Dieser Artikel ist nicht mehr vorrätig.

The Edge of Vision: The Rise of Abstract..., Lyle Rexer

worldofbooksinc
(255097)
Angemeldet als gewerblicher Verkäufer
Mehr Artikel des Verkäufers
Verkäufer kontaktieren
US $22,99
Ca.CHF 18,35
Artikelzustand:
Sehr gut
Nicht mehr vorrätig2 verkauft
Versand:
Kostenlos USPS Media MailTM.
Standort: Montgomery Illinois, USA
Lieferung:
Lieferung zwischen Sa, 11. Okt und Do, 16. Okt nach 94104 bei heutigem Zahlungseingang
Liefertermine - wird in neuem Fenster oder Tab geöffnet berücksichtigen die Bearbeitungszeit des Verkäufers, die PLZ des Artikelstandorts und des Zielorts sowie den Annahmezeitpunkt und sind abhängig vom gewählten Versandservice und dem ZahlungseingangZahlungseingang - wird ein neuem Fenster oder Tab geöffnet. Insbesondere während saisonaler Spitzenzeiten können die Lieferzeiten abweichen.
Rücknahme:
30 Tage Rückgabe. Verkäufer zahlt Rückversand.
Zahlungen:
     Diners Club

Sicher einkaufen

eBay-Käuferschutz
Geld zurück, wenn etwas mit diesem Artikel nicht stimmt. Mehr erfahreneBay-Käuferschutz - wird in neuem Fenster oder Tab geöffnet
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:317212544046
Zuletzt aktualisiert am 27. Aug. 2025 10:21:04 MESZAlle Änderungen ansehenAlle Änderungen ansehen

Artikelmerkmale

Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
ISBN
1597111007
EAN
9781597111003
Publication Name
N/A
Type
Hardback
Release Title
The Edge of Vision: The Rise of Abstraction in Photography
Artist
Lyle Rexer
Brand
N/A
Colour
N/A
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Aperture Foundation, Incorporated
ISBN-10
1597111007
ISBN-13
9781597111003
eBay Product ID (ePID)
71656621

Product Key Features

Book Title
Edge of Vision : the Rise of Abstraction in Photography
Number of Pages
292 Pages
Language
English
Publication Year
2009
Topic
Collections, Catalogs, Exhibitions / General
Illustrator
Yes
Genre
Photography
Author
Lyle Rexer
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
47.3 Oz
Item Length
10.3 in
Item Width
8.3 in

Additional Product Features

Intended Audience
Trade
LCCN
2008-054334
Dewey Edition
22
TitleLeading
The
Dewey Decimal
770.1
Synopsis
From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of its pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations-- from the Photo Secessionists who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments. In the decades to follow, in particular from the 1940s through the 1980s, a multitude of photographers-- Edward Weston, Aaron Siskind, and Barbara Kasten, among them--took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists--most prominently Silvio Wolf, Marco Breuer, and Ellen Carey--reject photography's documentary dimension in favor of other possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from key practitioners and critics, such as Edward Steichen, László Moholy-Nagy, and James Welling., From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations--from the Photo Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments. In the decades to follow, in particular from the 1940s through the 1980s, a multitude of photographers--Edward Weston, Aaron Siskind and Barbara Kasten among them--took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists--most prominently Ilan Wolff, Marco Breuer and Ellen Carey--reject photography's documentary dimension in favor of other possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from and interviews with key practitioners and critics such as Edward Steichen, L_szl_ Moholy-Nagy and James Welling., From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations--from the Photo Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments. In the decades to follow, in particular from the 1940s through the 1980s, a multitude of photographers--Edward Weston, Aaron Siskind and Barbara Kasten among them--took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists--most prominently Ilan Wolff, Marco Breuer and Ellen Carey--reject photography's documentary dimension in favor of other possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from and interviews with key practitioners and critics such as Edward Steichen, Laszlo Moholy-Nagy and James Welling.
LC Classification Number
TR656.R473 2009

Artikelbeschreibung des Verkäufers

Info zu diesem Verkäufer

worldofbooksinc

98,3% positive Bewertungen•1.2 Mio. Artikel verkauft

Mitglied seit Feb 2020
Antwortet meist innerhalb 24 Stunden
Angemeldet als gewerblicher Verkäufer
In 2002, World of Books Group was founded on an ethos to do good, protect the planet and support charities by enabling more goods to be reused. Since then, we've grown into to a global company ...
Mehr anzeigen
Shop besuchenKontakt

Detaillierte Verkäuferbewertungen

Durchschnitt in den letzten 12 Monaten
Genaue Beschreibung
4.8
Angemessene Versandkosten
5.0
Lieferzeit
5.0
Kommunikation
5.0

Verkäuferbewertungen (293'295)

Alle Bewertungen
Positiv
Neutral
Negativ
Alle Bewertungen ansehen

Noch mehr entdecken: