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War Trauma and English Modernism : T. S. Eliot and D. H. Lawrence by Carl CC
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Standort: Plover, Wisconsin, USA
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eBay-Artikelnr.:317420787244
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “HARDCOVER. Ex-library with stickers and stamps. Read only a few times.”
- ISBN
- 9780230291577
Über dieses Produkt
Product Identifiers
Publisher
Palgrave Macmillan The Limited
ISBN-10
0230291570
ISBN-13
9780230291577
eBay Product ID (ePID)
102930930
Product Key Features
Number of Pages
Xi, 241 Pages
Language
English
Publication Name
War Trauma and English Modernism : T. S. Eliot and D. H. Lawrence
Publication Year
2011
Subject
European / General, Modern / 20th Century, Subjects & Themes / Historical events, General, Semiotics & Theory, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
18.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-011831
Dewey Edition
22
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
820.9/00912
Table Of Content
Acknowledgements List of Abbreviations Introduction Modernism in Crisis: The Rainbow Testimony before Trauma: Eliot's Poetry up to 1915 Testimony as History: The First 'Women in Love' Eliot's War Poetry: Hysteria to The Waste Land Working Through: Lawrence 1918 to 1930 Trauma Transfigured: The Hollow Men to Little Gidding Conclusion: The Legacy of War on the Legacy of Modernism Bibliography Index
Synopsis
This is the first book to consistently read English Modernist literature as testimony to trauma of the First and Second World Wars. Focusing upon T.S. Eliot and D.H. Lawrence, it examines the impact of war upon their lives and their strategies to resist it through literary innovation., This book reads English Modernist literature as testimony to trauma of the First and Second World Wars. Focusing upon T.S. Eliot and D.H. Lawrence, it examines the impact of war down to the intimate details of their lives, and their strategies to resist it through literary innovation. Following the Modernist tradition rooted in Baudelaire, Eliot's poetry developed as a reaction to the modernity of industrial civilisation, to that of industrial warfare in the 'Sweeney' poems, 'Gerontion' and The Waste Land. Meanwhile, Lawrence redrafted The Rainbow as a riposte to the First World War then in The First "Women in Love" represented its devastation of Europe, and himself. He spent the last decade of his life both acting out and working through the violence of the war, to suggest an alternative to its impending recurrence. From 'The Hollow Men' to Little Gidding Eliot's poetry reached towards a climax of confrontation and disavowal regarding the cost of the First World War, and its successor. This study shifts between disciplinary boundaries of history, biography, criticism and culture: from the traumatic imprint of historical events upon the artist's act of writing, to the interpretation of this writing by a community which remains unable to articulate the original shock of these events. It draws upon archives in Britain and the USA, and the most recent authorised editions of Lawrence and Eliot's writings, to provide a wealth of new critical interpretations for both students and specialists.
LC Classification Number
PN770-779
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