ART BLAKEY - Complete Blue Note Collection Part Two, 1957-1960 - Like New 4 CDs
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ART BLAKEY - Complete Blue Note Collection Part Two, 1957-1960 - Like New 4 CDs
US $14,95
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Versand:
US $4,47 (ca. CHF 3,56) USPS Media MailTM.
Standort: Pasadena, California, USA
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eBay-Artikelnr.:326511306136
Artikelmerkmale
- Artikelzustand
- Type
- Box Set
- Color
- Blue
- Features
- Import, Live Recording, Sealed
- Run Time
- 312 Minutes
- Country/Region of Manufacture
- United Kingdom
- UPC
- 0823564666624
Über dieses Produkt
Product Identifiers
Record Label
Enlt, Enlightenment
UPC
0823564666624
eBay Product ID (ePID)
17046054794
Product Key Features
Release Year
2015
Format
CD
Genre
Jazz
Artist
Art Blakey
Release Title
Complete Blue Note Collection: 1957-1960
Dimensions
Item Height
1.00 in
Item Weight
0.44 lb
Item Length
5.75 in
Item Width
5.04 in
Additional Product Features
Number of Discs
4
Number of Tracks
41
Country/Region of Manufacture
United States
Tracks
Sam's Tune, Scotch Blues, Once Upon a Groove, Comments By Art Blakey, Ritual, Touche, Wake Up, Moanin', Are You Real', Along Came Betty, The Drum Thunder Suite, Blues March, Come Rain or Come Shine, The Feast, Aghano, Lamento Africano, Mirage, O'Tinde, Swingin' Kilts, Dinga, Reflection, Hipsippy Blues, Justice, The Theme, Close Your Eyes, Just Coolin', Chicken An' Dumplins, M ; M, Hi-Fly, The Theme, Art's Revelation, Birks' Works, Hallelujah, Oh Lady Be Good, Lover Man, 36-23-36, A Night in Tunisia, Sincerely Diana, So Tired, Yama, Kozo's Waltz
Notes
By 1957, Art Blakey had already earned considerable acclaim and a fierce reputation among fans and peers alike. Blakey and his near-omnipresent group The Jazz Messengers had recorded some of the most enduring jazz music of the era and were showing no signs of losing momentum. Originally formed in 1947, The Jazz Messengers had, within a decade, developed into a second incarnation, composed of trumpeter Bill Hardman, bassist Spanky DeBrest, Sam Dockery on piano and alto saxophonist Jackie McLean. The latter's hard-swinging sound would take centre stage on the quintet's albums during this period, notably so on 1956's Hard Bop and Ritual: The Modern Jazz Messengers in 1957. In 1958 the group went through a further personnel change, enlisting Lee Morgan on trumpet, Benny Golson on tenor saxophone, Bobby Timmons on piano and Jymie Merritt on bass. It was with this line-up that Blakey would produce some of his most famous work, and in 1958 they released Art Blakey And The Jazz Messengers, quickly reissued as Moanin' to take advantage of the opening track's popularity. The next few years would be a period of transition and experimentation for Art Blakey in his ongoing quest to bring new elements into his overall sound. In 1958 he recorded the two-volume set Holiday for Skins, which saw him take his drumming to a new level. Assembling a band containing numerous percussionists, including Philly Joe Jones, Ray Baretto and Sabu Martinez, the album took clear influence from Blakey's travels to Africa in the late 1940s, combining African drumming and chanting with Cuban percussion alongside a more traditional jazz lineup. The Jazz Messengers would continue to cycle through saxophonists as the decade drew to a close, seeing the return of Hank Mobley for another live session at the famous Birdland jazz venue, At the Jazz Corner of the World, and finally Wayne Shorter on A Night in Tunisia in 1960.
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