert in its place and time, Conners also demonstrates why the Dead's project continues to matter today. Cornell '77 will show aficionados and casual readers alike how the Ithacan part stands for the Dionysian whole."-Peter Richardson, San Francisco State University, author of No Simple Highway: A Cultural History of the Grateful Dead, I recommend Cornell '77 to anyone, Dead fan or not, who would like to know how one three-and-a-half-hour concert can, apparently, disappear into the mists of time for the musicians who played it, but stay vivid for decades in the memories of at least some of the almost 5,000 attendees, the concert's organizers, and the Dead's road crew, as well in the imaginations of untold listeners who only experienced the show through Cantor-Jackson's recording on cassette tapes and CD-Rs., "Peter Conners draws on an exceptionally wide range of sources--musicians, sound engineers, ticket takers, tapers, groundlings, record executives, archivists, journalists, and historians--not to argue that the Barton Hall event was the best Grateful Dead concert ever, but rather to show how it encapsulated the Dead's unique project and its extraordinary reception. By situating this remarkable concert in its place and time, Conners also demonstrates why the Dead's project continues to matter today. Cornell '77 will show aficionados and casual readers alike how the Ithacan part stands for the Dionysian whole."-Peter Richardson, author of No Simple Highway: A Cultural History of the Grateful Dead, "For years, fans and critics have raved about the Grateful Dead's concert at Cornell's Barton Hall on May 8, 1977. Yet for all of the accolades, this celebrated show has never been fully explored and explained- until now. Peter Conners tells the story of this remarkable event with zeal and precision, teasing out the magic from the myth and showing how this night became a legend."-Nicholas Meriwether, Director, Center for Counterculture Studies, Peter Conners draws on an exceptionally wide range of sources--musicians, sound engineers, ticket takers, tapers, groundlings, record executives, archivists, journalists, and historians--not to argue that the Barton Hall event was the best Grateful Dead concert ever, but rather to show how it encapsulated the Dead's unique project and its extraordinary reception. By situating this remarkable concert in its place and time, Conners also demonstrates why the Dead's project continues to matter today. Cornell '77 will show aficionados and casual readers alike how the Ithacan part stands for the Dionysian whole., "Peter Conners displays a great deal of insight on the Grateful Dead. His focus on Deadheads is apt; the author was a card-carrying member of this group, though he boarded the bus several years after the concert described so well in Cornell '77."-Peter Richardson, San Francisco State University, author of No Simple Highway: A Cultural History of the Grateful Dead, Peter Conners' writing is the silver lining of intelligence in this book and the author carries on stylishly entertaining the reader as he enacts the ratification of his premise: that this late Seventies spring show at the institution of higher learning in Ithaca, New York was/is the ultimate Grateful Dead performance., The book Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall , by Deadhead Peter Conners, is a smart history.... It's also a lot of fun.... And in his exegesis of the Dead classic 'Dark Star,' Conners's own writing becomes psychedelic--a challenge for any scribe, and one he meets with a poet's lyricism and insider's experience., Cornell '77 , the new book written by Peter Conners and published by Cornell University Press, is not only a well-researched volume, like exceptional album liner notes on steroids, it is the ideal companion to the Barton Hall recording., Cornell '77 , the new book written by Peter Conners and published by Cornell University Press, is not only a well-researched volume, like exceptional album liner notes on steroids, it is the ideal companion to the Barton Hall recording., "In Cornell '77, Peter Conners rightly makes the case that the Grateful Dead's concert at Cornell University's Barton Hall on May 8, 1977, was one of the band's most significant concerts."-Nicholas Meriwether, Director, Center for Counterculture Studies, San Francisco, and series editor, Studies in the Grateful Dead, University of California Press, For years, fans and critics have raved about the Grateful Dead's concert at Cornell's Barton Hall on May 8, 1977. Yet for all of the accolades, this celebrated show has never been fully explored and explained-- until now. Peter Conners tells the story of this remarkable event with zeal and precision, teasing out the magic from the myth and showing how this night became a legend., Cornell '77 is a smart history.... It's also a lot of fun.... And in his exegesis of the Dead classic 'Dark Star,' Conners's own writing becomes psychedelic--a challenge for any scribe, and one he meets with a poet's lyricism and insider's experience.
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
782.421660922
Table Of Content
Prologue: Grown Up DeadThe Sex Pistols, Disco, and the DeadCold Rain and SnowSonic ExperimentsJust the Right NightFirst SetSecond SetBetty BoardsThe Show That Never HappenedEpilogue: A Band Out of Time
Synopsis
Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall., On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings--referred to as "Betty Boards"--began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially.With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.Rooted in dozens of interviews--including a conversation with Betty Cantor-Jackson about her recording--and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band.As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77.", On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings--referred to as "Betty Boards"--began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially. With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles. Rooted in dozens of interviews--including a conversation with Betty Cantor-Jackson about her recording--and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band. As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77.", On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings--referred to as "Betty Boards"--began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially. With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles. Rooted in dozens of interviews--including a conversation with Betty Cantor-Jackson about her recording--and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band. As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77 ."
LC Classification Number
ML421.G72C64 2017

Artikelbeschreibung des Verkäufers

Info zu diesem Verkäufer

worldofbooksinc

98,2% positive Bewertungen•1.2 Mio. Artikel verkauft

Mitglied seit Feb 2020
Antwortet meist innerhalb 24 Stunden
Angemeldet als gewerblicher Verkäufer
In 2002, World of Books Group was founded on an ethos to do good, protect the planet and support charities by enabling more goods to be reused. Since then, we've grown into to a global company ...
Mehr anzeigen
Shop besuchenKontakt

Detaillierte Verkäuferbewertungen

Durchschnitt in den letzten 12 Monaten
Genaue Beschreibung
4.8
Angemessene Versandkosten
5.0
Lieferzeit
5.0
Kommunikation
5.0

Verkäuferbewertungen (290'977)

Alle Bewertungen
Positiv
Neutral
Negativ
Alle Bewertungen ansehen

Noch mehr entdecken: