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American Mirror: The Life and Art of Norman Rockwell by Solomon, Deborah
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eBay-Artikelnr.:325493934660
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Product Group
- Book
- Weight
- 1 lbs
- IsTextBook
- No
- ISBN
- 9781250056139
Über dieses Produkt
Product Identifiers
Publisher
Picador
ISBN-10
1250056136
ISBN-13
9781250056139
eBay Product ID (ePID)
201627223
Product Key Features
Book Title
American Mirror: the Life and Art of Norman Rockwell
Number of Pages
512 Pages
Language
English
Publication Year
2014
Topic
Individual Artists / General, American / General, Artists, Architects, Photographers
Illustrator
Yes
Genre
Art, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
1.4 in
Item Weight
19.7 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
Reviews
Deborah Solomon's beautiful, complex life of Norman Rockwell shows how his beloved pictures--many of which appeared in the Saturday Evening Post-- expressed Americans' hopes for the nation, even though they did not often show the real America., "Vivid and touching...This is the definitive biography of an American master who came in through the back door." -- Steve Martin "Solomon offers something new, entertaining, and disturbing....[ American Mirror ] is a revelation." -- John Wilmerding, The New York Times "Every American who cherishes the traditions that make this country great should acquire a copy of American Mirror , Deborah Solomon's brilliantly insightful chronicle of the life of illustrator Norman Rockwell." -- Jonathan Lopez, The Wall Street Journal "A masterpiece of the biographer's art." -- Lee Siegel, The New Yorker "Deborah Solomon has created a biography as vivid and touching as a Rockwell interior. This is the definitive biography of an American master who came in through the back door." -- Steve Martin, author of An Object of Beauty " American Mirror is a masterpiece--vivid, forthright and insightful. Through superb research and keen interpretation, Deborah Solomon tells the story of an artist so many thought they knew well, and perhaps did not know at all. An epic achievement." -- Laurie Norton Moffatt, director of the Norman Rockwell Museum "Norman Rockwell turns out not to have lived in the America he invented, the republic of station wagons, Santa Claus, and good citizenship. Deborah Solomon offers up a textured portrait of the man who carried no pictures of his family and never met a therapist he didn't like. Solomon masters foreground, background, and middle ground in this taut, beautifully written biography." -- Stacy Schiff, author of Cleopatra: A Life and winner of the Pulitzer Prize for Biography "Norman Rockwell remains our country's most beloved, most reviled, and most misunderstood painter. In American Mirror , Deborah Solomon tells his remarkable story with uncommon intelligence and grace." -- Roz Chast, New Yorker cartoonist "Deborah Solomon has done the culture a huge favor by placing Norman Rockwell among the most important American artists of the twentieth century. She reveals Rockwell in all his contradictions--celebrant of family values but indifferent husband, self-professed New Englander but restless traveler, apolitical for most of his life but by the end a passionate believer in civil rights. This is a great biography of a singular American genius, who has long deserved it." -- Bruce McCall, New Yorker illustrator "In American Mirror , Deborah Solomon has set herself, pointillist detail by detail, to unraveling the mystery of Norman Rockwell--the friendliest of painters who turns out to be the most complex of men. This is that rarest of books: the biography as page-turner, leading you effortlessly onwards." -- Daphne Merkin, author of Enchantment "Deborah Solomon's beautiful, complex life of Norman Rockwell shows how his beloved pictures--many of which appeared in the Saturday Evening Post-- expressed Americans' hopes for the nation, even though they did not often show the real America." -- Alan Brinkley, author of The Publisher: Henry Luce and His American Century "Esteemed art critic and biographer Solomon turns our perception of Norman Rockwell inside out in this fast-paced yet richly interpretative inquiry...Solomon's penetrating and commanding biography is brimming with surprising details and provocative juxtapositions." -- Donna Seaman, Booklist (starred review), In American Mirror , Deborah Solomon has set herself, pointillist detail by detail, to unraveling the mystery of Norman Rockwell--the friendliest of painters who turns out to be the most complex of men. This is that rarest of books: the biography as page-turner, leading you effortlessly onwards., Deborah Solomon has done the culture a huge favor by placing Norman Rockwell among the most important American artists of the twentieth century. She reveals Rockwell in all his contradictions--celebrant of family values but indifferent husband, self-professed New Englander but restless traveler, apolitical for most of his life but by the end a passionate believer in civil rights. This is a great biography of a singular American genius, who has long deserved it., Every American who cherishes the traditions that make this country great should acquire a copy of American Mirror , Deborah Solomon's brilliantly insightful chronicle of the life of illustrator Norman Rockwell., Norman Rockwell turns out not to have lived in the America he invented, the republic of station wagons, Santa Claus, and good citizenship. Deborah Solomon offers up a textured portrait of the man who carried no pictures of his family and never met a therapist he didn't like. Solomon masters foreground, background, and middle ground in this taut, beautifully written biography., "Solomon offers something new, entertaining, and disturbing [ American Mirror ] is a revelation."-John Wilmerding, The New York Times "Solomon is blessedly free of art-world blather or snobbery, writing in a style that balances elegance, irony and straightforward storytelling."-Anna Puente, USA Today "Solomons book is deeply researched, vigorously argued, and very well written."-Christopher Benfey, The New York Review of Books, Vivid and touching...This is the definitive biography of an American master who came in through the back door., Deborah Solomon has created a biography as vivid and touching as a Rockwell interior. This is the definitive biography of an American master who came in through the back door., Esteemed art critic and biographer Solomon turns our perception of Norman Rockwell inside out in this fast-paced yet richly interpretative inquiry...Solomon's penetrating and commanding biography is brimming with surprising details and provocative juxtapositions., "Vivid and touching...This is the definitive biography of an American master who came in through the back door."-Steve Martin "Solomon offers something new, entertaining, and disturbing....[ American Mirror ] is a revelation."-John Wilmerding, The New York Times "Every American who cherishes the traditions that make this country great should acquire a copy of American Mirror , Deborah Solomon's brilliantly insightful chronicle of the life of illustrator Norman Rockwell."-Jonathan Lopez, The Wall Street Journal "A masterpiece of the biographer's art."-Lee Siegel, The New Yorker "Deborah Solomon has created a biography as vivid and touching as a Rockwell interior. This is the definitive biography of an American master who came in through the back door."-Steve Martin, author of An Object of Beauty " American Mirror is a masterpiece-vivid, forthright and insightful. Through superb research and keen interpretation, Deborah Solomon tells the story of an artist so many thought they knew well, and perhaps did not know at all. An epic achievement."-Laurie Norton Moffatt, director of the Norman Rockwell Museum "Norman Rockwell turns out not to have lived in the America he invented, the republic of station wagons, Santa Claus, and good citizenship. Deborah Solomon offers up a textured portrait of the man who carried no pictures of his family and never met a therapist he didn't like. Solomon masters foreground, background, and middle ground in this taut, beautifully written biography."-Stacy Schiff, author of Cleopatra: A Life and winner of the Pulitzer Prize for Biography "Norman Rockwell remains our country's most beloved, most reviled, and most misunderstood painter. In American Mirror , Deborah Solomon tells his remarkable story with uncommon intelligence and grace."-Roz Chast, New Yorker cartoonist "Deborah Solomon has done the culture a huge favor by placing Norman Rockwell among the most important American artists of the twentieth century. She reveals Rockwell in all his contradictions-celebrant of family values but indifferent husband, self-professed New Englander but restless traveler, apolitical for most of his life but by the end a passionate believer in civil rights. This is a great biography of a singular American genius, who has long deserved it."-Bruce McCall, New Yorker illustrator "In American Mirror , Deborah Solomon has set herself, pointillist detail by detail, to unraveling the mystery of Norman Rockwell-the friendliest of painters who turns out to be the most complex of men. This is that rarest of books: the biography as page-turner, leading you effortlessly onwards."-Daphne Merkin, author of Enchantment "Deborah Solomon's beautiful, complex life of Norman Rockwell shows how his beloved pictures-many of which appeared in the Saturday Evening Post- expressed Americans' hopes for the nation, even though they did not often show the real America."-Alan Brinkley, author of The Publisher: Henry Luce and His American Century "Esteemed art critic and biographer Solomon turns our perception of Norman Rockwell inside out in this fast-paced yet richly interpretative inquiry...Solomon's penetrating and commanding biography is brimming with surprising details and provocative juxtapositions."-Donna Seaman, Booklist (starred review), "Deborah Solomon has created a biography as vivid and touching as a Rockwell interior. This is the definitive biography of an American master who came in through the back door."-Steve Martin, author of An Object of Beauty " American Mirror is a masterpiece-vivid, forthright and insightful. Through superb research and keen interpretation, Deborah Solomon tells the story of an artist so many thought they knew well, and perhaps did not know at all. An epic achievement."-Laurie Norton Moffatt, director of the Norman Rockwell Museum "Norman Rockwell turns out not to have lived in the America he invented, the republic of station wagons, Santa Claus, and good citizenship. Deborah Solomon offers up a textured portrait of the man who carried no pictures of his family and never met a therapist he didn't like. Solomon masters foreground, background, and middle ground in this taut, beautifully written biography."-Stacy Schiff, author of Cleopatra: A Life and winner of the Pulitzer Prize for Biography "Norman Rockwell remains our country's most beloved, most reviled, and most misunderstood painter. In American Mirror , Deborah Solomon tells his remarkable story with uncommon intelligence and grace."-Roz Chast, New Yorker cartoonist "Deborah Solomon has done the culture a huge favor by placing Norman Rockwell among the most important American artists of the twentieth century. She reveals Rockwell in all his contradictions-celebrant of family values but indifferent husband, self-professed New Englander but restless traveler, apolitical for most of his life but by the end a passionate believer in civil rights. This is a great biography of a singular American genius, who has long deserved it."-Bruce McCall, New Yorker illustrator "In American Mirror , Deborah Solomon has set herself, pointillist detail by detail, to unraveling the mystery of Norman Rockwell-the friendliest of painters who turns out to be the most complex of men. This is that rarest of books: the biography as page-turner, leading you effortlessly onwards."-Daphne Merkin, author of Enchantment "Deborah Solomon's beautiful, complex life of Norman Rockwell shows how his beloved pictures-many of which appeared in the Saturday Evening Post- expressed Americans' hopes for the nation, even though they did not often show the real America."-Alan Brinkley, author of The Publisher: Henry Luce and His American Century "Esteemed art critic and biographer Solomon turns our perception of Norman Rockwell inside out in this fast-paced yet richly interpretative inquiry...Solomon's penetrating and commanding biography is brimming with surprising details and provocative juxtapositions."-Donna Seaman, Booklist (starred review), Norman Rockwell remains our country's most beloved, most reviled, and most misunderstood painter. In American Mirror , Deborah Solomon tells his remarkable story with uncommon intelligence and grace., American Mirror is a masterpiece--vivid, forthright and insightful. Through superb research and keen interpretation, Deborah Solomon tells the story of an artist so many thought they knew well, and perhaps did not know at all. An epic achievement.
Synopsis
A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK OF THE YEAR A FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE IN BIOGRAPHY AND SHORTLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY "Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided twentieth-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. Freckled Boy Scouts and their mutts, sprightly grandmothers, a young man standing up to speak at a town hall meeting, a little black girl named Ruby Bridges walking into an all-white school--here was an America whose citizens seemed to believe in equality and gladness for all. Who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity? Behind the folksy, pipe-smoking façade lay a surprisingly complex figure--a lonely painter who suffered from depression and was consumed by a sense of inadequacy. He wound up in treatment with the celebrated psychoanalyst Erik Erikson. In fact, Rockwell moved to Stockbridge, Massachusetts so that he and his wife could be near Austen Riggs, a leading psychiatric hospital. "What'sinteresting is how Rockwell's personal desire for inclusion and normalcy spoke to the national desire for inclusion and normalcy," writes Solomon. "His work mirrors his own temperament--his sense of humor, his fear of depths--and struck Americans as a truer version of themselves than the sallow, solemn, hard-bitten Puritans they knew from eighteenth-century portraits." Deborah Solomon, a biographer and art critic, draws on a wealth of unpublished letters and documents to explore the relationship between Rockwell's despairing personality and his genius for reflecting America's brightest hopes. "The thrill of his work," she writes, "is that he was able to use a commercial form [that of magazine illustration] to thrash out his private obsessions." In American Mirror , Solomon trains her perceptive eye not only on Rockwell and his art but on the development of visual journalism as it evolved from illustration in the 1920s to photography in the 1930s to television in the 1950s. She offers vivid cameos of the many famous Americans whom Rockwell counted as friends, including President Dwight Eisenhower, the folk artist Grandma Moses, the rock musician Al Kooper, and the generation of now-forgotten painters who ushered in the Golden Age of illustration, especially J. C. Leyendecker, the reclusive legend who created the Arrow Collar Man. Although derided by critics in his lifetime as a mere illustrator whose work could not compete with that of the Abstract Expressionists and other modern art movements, Rockwell has since attracted a passionate following in the art world. His faith in the power of storytelling puts his work in sync with the current art scene. American Mirror brilliantly explains why he deserves to be remembered as an American master of the first rank., A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK OF THE YEAR A FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE IN BIOGRAPHY AND SHORTLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY "Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided twentieth-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. Freckled Boy Scouts and their mutts, sprightly grandmothers, a young man standing up to speak at a town hall meeting, a little black girl named Ruby Bridges walking into an all-white school--here was an America whose citizens seemed to believe in equality and gladness for all. Who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity? Behind the folksy, pipe-smoking fa ade lay a surprisingly complex figure--a lonely painter who suffered from depression and was consumed by a sense of inadequacy. He wound up in treatment with the celebrated psychoanalyst Erik Erikson. In fact, Rockwell moved to Stockbridge, Massachusetts so that he and his wife could be near Austen Riggs, a leading psychiatric hospital. "What's interesting is how Rockwell's personal desire for inclusion and normalcy spoke to the national desire for inclusion