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Wolfstöne
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Standort: Augusta, Georgia, USA
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eBay-Artikelnr.:326041918547
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781940190280
Über dieses Produkt
Product Identifiers
Publisher
Soberscove Press
ISBN-10
1940190282
ISBN-13
9781940190280
eBay Product ID (ePID)
16050381585
Product Key Features
Book Title
Wolf Tones
Number of Pages
288 Pages
Language
English
Publication Year
2022
Topic
Individual Artists / Monographs, General
Illustrator
Yes
Genre
Music, Art
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
19.2 Oz
Item Length
6 in
Item Width
4.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2021-049123
Reviews
More than an archive, the book amplifies the concept of the wolf tone through photographs chosen by each artist and sequenced in spirited combinations that call and answer one another in sometimes harmonious, sometimes dissonant amplifications. Central to each artist s process is the act of looking, an experience that extends to the reader, who is made privy to the impressions and thoughts that guide their work., More than an archive, the book amplifies the concept of the wolf tone through photographs chosen by each artist and sequenced in spirited combinations that call and answer one another in sometimes harmonious, sometimes dissonant amplifications. Central to each artist's process is the act of looking, an experience that extends to the reader, who is made privy to the impressions and thoughts that guide their work.
Synopsis
A multidisciplinary reader on an acoustic phenomenon conventionally deemed undesirable When a bowed stringed instrument is played, the vibrations of certain notes can resonate at the same frequency as the vibrations of the instrument itself. The dissonant effect that results is referred to as a "wolf tone," for its howl, and is almost universally characterized as an unpleasant deviance. For Maximilian Goldfarb, Nancy Shaver and Sterrett Smith, however, the wolf tone has come to serve as a productive analogy for describing forces at work in a visual field and a model for their ongoing collaboration, Wolf Tones . Here, the artists present an orchestrated cacophony of images from their individual and collaborative practices alongside texts by contributors from the realms of music and sound, art, poetry, art criticism and architecture. Referencing landscape, temporality, sonic surpluses, improvisation, liane Radigue's Naldjorlak and more, this book addresses the artists' collaboration as well as the acoustic phenomenon itself, reimagining the wolf tone as something to be celebrated., A multidisciplinary reader on an acoustic phenomenon conventionally deemed undesirable When a bowed stringed instrument is played, the vibrations of certain notes can resonate at the same frequency as the vibrations of the instrument itself. The dissonant effect that results is referred to as a wolf tone, for its howl, and is almost universally characterized as an unpleasant deviance. For Maximilian Goldfarb, Nancy Shaver and Sterrett Smith, however, the wolf tone has come to serve as a productive analogy for describing forces at work in a visual field and a model for their ongoing collaboration, Wolf Tones . Here, the artists present an orchestrated cacophony of images from their individual and collaborative practices alongside texts by contributors from the realms of music and sound, art, poetry, art criticism and architecture. Referencing landscape, temporality, sonic surpluses, improvisation, Éliane Radigue s Naldjorlak and more, this book addresses the artists' collaboration as well as the acoustic phenomenon itself, reimagining the wolf tone as something to be celebrated., A multidisciplinary reader on an acoustic phenomenon conventionally deemed undesirable When a bowed stringed instrument is played, the vibrations of certain notes can resonate at the same frequency as the vibrations of the instrument itself. The dissonant effect that results is referred to as a "wolf tone," for its howl, and is almost universally characterized as an unpleasant deviance. For Maximilian Goldfarb, Nancy Shaver and Sterrett Smith, however, the wolf tone has come to serve as a productive analogy for describing forces at work in a visual field and a model for their ongoing collaboration, Wolf Tones . Here, the artists present an orchestrated cacophony of images from their individual and collaborative practices alongside texts by contributors from the realms of music and sound, art, poetry, art criticism and architecture. Referencing landscape, temporality, sonic surpluses, improvisation, Éliane Radigue's Naldjorlak and more, this book addresses the artists' collaboration as well as the acoustic phenomenon itself, reimagining the wolf tone as something to be celebrated., When a bowed stringed instrument is played, the vibrations of certain notes can resonate at the same frequency as the vibrations of the instrument itself. The dissonant effect that results is referred to as a "wolf tone," for its howl, and is almost universally characterized as an unpleasant deviance. For Maximilian Goldfarb, Nancy Shaver and Sterrett Smith, however, the wolf tone has come to serve as a productive analogy for describing forces at work in a visual field and a model for their ongoing collaboration, Wolf Tones. Here, the artists present an orchestrated cacophony of images from their individual and collaborative practices alongside texts by contributors from the realms of music and sound, art, poetry, art criticism and architecture. Referencing landscape, temporality, sonic surpluses, improvisation, Éliane Radigue's Naldjorlak and more, this book addresses the artists' collaboration as well as the acoustic phenomenon itself, reimagining the wolf tone as something to be celebrated.
LC Classification Number
NX504.2.W65 2021
Text by
Allen, Stan, Curtis, Charles
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