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THE BIRD AND THE BEE - INTERPRETING THE MASTERS VOL.1 CD 9 TRACKS JAZZ NEW!
AU $88,05
Ca.CHF 45,98
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Versand:
AU $12,99 (ca. CHF 6,78) Australia Post International Standard.
Standort: Weinstadt, Deutschland
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eBay-Artikelnr.:333333954677
Artikelmerkmale
- Artikelzustand
- Type
- Album
- Style
- Jazz
- MPN
- CDs
- UPC
- 5099962623421
Über dieses Produkt
Product Identifiers
Producer
Greg Kurstin
Record Label
Blue Note (Label)
UPC
5099962623421
eBay Product ID (ePID)
25050123349
Product Key Features
Format
CD
Release Year
2010
Genre
Alternative, Rock
Run Time
30 Mins 9 Seconds
Artist
The Bird and the Bee
Release Title
Interpreting the Masters, Vol. 1 :A Tribute to Daryl Hall and John Oates
Additional Product Features
Distribution
EMI
Number of Discs
1
Country/Region of Manufacture
USA
Reviews
Entertainment Weekly (p.69) - "[I]t's wink-free pop bliss....Inara George's intimate voice makes this almost sound like an 'unplugged'-style revelation." -- Grade: B+ Billboard (p.32) - "[T]he sprightly Bird & the Bee original that opens the set 'Heard It on the Radio,' expresses the group's love for FM radio as it pays homage to Hall & Oates." Mojo (Publisher) (p.104) - 3 stars out of 5 -- "Where this really shines is on the late-night, blue-eyed soul....It all slides down nicely..." Paste (magazine) (p.75) - "This record is the aural VIP room where the musical genius of The Bird and the Bee hang out with the lounge lizards and create a cool new cocktail."
Engineer
Greg Kurstin
Additional information
Tributee: Daryl Hall & John Oates. Personnel: Inara George (vocals); Greg Kurstin (keyboards, drums, programming). Audio Mixer: Greg Kurstin. Recording information: Echo Studios, Los Angeles, CA. The very title of Interpreting the Masters suggests that the Bird & the Bee are digging into a catalog of a widely respected pop songwriter -- a Burt Bacharach, perhaps, or a Jimmy Webb. That's not the case: children of the `80s that they are, singer Inara George and producer Greg Kurstin have chosen Daryl Hall & John Oates for the first volume of Interpreting the Masters, a sly move that reveals both their age and intended audience -- i.e., ex alt-rockers raised on new wave and now settling into a tasteful, hipster middle age, hauling around kids dressed in Ramones t-shirts -- and a reflection of Hall & Oates' increasing reputation as soul-pop songwriters and record-makers. The Bird & the Bee don't dig deeply into Hall & Oates catalog -- there's none of the burnished folk-rock of Whole Oates, nor do they pluck album tracks like "Looking for a Good Sign" off of Private Eyes -- they simply choose the biggest hits, then give them a slyly modern update, one that consciously recalls the modernist new wave productions of the duo's biggest hits yet fits within the Bird & the Bee's nicely tailored AAA pop. So if Interpreting the Masters, on the surface, provides no surprises, why is it such a wonderful surprise as a whole? Perhaps it's because the Bird & the Bee manage to make these very familiar hits sound fresh without radically reinventing them. That in itself is a much trickier move than turning these all into slow acoustic dirges, but it's better still because these arrangements are true to both Hall & Oates and George & Kurstin. The Bird & the Bee illustrate just how much they've learned with their introductory original "Heard It on the Radio," a song about the tunes they're about to sing that holds its own with the covers, but the heart of the album lies in these covers of `80s staples: they shift the spotlight just enough to prove how good both the original song and singles are, and by never drawing attention to their own performance and arrangements, the Bird & the Bee prove just how good they are too. ~ Stephen Thomas Erlewine
Number of Audio Channels
Stereo
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USt-IdNr.: AT U75968847, DE 815108550, FR 88892293390
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