and normalcy," writes Solomon. "His work mirrors his own temperament--his sense of humor, his fear of depths--and struck Americans as a truer version of themselves than the sallow, solemn, hard-bitten Puritans they knew from eighteenth-century portraits." Deborah Solomon, a biographer and art critic, draws on a wealth of unpublished letters and documents to explore the relationship between Rockwell's despairing personality and his genius for reflecting America's brightest hopes. "The thrill of his work," she writes, "is that he was able to use a commercial form that of magazine illustration] to thrash out his private obsessions." In American Mirror , Solomon trains her perceptive eye not only on Rockwell and his art but on the development of visual journalism as it evolved from illustration in the 1920s to photography in the 1930s to television in the 1950s. She offers vivid cameos of the many famous Americans whom Rockwell counted as friends, including President Dwight Eisenhower, the folk artist Grandma Moses, the rock musician Al Kooper, and the generation of now-forgotten painters who ushered in the Golden Age of illustration, especially J. C. Leyendecker, the reclusive legend who created the Arrow Collar Man. Although derided by critics in his lifetime as a mere illustrator whose work could not compete with that of the Abstract Expressionists and other modern art movements, Rockwell has since attracted a passionate following in the art world. His faith in the power of storytelling puts his work in sync with the current art scene. American Mirror brilliantly explains why he deserves to be remembered as an American master of the first rank., A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK OF THE YEAR A FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE IN BIOGRAPHY AND SHORTLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY Welcome to Rockwell Land, writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided twentieth-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. Freckled Boy Scouts and their mutts, sprightly grandmothers, a young man standing up to speak at a town hall meeting, a little black girl named Ruby Bridges walking into an all-white school--here was an America whose citizens seemed to believe in equality and gladness for all. Who was this man who served as our unofficial artist in chief and bolstered our country's national identity? Behind the folksy, pipe-smoking fa ade lay a surprisingly complex figure--a lonely painter who suffered from depression and was consumed by a sense of inadequacy. He wound up in treatment with the celebrated psychoanalyst Erik Erikson. In fact, Rockwell moved to Stockbridge, Massachusetts so that he and his wife could be near Austen Riggs, a leading psychiatric hospital. What's interesting is how Rockwell's personal desire for inclusion and normalcy spoke to the national desire for inclusion and normalcy, writes Solomon. His work mirrors his own temperament--his sense of humor, his fear of depths--and struck Americans as a truer version of themselves than the sallow, solemn, hard-bitten Puritans they knew from eighteenth-century portraits. Deborah Solomon, a biographer and art critic, draws on a wealth of unpublished letters and documents to explore the relationship between Rockwell's despairing personality and his genius for reflecting America's brightest hopes. The thrill of his work, she writes, is that he was able to use a commercial form that of magazine illustration] to thrash out his private obsessions. In American Mirror , Solomon trains her perceptive eye not only on Rockwell and his art but on the development of visual journalism as it evolved from illustration in the 1920s to photography in the 1930s to television in the 1950s. She offers vivid cameos of the many famous Americans whom Rockwell counted as friends, including President Dwight Eisenhower, the folk artist Grandma Moses, the rock musician Al Kooper, and the generation of now-forgotten painters who ushered in the Golden Age of illustration, especially J. C. Leyendecker, the reclusive legend who created the Arrow Collar Man. Although derided by critics in his lifetime as a mere illustrator whose work could not compete with that of the Abstract Expressionists and other modern art movements, Rockwell has since attracted a passionate following in the art world. His faith in the power of storytelling puts his work in sync with the current art scene. American Mirror brilliantly explains why he deserves to be remembered as an American master of the first rank.
LC Classification Number
ND237.R68S65 2014
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- b***i (1968)- Bewertung vom Käufer.Letzte 6 MonateBestätigter Kauf***These magazines are as described and pictured. These were securely packaged for shipment, very reasonably priced. Great seller communication***2001 Alfred Hitchcock's Mystery Magazine Jan and Sept (Nr. 324170204594)
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ewbooksandmore
99,8% positive Bewertungen•14 Tsd. Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe.
Verkäuferbewertungen (4'534)
- b***i (1968)- Bewertung vom Käufer.Letzte 6 MonateBestätigter Kauf***These magazines are as described and pictured. These were securely packaged for shipment, very reasonably priced. Great seller communication***2001 Alfred Hitchcock's Mystery Magazine Jan and Sept (Nr. 324170204594)
- r***m (120)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent condition as described. Speedy delivery. Packaging was top notch. Value was the best from this buyer.
- e***b (203)- Bewertung vom Käufer.Letzter MonatBestätigter KaufWell packaged, as described, prompt shipping, would buy from seller again