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Riding on a Blue Note : Jazz and American Pop by Gary Giddins (2000, Trade PB)
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(4874)
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US $10,61
Ca.CHF 8,45
Bisher US $11,79 (- 10%)
Artikelzustand:
“Very clean unmarked copy with no dog eared pages. Light external wear.”
Sonderaktion endet in: 7 T 6 Std
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Versand:
Kostenlos USPS Media MailTM.
Standort: Yarmouth, Maine, USA
Lieferung:
Lieferung zwischen Fr, 21. Nov und Di, 25. Nov nach 94104 bei heutigem Zahlungseingang
Rücknahme:
30 Tage Rückgabe. Verkäufer zahlt Rückversand.
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eBay-Artikelnr.:324348204172
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Very clean unmarked copy with no dog eared pages. Light external wear.”
- Country of Origin
- United States
- Modified Item
- No
- Type
- Essay Collection
- ISBN
- 9780306809248
Über dieses Produkt
Product Identifiers
Publisher
Hachette Books
ISBN-10
0306809249
ISBN-13
9780306809248
eBay Product ID (ePID)
66634
Product Key Features
Book Title
Riding on a Blue Note : Jazz and American Pop
Number of Pages
336 Pages
Language
English
Publication Year
2000
Topic
Composers & Musicians, Genres & Styles / Jazz, Genres & Styles / Pop Vocal
Illustrator
Yes
Genre
Music, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14.1 Oz
Item Length
8.4 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Trade
LCCN
99-056630
Dewey Edition
21
Dewey Decimal
781.65
Synopsis
Gary Giddins, winner of the 1998 National Book Critics Circle Award, has a following that includes not only jazz enthusiasts but also pop music fans of every stripe. Writing here in a lyrical and celebratory style all his own, Giddins dazzlingly shows us among many other things how performers originally perceived as radical (Bing Crosby, Count Basie, Elvis Presley) became conservative institutions . . . how Charlie Parker created a masterpiece from the strain of an inane ditty . . . how the Dominoes helped combine church ritual with pop music . . . and how Irving Berlin translated a chiaroscuro of Lower East Side minorities into imperishable songs., Gary Giddins, winner of the 1998 National Book Critics Circle Award, has a following that includes not only jazz enthusiasts but also pop music fans of every stripe. Writing here in a lyrical and celebratory style all his own, Giddins dazzlingly shows us,among many other things,how performers originally perceived as radical (Bing Crosby, Count Basie, Elvis Presley) became conservative institutions ... how Charlie Parker created a masterpiece from the strain of an inane ditty ... how the Dominoes helped combine church ritual with pop music ... and how Irving Berlin translated a chiaroscuro of Lower East Side minorities into imperishable songs., Gary Giddins, winner of the 1998 National Book Critics Circle Award, has a following that includes not only jazz enthusiasts but also pop music fans of every stripe. Writing here in a lyrical and celebratory style all his own, Giddins dazzlingly shows us--among many other things--how performers originally perceived as radical (Bing Crosby, Count Basie, Elvis Presley) became conservative institutions ... how Charlie Parker created a masterpiece from the strain of an inane ditty ... how the Dominoes helped combine church ritual with pop music ... and how Irving Berlin translated a chiaroscuro of Lower East Side minorities into imperishable songs.
LC Classification Number
ML3507.G52 2000
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