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Wenn es gut klingt, ist es gut Americana Musik radikale Politik HB PM Presse

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Standort: Shelton, Washington, USA
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eBay-Artikelnr.:326318717249
Zuletzt aktualisiert am 05. Jun. 2025 15:52:40 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
ISBN
9781629637921

Über dieses Produkt

Product Identifiers

Publisher
PM Press
ISBN-10
1629637920
ISBN-13
9781629637921
eBay Product ID (ePID)
21038780593

Product Key Features

Book Title
If It Sounds Good, It Is Good : Seeking Subversion, Transcendence, and Solace in America's Music
Number of Pages
320 Pages
Language
English
Publication Year
2020
Topic
History & Criticism, Philosophy & Social Aspects
Genre
Music
Author
Richard Manning
Format
Hardcover

Dimensions

Item Height
0.4 in
Item Weight
15.9 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2019-946087
Reviews
"Richard Manning is the most significant social critic in the northern Rockies. We're fortunate to have Dick Manning as he continues his demands for fairness while casting light on our future." --William Kittredge, author of The Last Best Place: A Montana Anthology and The Next Rodeo: New and Selected Essays "Richard Manning's work has always been something special, distinguished by its intense passion and its penetrating insights." --George Black, author of Empire of Shadows: The Epic Story of Yellowstone "Richard Manning is at the head of his class." --Larry McMurtry, author of over two-dozen books including The Last Picture Show and Lonesome Dove "Richard Manning is the West's greatest journalist. Read this book, and then read everything else he has written and everything he will ever write." --Rick Bass, author of Why I Came West and The Traveling Feast "A good researcher, facile writer, and passionate critic." --Orion "Richard Manning tells the story of a feeling we've all known our whole lives: that those resonating sounds and melodies inside of us run generations deep and connect us to all living things. A beautifully written reminder that without music, we are nothing." --Jeff Ament, Pearl Jam
Synopsis
Music is fundamental to human existence, a cultural universal among all humans for all times. It is embedded in our evolution, encoded in our DNA, which is to say, essential to our survival. Academics in a variety of disciplines have considered this idea to devise explanations that Richard Manning, a lifelong journalist, finds hollow, arcane, incomplete, ivory-towered, and just plain wrong. He approaches the question from a wholly different angle, using his own guitar and banjo as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy. American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, field hands, drunks, slackers, and hucksters. Yet these people--poor, working people--built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, an unparalleled burst of invention. This is the counterfactual to the academics' story. This is what tells us music is essential, but by pulling this thread, Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion. Use this book to follow where his guitar leads. Ultimately it sings the American body, electric., American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, fieldhands, drunks, slackers, and hucksters. Yet these poor, working-class people, built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, an unparalleled burst of invention.This is the counterfactual to the academics' story. Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion., American roots muscic is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, fieldhands, drunks, slackers, and hucksters. Yet these poor, working-class people, built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, an unparalleled burst of invention. This is the counterfactual to the academics' story. Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion., Music is fundamental to human existence; it is embedded in our evolution and encoded in our DNA, which is to say, essential to our survival. Academics in a variety of disciplines have devised explanations that Richard Manning, a lifelong journalist, finds hollow, incomplete, ivory-towered, and just plain wrong. He approaches the question from a wholly different angle, using his own guitar and banjo as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy. American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, field hands, drunks, slackers, and hucksters. Yet these people--poor, working people--built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, in an unparalleled burst of invention. Use this book to follow where Manning's guitar leads. Ultimately, it sings the American body electric.
LC Classification Number
ML3512

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